Die Geschichte des letzten Kaisers von China.Die Geschichte des letzten Kaisers von China.Die Geschichte des letzten Kaisers von China.
- 9 Oscars gewonnen
- 58 Gewinne & 20 Nominierungen insgesamt
Ruocheng Ying
- The Governor
- (as Ying Ruocheng)
Cary-Hiroyuki Tagawa
- Chang
- (as Cary Hiroyuki Tagawa)
Tsou Tijger
- Pu Yi (8 years)
- (as Tijger Tsou)
Tao Wu
- Pu Yi (15 years)
- (as Wu Tao)
Guang Fan
- Pu Chieh (Adult)
- (as Fan Guang)
Empfohlene Bewertungen
This to me was a very powerful movie, I loved the story, and the final outcome was how it should be. Somehow we believe that Kings, Queens, Emperors etc are entitled to their power, that somehow they deserve it. This is how this emperor saw himself, he believed he was better, and above the average person, his sense of entitlement and view of reality was so perverted, that he did everything possible to retain and regain his position in life. However from the day he entered the palace he was a pawn, powerless to act, yet he never sees this. Maybe we don't all understand his re-education, but this is what makes the ending so great. There is a fantastic moral to this story. A beautiful story, sad, moving, and somehow, strangely uplifting. Highly recommended. 9/10
8emm
I guess I'm the only one who watched this from a worn out-of-print VHS copy. No matter what the quality, THE LAST EMPEROR is arguably among the best of the foreign pictures. The sights and sounds of The Forbidden City are sharp and beautifully screened right on with the provocative events that unfold the coming-of-age life of Pu Yi. It has plentiful moments including his romantic affairs with concubines and how he learns the way of the world as a child. His chronicle of a young emperor boy paints a colorful picture for the first half, only leading to more conflicting matters later, which is the most exciting part. Don't expect to see heads getting chopped off, like I thought would happen (unless you have the longer DVD version), but the intensity of the talk surrounding it sounds horrifying and true. Nevertheless, the dialogue is clearly mystical. Every minute is a feel-good breeze through crafty cinematic art, but it ends too fast, and the narration from Pu Yi in his prison term could use a lot more detailing. Maybe I'll stick around longer and wait to see the Director's Cut which has more. Definitely a winning treat not to be missed for foreign movie lovers and collectors of premium filmfare.
Best movie about the East I've ever seen.
The credo of many famous western movies (from "Die Hard" to "Truman show") is a lonely hero who challenges fate or numerous "bad guys". He usually wins on the screen. Unfortunately, it rarely happens in real life. Especially, on the East.
Six years ago I thought about this movie as a metaphor of "history-person" relations. Past and present of my birthplace (Russia) is exceptionally rich with biographies of worthy people that have become puppets in the hands of history or some dictator (e.g.Stalin).
Now a "parallel" interpretation arose. We can think also about "fate-person" relations. Our fate is often personalized by the forces of subconscious. Historical and subconscious forces have much in common. Both are very strong and tend to provocation. An attempt to beat them often comes to end in the same way as the attempt of Pu Yi to "use Japan". In both cases, information that we have in our struggle is extremely restricted.
The last remark. We had all been Emperors in early childhood. Then we've been overthrown and it's impossible to return the Kingdom. I wonder, why the Scotland tutor haven't told it to Pu Yi?
The credo of many famous western movies (from "Die Hard" to "Truman show") is a lonely hero who challenges fate or numerous "bad guys". He usually wins on the screen. Unfortunately, it rarely happens in real life. Especially, on the East.
Six years ago I thought about this movie as a metaphor of "history-person" relations. Past and present of my birthplace (Russia) is exceptionally rich with biographies of worthy people that have become puppets in the hands of history or some dictator (e.g.Stalin).
Now a "parallel" interpretation arose. We can think also about "fate-person" relations. Our fate is often personalized by the forces of subconscious. Historical and subconscious forces have much in common. Both are very strong and tend to provocation. An attempt to beat them often comes to end in the same way as the attempt of Pu Yi to "use Japan". In both cases, information that we have in our struggle is extremely restricted.
