Near Dark - Die Nacht hat ihren Preis

Near Dark is the definitive vampire road movie. It's the most realistic and non-traditional portrayal of vampires in my mind. They're cruising the country...you know, just bored. And wouldn't they be bored? I mean if you live forever, wouldn't you run out of things to do? They spend their time getting in and out of trouble. And that's all they do. I love it. The cast (Aliens anyone?) is top-notch. Adrien Pasdar is as underrated as they come. He plays our likable hero who gets involved with our gang of vamps by accident. Lance Henriksen, Bill Paxton, Jenette Goldstein (all from Aliens), Jenny Wright, and Joshua Miller are all perfectly cast as the nocturnal family. Miller, oddly enough, is Jason Patric's half brother and Near Dark was released just a few weeks after The Lost Boys. Henrikson is appropriately evil and Paxton's Severen character is highly quotable and memorable. Tim Thomerson and James Le Gros also put in an appearances. Eric Red's script is every bit as cool as his earlier road movie, The Hitcher. Kathryn Bigelow will go down in my book as having directed the best vampire flick that I can think of.

Note for genre buffs: The word vampire is never used in the film.

Caleb Cotlton (Adrian Pasdar) is a young man living an unspectacular life in the dusty wilderness of Oklahoma. One night he encounters at lusty femme fatale vampire and this small town boy is changed forever... or at least for the next 80 minutes.

Near Dark has garnered a reputation as the thinking mans Lost Boys. Over the years it has attracted a cult following and retrospective critical plaudits. There is no denying that the film has many strong elements that are worthy of considerable praise but as a whole this film falls flat when faced with closer scrutiny.

The first thing that strikes you when watching Near Dark is the thick atmosphere that the dusty twilight generates. The numerous low angle long shots help carve the inhuman creatures into the scorched landscape and the moody, tension building score just about manages to avoid that oh-so 80's feel.

The ensemble cast, featuring Bill Baxton and Lance Henriksen amongst others, is a delightfully perverse and diverse bunch of freakish and menacing killers. But they are given neither back-story nor the exposition of time and space in which to grow or develop.

Kathryn Bigelow is a filmmaker comfortable with directing action. In fact she excels at it. A sequence in a redneck bar where our motley crew of vampire desperados massacre the patrons is expertly done, the sense of grotesque fear and hopeless desperation is emphasised with a series of fixed shots on straddled limbs and open wounds when most directors would flinch after a few seconds and point the camera elsewhere. Similarly the shootout with the police at the motel is a fantastic and gory adrenaline fuelled piece of slightly soggy popcorn entertainment.

While Adrian Pasdar's Caleb is both bland and one dimensional, Bill Baxton shines are the psychotic Severen. Paxton's wild eyed portrayal of a cowboy killer is one of the highlights of the film.

As the end of the movie approaches it becomes clear that all the promise is slowly being squandered alongside any sense of plausibility. The bad vampires burn up in the sun after only a few seconds, the good vampires last for weeks, Caleb blows up a truck but pulling a handbrake, a simple blood transfusion administered by a farmer cures our hero of his carnivorous tendencies and the once powerful uber-vamps cannot seem to kill a little girl and her teenage brother no matter how hard they try.

Overall Near Dark deserves praise; the evocative atmosphere is second to none, the action is brutal and stylish. But there is complete lack of plausibility in terms of plot. The lack of motivations for the characters and an unwillingness to grant even the most prominent with a back-story make Near Dark a near miss. More money and a longer running time and this could have been something very special indeed.

Released in the shadow of the higher budget and more audacious comic fantasy masterpiece 'The Lost Boys', Near Dark doesn't quite get the recognition it deserves within the horror genre. Although it's not as great as the aforementioned cult classic, Near Dark has it's own niche within the vampire sub-genre for being such an original take on it. The rules of vampire horror have been reinvented, changed or discarded completely and the result is something to behold. This allows Katherine Bigelow to do whatever she wants with the premise, and this makes for a very thrilling movie as we're lead to believe that absolutely anything can happen, which continually keeps the audience on the edge of their seats. The story, which takes in various elements of common vampire folklore such as the transition from human to inhuman, follows Caleb Colton; a young farm boy that is taken in by a beautiful young woman (and you wouldn't blame him when you see her…), and soon finds himself battling with some strange ailment that makes him allergic to sunlight, shortly before being picked up by a rag-tag band of vampires that inhabit an old pick up truck. We then follow Caleb as he comes to terms with his situation and attempts to fit in with the pack...

