The Lighthorsemen - Blutiger Sturm

I have watched this movie at least five times. Initially, I was a little disappointed by the tedium of the first half of the movie. I began to realize, however, that the first half of the movie is a pretty good reflection of military life prior to the second half of the 20th century: long periods of boredom and routine punctuated by major confrontations.

I've noticed that a few reviewers have remarked on the final "cavalry charge," which suggests to me that they really weren't paying much attention to the movie. The final charge on the Turkish positions is so much more awe-inspiring given the usual tactics of the Lighthorsemen. One of the most thrilling moments is when the Aussies prepare to meet the enemy on horseback and, instead of pulling out the classic cavalrymen's sabers, draw their bayonets for the charge. You almost want to laugh at the sight of 16" knives against the well-emplaced Turks.

This is one of the few war movies based on actual events that is fairly accurate, too. Take a look at some of the sites dedicated to the 4th Light Horse Briagde and you will see what I mean. A letter from one of the actual participants to his brother is an almost perfect description of the events as shown in the movie.

**** out of ***** if only for the charge

This is a story about some episode British-Turk campaign in Palestine in 1917. Very important role in this campaign was played by Australian forces. The key to conquer the Holy Land is city of Gaza. British general wants however to throw his forces to bypass the city and capture another one - Beersheba. To take them both it is necessary to keep his plan secret.

As a person who is interested in all WWI history I was waiting for this movie. I find it very good. All equipment seems to be very accurate, however, I've never heard about use of tanks in this front. There is a nice scene of air attack by German biplane, cars from that times, uniforms, and so on -- it all seems to be historical correct. The final charge is worth waiting for. I think that anyone who is interested in this campaign would be satisfied.

Because of Australian point of view the role of British army seems to be a little underrated. I especially mean British commander -- general Allenby. I think it would be good to say at the very end that after capturing Beersheba, Gaza fell as well a week later, and the road to Jerusalem was opened. This was what was lacking for me.

I saw only the last half of this one, appropriately enough on Anzac Day, tuning in just as the delicious Nurse Siggy Thornton is writing a love letter that intelligence Major Anthony Andrews is going to mislead Johnny Turk with. So I missed the alleged tedium of the first hour. The film is no doubt best viewed on a big screen, but what I did see in the last hour was the Australian Light Horse attack on Beersheba, brilliantly staged and filmed, with hundreds of horses and extras and tonnes of dramatic tension.

The actual battle was an Aussie military success, due in large part to their opponents, especially the Germans, underestimating them. It was a change from Gallipoli, where some of the horsemen had fought a couple of years earlier. It was terribly thoughtful of the Australian commanders to order the attack an hour before sunset when the light is best, and Dean Semler the cinemaphotographer takes full advantage of it. The close camera shots in the battle really give you the feeling you're right in it - there is nothing particularly original about "Saving Private Ryan" made 10 years later.

Yes, it's a cliché-ridden and chauvinistic script. The real villains are the Germans, all from Central Casting's Nazi division, despite this being a movie about the FIRST World War, but the British officers are also portrayed as pretty perfidious - the guys who made snobbery an art form to cover their incompetence. The Turks, though, are shown as brave and worthy opponents, if a little under the Germans' thumb. No doubt John Ford would have done it differently (I'm not sure he would have handled the horses any better) but this is the Australian point of view. A Turkish version would be interesting.

Anyway, worth it for the final battle.

This movie also has to go on my "desert island" list. What most people will say is that the first hour is about as exciting as watching paint dry, which is true to a point. But wars are often played like chess, and if you don't know the board you'll never understand the game. It's therefore necessary, though somewhat tedious, to show the situation, terrain, weather, and overall political climate to get to the historical charge. The Germans are played perhaps a little too stiffly, and the one Aussie who couldn't shoot a human and became a medic was perhaps given a little too much screen time. As for the charge itself, you can hear your heart beating faster as you literally smell the sweat from the horses. The two-mile charge against an entrenched enemy supported with machine gun, razor wire, and cannon is intense beyond words, and stands as some of the most awesome cinematography I've ever seen. Actual casualty stats are listed, which are surprisingly low. As for how the horses were handled, not one was injured-a feat you'll scarcely believe after having seen the charge. The Lighthorsemen, unlike Gallipoli, is well worth a look. -Chuck

This is an excellent film with surely the finest cavalry charge ever filmed. In this movie the horse is King and the care taken to illustrate the vital interaction between these magnificent animals and their riders is great to behold. The acting and direction are good without the need for big names. It has had a number of releases, the best being a 2.35 wide screen laser disc version in the USA. Australia has released a DVD version but it is dreadfully truncated being cut to 1.78 from the vastly more meaningful aspect ratio of the laser disc. On the big screen this film makes a fantastic impact and every effort should be made to see the original wide screen version in this way. Highly recommended.