No Man's Land - Tatort 911

Randy Quaid in a rare dramatic role, and M. Emmett Walsh in a really minor role are of interest. Charlie Sheen is the bad guy for a change. The movie itself is very lethargic, with occasional car action waking things up. There is no nudity and a low body count. I can't see this as much more than a television movie of the week. The love interest is simply like an add on. The Porches are fine and everything, but as fast as the cars are, the plot seems to crawl, especially in the beginning. None of the characters are likable, and some are severely underdeveloped. Honestly, you want car chases, there are better choices. The best way I can describe "No Man's Land" would be underwhelming. It's watchable, but just barely. .................................. MERK

Once again I've got to say thank you to my Netflix 'recommended' queue, because thus far it's let me to several great movies that I never knew existed, including this one.

This was a truly good movie, with a fantastic storyline, great acting and a lot of style. Charlie Sheen turns in a terrific, understated performance, which makes you sadly recall that at one time he was a gifted young actor with a promising future ahead of him, and not an out of control bipolar freak of nature. This movie actually fell right in the middle of his golden period; shortly after 'Platoon' and just before 'Wall Street' and 'Young Guns'. He was pretty clearly at the top of his game.

The rest of the cast did wonderfully as well, especially D.B. Sweeney who handled the lead role admirably, and the incredibly beautiful and talented Lara Harris, who deserves far more work in Hollywood than she's gotten. The only character who seemed out of place was Randy Quaid as the no-nonsense lieutenant, but that's only because I've become so used to seeing him in goofball roles that it's now a bit jarring when he's serious.

I definitely enjoyed this film, and any fan of the police/thriller genre will surely enjoy it as well, as will fans of the time period in general. I'm glad I didn't pass this one over.

Charlie Sheen and Little known actor DB Sweeney star in this excellent thriller about a cop who is sent undercover at a chop shop to find out who murdered another undercover officer.

DB Sweeney is not bad as the cop who ends up blurring the line and whose loyalties become divided. Benjy (DB Sweeney) gets in way over his head when he falls for the prime suspects sister(Lara Harris), and becomes buddy's with the suspect.

Charlie Sheen is at his super smooth and sleek best as the extremely affable but ultimately very cunning Ted Varrick. A well respected guy who has cops on the payroll, steals Porsche's and still has time for lavish party's at his home. As Sheen tell's Sweeney "Welcome to the lifestyles of the rich and aimless" ! There is a lot to like about this film. The performances range from excellent (Charlie Sheen & Randy Quaid as Sweeney's boss) to good (DB Sweeney) to not so good (Lara Harris). The Car Chases are well filmed and exciting as well as pretty believable as is the storyline and the actions of the characters. The Tension between Sweeney & Sheen and the ending are well handled and leaves you satisfied at the end.

I was surprised that Character actor George Dzundza was uncredited as Benjy's Uncle Mike and he is not even listed on IMDb (I have sent a cast update to IMDb).

I highly recommend this film and would rate it 7/10

This film is nearly 20 years old, but still rates as one of the best movies I've ever seen.

Following the title sequence which sets the violent scene of car crime which forms the backdrop for this film, Peter Werner opens the film with a fairly protracted scene featuring the central character (22-year-old rookie cop, Benjy) in his home environment. This marks the start of some brilliant characterisation which underpins the whole film, causing the viewer not to perceive that there is a "villain of the piece". As an enviable friendship between Bengy and the police target, suspected ringleader and businessman, Ted Varrick (Charlie Sheen) develops, the viewer yearns to be in ether's shoes, as Ted welcomes Bengy to his world of the "rich and aimless". This envy is part based on the complex hedonistic and idealistic relationships between all the characters that evolves, but ultimately everything relies for its roots on Bengy and Teds crime sprees, something that ultimately must end.

The deterioration is palpable, and when ultimately the reckoning comes, it does so in series of twists that drive the two friends together (something very much cunningly engineered by Ted himself). The end represents a self fulfilling prophesy that left me craving for more, yet knowing there could be no sequel.

The contrast between the pair is very much a focal point, the only commonality being their devotion to their own goals - goals which for Bengy at least become very blurred, as Ted gives him the Porsche and the lifestyle that form the focus of his own existence. The domestic opening scene is a stark contrast for the remote, empty but undeniabley plush and palacial house that Ted "visits" rather than truly lives in, with its stunning view from the hills over the city.

The film is bolstered by some spectacular car chase sequences that are plausible in a way that modern sequences rarely are. They all involve Porsche 911's and if there is ever any incredulity it comes from these sequences only. Could an Oldsmobile ever keep pace with a works Porsche? How could an Iroc Z ever hope to keep up, and if it did, and crashed into the lightweight Porsche, how on earth does it fail to leave a scratch?

Romantic interest is enticingly present as Ted encourages the relationship between Bengy and his own sister Anne (Lara Harris) but it never manages to rival, nor is intended to rival the strength of the bond between Ted and Bengy.

Utterly brilliant for the most part, I've now watched this film 8 times.

Thoroughly recommended.

I hate to praise Charlie Sheen, but I must.He played this role so perfectly, that I forgot I was watching a movie. I know that's a cliché by now, but it applies.

You know the plot from the other reviews. Boyish undercover cop infiltrates a mechanic shop and befriends the owner, whom he is assigned to tail. That's because he is a suspected car thief and murderer.

Think "Point Break" here, only 4 years earlier. A charismatic bad boy, sucks a peer into his criminal world, and the peer is actually in law enforcement.

If you love 80s movies set amidst the glitz of 80s L.A., with fancy cars and classic obscure 80s dance tunes thrown in, you will love this one.

I couldn't help envying the adventure that the D.B. Sweeney character was having. Nothing exciting ever happens to me. He gets introduced to the world of "the rich and aimless," gets a brother-like best friend who gives him money and lavish gifts, and he falls in love with a beautiful rich girl.

There were a couple of authenticity problems I have to mention. The Sweeney character was supposed to be a 22 year old rookie, yet he was working undercover. Wouldn't that be a bit advanced for him? He was not a detective. But I guess they had to use him, because of his mechanical acumen with Porsches.

Also, in order to get hired as a Porsche mechanic, wouldn't he have to show that he passed certification classes? Having just worked on some old cars in his driveway, would he really be skilled enough to work with professional foreign car mechanics, without taking any courses?

The Randy Quaid character was a little comic-bookie, or over-the-top angry, but I guess they had to establish the tension between him and the rookie.

The final showdown will again remind you of "Point Break." Enjoy it. This is definitely a guy's movie.