For this movie, Katherine Bigelow recruited three of the support players from her then husband's fabulous 'Aliens'. Bill Paxton, Lance Henriksen and Janette Goldstein bring life to the movie's core as the three major players of the vampire nomads. Bill Paxton in particular is fantastic as usual as Severen; the most pronounced member of the group. Bill is an actor that tends to get support roles that almost carry the film, and that's exactly the case here. That's not to say that Near Dark is only Paxton's movie, as Adrian Pasdar and the incredible Jenny Wright do well in the lead roles, as do the rest of the support players. But when the movie is over, it's Bill Paxton that sticks in your mind the most. The cinematography on show in Near Dark is superb and a delight for the eyes – as well as the brain, because Near Dark breathes a continual atmosphere of intrigue from the way it's beautifully shot. The music by Tangerine Dream is right on cue as well, and it brings a surreal, trippy sensation to the proceedings, which emphasises the dream-like state that our hero has been put into.

Near Dark is a vampire movie free of the usual clichés and one that makes it's own rules, which makes it must see for the vampire fan. I wouldn't recommend this movie to people who are new to the vampire movie from the off, however, as it's one that needs to be viewed after you've got used to the genre staples in order to fully appreciate it, but once you have got used to it; this isn't a movie you'll want to miss.

I hunted this film for ages and then it came out on DVD, so I had to buy it. Originally, it was purely due to the cast. I thought it would be good though and I was not let down, in fact, my expectations were well exceeded. Near Dark is my favourite vampire film and I am proud to be part of the cult following this film has gathered years since its release.

The camera work is great, Bigelow does a really great job in the director's chair and always does her best to make a film look as visually impressive as possible; it's hard to believe this was a low budget movie. The screenplay for the film is excellent and very original. Near Dark is very different to other vampire films and it really is refreshing to watch something so different. Where most vampire films bathe in Gothic undertones and romanticise themselves, Near Dark is much more subtle, even to the point where the word 'vampire' is not included within the picture. I can see why Kathryn Bigelow and James Cameron ended up married briefly as they both have similar integrity when it comes to film making.

The casting of the movie is its best point. The Aliens trio of Paxton, Goldstein and Henriksen were brilliant in this. Paxton and Henriksen are two of my favourite actors and I believe this is the best character Paxton has ever played, even Hudson does not compare to the mighty Severen! These three actors all excel at playing ruthless characters and do a great job at making Near Dark as entertaining as possible. In the midst of all the carnage, Adrian Pasdar and Jenny Wright do very well in bringing Near Dark down to earth. The chemistry between the two is very good and the characters are effective as they provide contrast between the other main characters.

I feel I must talk about the bar scene. As soon as that music kicks in, you know some on screen magic is about to happen. This is where the Aliens cast members really shine. Paxton is spitting out more clichés than he is blood. Also, as a big Terminator fan, I had to notice the bar patron as the T-2 'You forgot to say please' guy. I think he should stay away from bars from now on! This is what the film builds up to and this is the turning point of the film from a mainly character piece to a nail biting thriller. This is one of the most enjoyable and memorable scenes you will ever see.

Near Dark is a fantastic film, sadly overlooked due to people drawing too many comparisons between this and Lost Boys. This is far superior to Lost Boys as this has far more substance and more than one memorable character. With gruesome imagery, streams of blood and Bill Paxton and Lance Henriksen, this is the ultimate vampire film.

Interesting and atmospheric little vampire film. The soundtrack was provided by Tangerine Dream and is absolutely fantastic. Some of the dialogue, especially in the beginning, seems a little cringeworthy and trite but overall the script is well done. It really shines in the way that it gives us a humanistic approach to the vampires. The whole thing has a low key, yet powerful and poetic vibe. At times the humor seems to simply detract from this atmosphere instead of providing anything akin to comic relief or real laughs and I think it would have been a stronger film without the comedic elements. Overall this is quite an offbeat but good film and the soundtrack is amazing.