Nayakan

Kamal Hassan's extraordinary performance is the highlight of the film. This movie is perhaps the greatest gangster movie made in India, even though it is heavily inspired by the Al Pacino-starrer The Godfather. Kamal rightfully won the National Award for his performance. Great cast, great performances, solid direction from Mani Rathnam, great screenplay = one great movie. Highly recommended. A+.

"Nayagan" is akin to a rare astronomical event wherein the constellations form a perfect alignment to create a spectacular extravaganza. Mani Ratnam, Kamal Hassan & Ilayaraja weaved magic that captured the heart of audience by storm.

There cannot be a second opinion if I were to state that this role was destined for one and only Kamal Hassan. You cannot fail to notice the subtle changes in the body language, mannerism, gait and dialogue delivery that go about with the ageing process of the Sakthivelu. Starting with the rebel youth and all the way to the ageing Godfather, the natural transformation was effortlessly essayed by Kamal. Saranya, Ravi, Kartika, Nasser and Tinnu Anand leave a mark otherwise there isn't much scope for supporting star-cast.

Ilayaraja compositions were a raging hit back then. P C Sriram (cinematography) & Thota Tharani (art direction) ensured to give a distinct Mani Ratnam feel to the visuals (a spillover of "Agni Natchathiram").

Though the plot rests on the basic premise of Mario Puzo's "The Godfather", top notch writing narrating the biography of Mumbai based Tamil gangster of the 80s, Varadarajan Mudaliar stands to its own.

If "Mouna Ragam" and "Agni Natchathiram" got him noticed then "Nayagan" stamped the title of maverick to Mani Ratnam. It goes without saying that while "Nayagan" set a precedent for fellow film-makers, Mani Ratnam started the revolution in the Tamil cinema.

PS: The Hindi remake, "Dayavan" attempted by Feroz Khan and Vinod Khanna was sadly a classic case of "lost in translation".

One of the movies where the star cast have lived the roles not just performed , well supported by Editing, Cinematography and background score . A must see. KamalHasan has given really a masterly performance for which he got the national award rightly.

this film is an out an out kamal hassan and Mani ratnam film, without Mani ratnam kamal would not have been able to display his magic, and without kamal, Mani would not have been able to show his magic. velu is a boy living in Tamil nadu. his father a labor leader is murdered by a ruthless police officer. velu decides to take revenge, and is supported by his friend, Sela(janagaraj). they both kill the police officer, and escape to Bombay, where they get shelter in a Muslim house hold. kamal naturally treats "Abba" the Muslim man, who is into smuggling. when he gets old he hands the small business to velu, who extracts more money for goods than his precede ever did. the rival parties get angry and pay bribe to a police man to get Abba killed. when velu gets to know this, he tracks down the police officer tactically. i must stop here to mention the marvellous sequence . great background score, Mani ratnam at his best, and kamal looking totally angry. he kills the police officer in front of everybody. the police officer though married used to molest women. the police came inquiring, but no one opened their mouth. from that day onwards velu became 'velu nayagan'. he became the ultimate don in Bombay, supporting the poor's cause, and going to any extent to fulfill it. he even got a poor child treatment in one of the best hospitals in Bombay for free. you must watch the movie, i can't spell its magic here, you have to watch it!

Even though Nayagan seems like a compressed version of The Godfather series and despite the fact that a lot of the scences in the movie give you sense of deja vu(after you've watched Godfather. Nayagan is probably one of the best movies made in Tamil(and may be in any Indian language). Apart from changing the very face of movie making in India, it had send so many refreshing trends.

Nayagan is the story of a boy(Velu), who loses his father(a Trade Union leader) and runs away to Bombay, after assualting the Police who kills his father. In Bombay he is brought up by a pious Muslim fisherman. By turn of events, Velu is pulled into committing Crime(and fighting too). Velu grows into a Don and slowly the power of it takes him to a different world, where he is the command, but he slowly losses his dear ones and it finally ends with his death at an old age, with a moral message that one who lives by the sword(gun), dies by it.

Kamal had given one of his best performances in this movie, for which he rightfully won the National Award for Best Actor. The Music of Illayaraja, Photography of P C Sreeram and the Art of Thotta Tharani were other High points of the movie, not to mention the magical touch of Manirathnam, who made a permanent name for himself after making Nayagan.

A must watch movie, for anyone who hasn't seen it.