IMDb-BEWERTUNG
6,4/10
23.135
IHRE BEWERTUNG
Ein Studienanfänger kehrt auf Bitten seiner Ex-Freundin für die Ferien nach L.A. zurück, stellt aber fest, dass sein ehemals bester Freund eine außer Kontrolle geratene Drogensucht hat.Ein Studienanfänger kehrt auf Bitten seiner Ex-Freundin für die Ferien nach L.A. zurück, stellt aber fest, dass sein ehemals bester Freund eine außer Kontrolle geratene Drogensucht hat.Ein Studienanfänger kehrt auf Bitten seiner Ex-Freundin für die Ferien nach L.A. zurück, stellt aber fest, dass sein ehemals bester Freund eine außer Kontrolle geratene Drogensucht hat.
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Anthony Kiedis
- Musician #3
- (as Cole Dammett)
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Having lived right in Hollywood and been addicted to crack myself I am impressed by how darn true it really is. Sure, the acting may lack and the directing could be better... I remember watching this in '87 when I was in high school and an innocent young girl. After watching this again (and being drug free for 2 years now) I am floored at how close to reality this film is. It is stylized, but it is a film after all. The desperation, the loneliness, the hopelessness, all were captured and imprinted on film. Until you have walked the walk and talked the talk this film may be cheesy to you. Once you've walked down those same streets (literally!) this film is a reminder to me of what can happen if I make those same choices again. I laughed and I cried.
What saddens me most is that hindsight is 20/20 for Mr Downey. I've read that he allegedly WAS high and using during the filming.
What saddens me most is that hindsight is 20/20 for Mr Downey. I've read that he allegedly WAS high and using during the filming.
To keep this review short, sweet and to the point, this film completely missed the point that the novel made. As a 25 year old, I consider the novel one of the defining works of my generation and I had hopes for the film adaptation to be remotely faithful to that. It wasn't. In all fairness to the plot, it has been a couple of years since I read the novel, but it is clear that much was discarded in translation with the intention to present the film in the light of an anti-drug piece. The novel however was far more nihilistic than that and focused on the banality life for the over privileged elite. As I recall, several elements were retained in the film from the novel, but it felt like two completely different stories. I'm generally kind to adaptations and remakes in regards to view them independently of the work in which they're based, but this one was such a let down that I had a hard time not yelling at the television. That said, the film itself, ignoring the novel as much as humanly possible, was pretty middle of the road. The storytelling was shallow and clear-cut with little left up to the imagination and aside from a young Robert Downey Jr and James Spader, acting performances were marginal. It would be interesting to see this film remade by a director (and screenplay writer) that actually retains the vision that Ellis painted so vividly in his novel, but until then take this film with a grain of salt and read the novel instead. I give it a very generous 6/10.
I'll start saying that I haven't been in LA at that time and I didn't read the novel, so my impressions are of someone just watching the movie.
I was moved by Robert Downey Jr. Performance, it definitely raised this movie above what it was on its own.
The very ending really bothered me though, it felt silly, unrealistic and forced. It was quite disappointing and I felt like it ruined the story. I could see what happened coming it's only that how it happens is just stupid and a bit ridiculous.
Still, I enjoyed the movie, it kept me interested throughout and again, Downey's performance was heart breaking.
I was moved by Robert Downey Jr. Performance, it definitely raised this movie above what it was on its own.
The very ending really bothered me though, it felt silly, unrealistic and forced. It was quite disappointing and I felt like it ruined the story. I could see what happened coming it's only that how it happens is just stupid and a bit ridiculous.
Still, I enjoyed the movie, it kept me interested throughout and again, Downey's performance was heart breaking.
A college freshman (Andrew McCarthy) returns to L.A. for the holidays at his ex-girlfriend (Jami Gertz)'s request, but discovers that his former best friend (Robert Downey) has an out-of-control drug habit.
Writer Bret Easton Ellis hated the film initially but his view of it later softened. He insists that the film bears no resemblance to his novel and felt that it was miscast with the exceptions of Downey and James Spader. There really is no argument that Downey as a drug addict was a great piece of casting and this film somewhat foreshadows his downfall in the late 1980s / early 1990s.
Hearing the production stories, it's interesting the film was pulled off at all. New scenes had to be shot, some scenes were cut. It seems like the crew was switched out part-way through. The finished product is far from a masterpiece, but it is still a good film, and has an even better pedigree now (2017) given the success of its main actors.
Writer Bret Easton Ellis hated the film initially but his view of it later softened. He insists that the film bears no resemblance to his novel and felt that it was miscast with the exceptions of Downey and James Spader. There really is no argument that Downey as a drug addict was a great piece of casting and this film somewhat foreshadows his downfall in the late 1980s / early 1990s.
Hearing the production stories, it's interesting the film was pulled off at all. New scenes had to be shot, some scenes were cut. It seems like the crew was switched out part-way through. The finished product is far from a masterpiece, but it is still a good film, and has an even better pedigree now (2017) given the success of its main actors.
I lived in L.A. in the Eighties and remember the club scene with a chill. From Eddie Nash's joint on Hollywood Blvd[The Seven Seas] to Club Lingerie to the small venues in Long Beach and Orange County, this movie catches the ennui like a manic firefly in a jar. From the 'powder' in the ladies' room to casual sex, it shows it as it was--callow and shallow and a line/hit away from degradation and death.
It's heart-breaking to watch Robert Downey Jr.'s character surrender his dignity to a free base pipe. Other posts complain about the James Spader's performance, but he was dead on. Pushers are not nice people. This is an early cinematic example of truth about the nature of drug addiction. Are you frightened? NOT FRIGHTENED ENOUGH!
Scare yourself straight tonight. Watch 'Drugstore Cowboy', 'Less than Zero', and 'Rush'.
Here's hoping that Robert Downey Jr.'s talent will not be eclipsed by his addiction. He's an amazing actor. ['Chaplin' & 'Restoration' alone earned him a place in cinematic history.]
It's heart-breaking to watch Robert Downey Jr.'s character surrender his dignity to a free base pipe. Other posts complain about the James Spader's performance, but he was dead on. Pushers are not nice people. This is an early cinematic example of truth about the nature of drug addiction. Are you frightened? NOT FRIGHTENED ENOUGH!
Scare yourself straight tonight. Watch 'Drugstore Cowboy', 'Less than Zero', and 'Rush'.
Here's hoping that Robert Downey Jr.'s talent will not be eclipsed by his addiction. He's an amazing actor. ['Chaplin' & 'Restoration' alone earned him a place in cinematic history.]
Wusstest du schon
- WissenswertesRobert Downey Jr. plays a drug addict in the film. This proved prophetic, as he suffered drug and alcohol addiction in later life. He recalled: "Until that movie, I took my drugs after work and on the weekends. That changed on Unter Null (1987), the role was like the ghost of Christmas future. The character was an exaggeration of myself. Then things changed and, in some ways, I became an exaggeration of the character."
- PatzerWhen Julian uses a credit card to open the sliding glass door at his parents' home it's obvious that there is no latch or lock where he inserted the card when the door opens.
- VerbindungenFeatured in The Bangles: Hazy Shade of Winter (1987)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Corrupción en Beverly Hills
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.396.383 $
- Eröffnungswochenende in den USA und in Kanada
- 3.008.987 $
- 8. Nov. 1987
- Weltweiter Bruttoertrag
- 12.396.383 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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