Zwei stahlharte Profis

'Lethal Weapon' may have spawned three sequels and a TV series, but even 30 years later shines heads and shoulders over the rest of the films. It is not a perfect film, not by any stretch of the imagination, but it was hugely influential in the development of the buddy-cop film and to this day is one of the better examples of it.

Yes, it is implausible to the maximum and sometimes overblown, but the overblown nature to me and many others was part of the entertainment and wasn't that distracting. The implausibility is not quite as forgivable, with 'Lethal Weapon' being at its weakest in the script. Not that the script is terrible or anything, a lot of it is smart, very funny and crackles with wit, especially in the chemistry between Gibson and Glover, but sometimes the convolution and repetition reaches fever pitch.

Mitchell Ryan is the other weak link. Despite being the head villain, the character is forgettable somewhat and Ryan is both pantomimic and dull (that may sound oxymoronic but both extremes together are possible, indicating an inconsistent performance). Look at other reviews of the film, and one gets the sense that Mr Joshua, the henchman, is far more memorable (which he is) and sees near-unanimous praise for Gary Busey for good reason, who is at his villainous best here being ruthlessly cold and chilling.

It's not just Busey that makes 'Lethal Weapon' such a pleasure. As good as he is, he isn't even the best thing about it. Those three best things are the action, the chemistry between Gibson and Glover and the performances of the two.

The action is slick and bursts with excitement and tension, some of it is overblown but deliciously so. It is very easy to see why the chalk and cheese chemistry of the polar opposite characters of Riggs and Murtaugh became so popular, very rarely in a buddy-cop film has this kind of chemistry been so entertaining and perfectly pitched.

Gibson's performance here as the loose-cannon of the two is one of his best, a performance of wit, melancholy and great intensity. Glover has the no-nonsense and by-the-book character and is just as spirited while being more subtle. The story may seem familiar by today's standards and is not exceptional structurally, but back then there were not many films with the kind of story 'Lethal Weapon' had and the film was so influential that the number of buddy-cop films increased and the film was parodied a fair bit (like in National Lampoon's 'Loaded Weapon 1', one of those films that has seen me going against the grain and enjoying despite its faults).

As said, there are parts of the script that work well, while Richard Donner directs with an assured hand and the way 'Lethal Weapon' is shot and designed screams slick and stylish, still looking good 30 years on. Was expecting Michael Kamen and Eric Clapton's music to jar considering their other work (style-wise that is) and reading up on how it was orchestrated and used, but actually it added a lot to the atmosphere and had an atmospheric groove.

In conclusion, great fun and magic in the case of the action, the buddy-cop chemistry and the two lead performances. 8/10 Bethany Cox

LETHAL WEAPON (1987) ***1/2 Mel Gibson, Danny Glover, Gary Busey, Mitchell Ryan, Tom Atkins, Darlene Love, Traci Wolfe. One of the best action/comedy/buddy films of all time with Gibson as suicidal loose cannon maverick cop Martin Riggs mismatched with partner Roger Murtaugh (Glover in one great comic role), who is constantly reminded of his age and the danger he's constantly in: solving a drug-linked homicide of Murtaugh's friend's daughter. Busey is memorable as an albino mercenary, Mr. Joshua, unsusceptible to pain. Some great stunts and lots of thrills thanks to helmsman Richard Donner (who also directed the sequels).

I have watched Lethal Weapon dozens of times and it still entertains me like it originally did in 1987.

A good cop movie has to have the following ingredients; chemistry between it's stars, plenty of action, plenty of humour, action, car chases and a damn good villain.

American cops seemed to be stereotyped in movies. They always seem to be crazy and without any respect for their superiors. I hope they're not like that in real life but it's perfect for a movie.

It's great seeing Riggs and Murtaugh become good buddies by the end of the movie. I like cop films like that.

The really great thing about Lethal Weapon is the action. Riggs is crazy in this film-I wouldn't want to meet a cop like him. Riggs and Murtaugh are opposites but they say opposites attract. Riggs is mad and Murtaugh is sane. Together they spell bad news for the bad guys.

I would also like to give credit to Gary Busey who never disappoints when it comes to playing a villain (or indeed any other part).

Great movie!

This movie is an onslaught of action; beginning with the opening scene death to the captivating end, it's a bombardment of epic scenes and high emotions. The plot is okay but what definitively stands out is Mel Gibson's performance.

From start to finish, Martin Riggs (Mel Gibson) makes you feel excited just watching him. Whether it's with his psychotic bouts, unique demeanour or deep moments, his presence adds an energy to this movie that makes it both fun and insane (in a good way). His quality acting in Lethal Weapon is surely some of the best in cinema.

Besides the amazing casting, the overall story is mediocre. In this film, though, it's the acting that makes it special. There are so many aspects to entertainment, and Lethal Weapon hit the mark with Mel as the lead.

Lethal Weapon is a nearly perfectly structured action movie. The acting, the story, the script, the directing, even the IDEA of the movie all combine to make up a fascinating and thrill-packed police film. The cross-cutting at the beginning of the film was particularly effective, in my opinion, as Martin Riggs (Mel Gibson) and Roger Murtaugh (Danny Glover) are introduced. The startling difference between their separate lives provides for tons of fun to be had later in the movie. Roger starts his day off as the family man reluctantly celebrating his 50th birthday party with his numerous children and his loving wife in the big family house, while Riggs is shown waking up naked in his trashy trailer and beginning his day with a healthy breakfast of a cigarette and a beer.

The fact that both Roger and Riggs hated that they had to work together was especially effective in creating a touching atmosphere as they grew to be closer and closer friends. They worked so well together in this movie; it was a symbiotic relationship. It was almost like they fed off of each other, and kept each other in line and out of trouble. I also liked the way that they showed that Riggs was deeply angered when he learned that the bad guys had taken Murtaugh's daughter. Things like this, when done right, can really get you to sit up and really get into the movie, and it was definitely done right here. Riggs was also very amusing in his anxiousness about being a cop (`Why don't you let me go to sleep?' `No, come on, we gotta get up and catch bad guys!'), and Gary Busey delivers an excellent performance as the lead bad guy. This is the type of role that he plays best (see "Under Siege").

Although the violence was painfully present in some parts (the torture scenes were short but extremely difficult to watch), the film never relied on violence to pull it along or keep the audience's attention. The story was sufficient enough so that there was no overindulgence necessary in anything like that. In this film you see the first of the now traditional Lethal Weapon scenes in which Riggs and Murtaugh stagger away from a smoking crime scene, seeming to hold each other up. The final fight scene between Riggs and Mr. Joshua (Busey) was a little excessive, and there were a few scenes which were a bit faulty (how did the guy on the building ledge expect to kill himself when there was such a huge air bag inflated on the ground directly below him?), but overall this was a spectacular crime thriller. The movie rushes along at a feverish pace, and particularly Gibson's and Glover's success working together on screen make this a timeless action film that is not to be missed.