The last remark. We had all been Emperors in early childhood. Then we've been overthrown and it's impossible to return the Kingdom. I wonder, why the Scotland tutor haven't told it to Pu Yi?
The Last Emperor is a truly larger than life film telling us about a life of a human, but not just any human, the Emperor himself. He's also not your normal emperor, he's the Last Emperor of China, his name is Pu Yi. He lives his life however he wants to and he sort has a larger than life persona. In just his late 20s, he stood at the throne ruling over one of the largest nations on Earth, with the most people on Earth. He controls and commands the lives of nearly Five-Hundred Million people. Throughout his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
While the film isn't perfect, it is certainly beautiful and a visual treat for anyone. Bernardo Bertolucci's cinematic biography of Emperor Pu Yi is an emotional, beautiful and astonishing film... And it's a massive production which won 9 Oscars, It deserved every single one of them. The film will always be remembered for its size and its beauty. This Asian Masterpiece tells us a story of not only an Emperor, but of a country, which was and still is the largest nation in the world. The Last Emperor is certainly one the Largest, most beautiful films ever created in Cinema.
A Monumental Achievement. ~10/10~
While the film isn't perfect, it is certainly beautiful and a visual treat for anyone. Bernardo Bertolucci's cinematic biography of Emperor Pu Yi is an emotional, beautiful and astonishing film... And it's a massive production which won 9 Oscars, It deserved every single one of them. The film will always be remembered for its size and its beauty. This Asian Masterpiece tells us a story of not only an Emperor, but of a country, which was and still is the largest nation in the world. The Last Emperor is certainly one the Largest, most beautiful films ever created in Cinema.
A Monumental Achievement. ~10/10~
"The Last Emperor" is a near perfect film. It was nominated for nine Oscars in 1987 and it won nine (including the Best Picture Oscar). The movie is about the life of Pu Yi (John Lone), China's last emperor. In spite of becoming emperor at the age of three, Yi's reign was more of a burden than anything else. Yi would ultimately end up living an unsavory life of imprisonment which is heartrending to the viewer. "The Last Emperor" is visually stunning. The minute details are amazing. However, the story stands up high as well. Historically accurate for the most part, "The Last Emperor" is easily one of the top 10 films of the 1980s and overall an exceptional achievement in every cinematic department known to man. 5 stars out of 5.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Wusstest du schon
- WissenswertesThe first Western film made in and about the country to be produced with full Chinese government cooperation since 1949.
- PatzerThe Emperor was not in the Forbidden City to witness the expulsion of the eunuchs. This action was carefully planned with few people knowing, since the Emperor could trust very few of his intimates. The order to remove the eunuchs was received in the Forbidden City while the Emperor was visiting at a friend's home. Also, not all of the eunuchs were dismissed, as the Empress Dowager begged Pu Yi to allow a few of her personal servants to remain.
- Zitate
Reginald Fleming 'R.J.' Johnston: Words are important.
Pu Yi, at 15: Why are words important?
Reginald Fleming 'R.J.' Johnston: If you cannot say what you mean, Your Majesty, you will never mean what you say and a gentleman should always mean what he says.
- Alternative VersionenThe theatrical version runs 163 minutes. A 218 minute version was released in the US in 1998 under the mistaken title of the "Director's Cut". It was known by this erroneous title until the 2008 Criterion DVD and Blu-ray Disc came out. Bertolucci and DP Vittorio Storaro made it clear while working on the DVD and BD that the shorter theatrical version is without doubt the director's cut. The 218 minute version was an early cut meant only to be aired as a four-part television mini-series by the Italian television network that funded the film.
- SoundtracksKaiser Walzer (Emperor Waltz) op. 437
Written by Johann Strauss (as Johann Strauss)
Performed by Berliner Philharmoniker (as The Berlin Philharmonic Orchestra)
Conducted by Herbert von Karajan
with kind permission of Polydor International GmbH
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- El último emperador
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 23.000.000 £ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 43.984.230 $
- Eröffnungswochenende in den USA und in Kanada
- 149.460 $
- 22. Nov. 1987
- Weltweiter Bruttoertrag
- 44.043.391 $
- Laufzeit
- 2 Std. 43 Min.(163 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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