Good Morning, Vietnam

Robbin Williams gives the performance of his life, in this funny, yet politically motivated movie, on the no (official) news or miss-information given out (to the troops) at the time of the most controversial conflict of the modern era. A strong supporting cast, including a young Forrest Whitaker are a bonus but the overall story is a bit thin and the love interest (for me) is not fully developed.

It finally hit me when I watched Good Morning Vietnam what this film reminded me of. It was the famous Preston Sturges classic, Sullivan's Travels which coincidentally as it turns out is one of my favorite films.

Both the real life Adrian Cronauer and Joel McCrea's fictional John L. Sullivan have to come to the same realization, that what they do matters a great deal. In Sullivan's Travels it's to the movie going public in general, in the case of Cronauer it's to the GIs in Vietnam stuck in a war where no one could ever know who the enemy was. A few laughs from a comic genius was necessary to get them through the day in their very cockeyed world.

Adrian Cronauer was a real life person, but if he didn't bear a resemblance to Robin Williams, he should have. One of the great comic masters of any era in entertainment, Robin Williams is given full range for his zany sense of humor to work its magic with Cronauer. He's ably abetted and assisted by the other staff members of Armed Forces Radio Forest Whitaker and Robert Wuhl. Bruno Kirby is great as the clueless lieutenant in charge and so is J.T. Walsh who represents the limits of the military mind as the sergeant major out to get Williams by hook or very dirty crook.

Williams himself doesn't understand the complexities of the Vietnam situation. That fact is brought home to him graphically when he's betrayed by his own innate decency.

Next to Williams my favorite in the cast is Noble Willingham who plays the general who has overall charge of Armed Forces Radio there. He's a tough, but compassionate military man, the exact opposite of J.T. Walsh whom he has to reign in.

Good Morning Vietnam is a frank portrayal of a war experience told with humor and irony through the eyes of Robin Williams.

Preston Sturges would have absolutely adored this film.

GOOD MORNING, VIETNAM / (1987) ***1/2 (out of four)

By Blake French:

Robin Williams is about as good as they come at doing stand up comedy, and in "Good Morning, Vietnam" director Berry Levinson gives him everything he needs to make the film go above and beyond the average satire. From his outgoing sense of humor, to his aggressive personality, and dozens of vocal effects, he portrays his character with interactive zest. Who can resist the awakening voice of Williams on the radio yelling "Good Morning Vietnam." This is a film that conquers the test of time.

"Good Morning, Vietnam" tells the story of a lively disc jockey who gets a job on Armed Forced Radio during the Vietnam War. Robin Williams is the fast-talking Adrian Cronauer, and who better to play the part than he. Although this character is one-dimensional (we are never informed on his background, marital status, where he comes from, what he did before we meet), as the movie continues he gradually begins to change into a deeper, more meaningful person.

The story moves along smoothly; the narrative through-line is consistent as each scene relates to the next. Although little momentum or suspense can be noticed, the film does have several underlining themes, often viewed upon in a Stanley Kubrick style: sarcastic and uncompromising. We see how much a little humor and jazz can greatly enlighten the hard-core atmosphere of the military during Vietnam, and how it can thoroughly confuse the bleeding heart officials.

The film hangs by the skin of its teeth for active conflict tension. Beyond people objecting to the actions of Williams' character, there is just not a lot of tension within the story, and at some points my interest wandered. "Good Morning, Vietnam" is merely a portrait of Robin Williams releasing his perennial comedy, and unfortunately that does happen to get old quite quickly; the majority of an audience can only watch the humor for so long until it becomes old and somewhat stale.

"Good Morning, Vietnam" is definitely not a flawless film, but we do empathize for the main character, the scenes effectively capture the attitude and mood during the war, and the dialogue and writing feel accurate and involving. Barry Levinson has directed a marvelous comedy, one that is not all about making us laugh, but also makes us think.

There never has been, and probably never will be, another film which shows both sides of Williams to such a great degree.

As the wise-cracking disc-jockey, Williams shows his undisputed wild comedic talent, but the bomb scene and scenes of rural Vietnam life, truly allow Williams to such his dramatic acting ability. They look at the conflict, without getting in too deep.

A superb cast as well including Bruno Kirby and the late great J.T. Walsh gives a solid backdrop, and are beautiful foils to Williams.

Overall, a wonderful movie, add it to your collection.

I just sat through a DVD of this movie,the second(?)time I'd seen this film. The last time I could recall seeing this,it was on pay-per-view television in a hotel(the Red Lion I think it was) room,August of 1988,so my memories of this film could use a refreshing. I'm glad I got refreshed.

In 1965,Airman Adrian Cronauer(Robin Williams,in the first of his four Academy Award nominations)is brought on to do an Armed Forces Radio stint in Vietnam. Behind the microphone,Cronauer lets loose,much to the surprise and delight of many of the troops and servicemen around the area of combat. His combination of off-the-wall humor,impressions,sound gags and quick wit,mixed with his love of free-wheeling Rock music of the era,is pretty much welcomed in the area,save for a few angry sorts: a Napoleon-complexed intermediate CO named Hauk(Bruno Kirby,unrecognizable but for the voice) and a stiff-lipped,quietly vindictive middle commander named Dickerson(J.T.Walsh,so good here it would seem like this typecast him). As this is going on,Cronauer becomes smitten with a local girl(Chinatra Sukapatra,spelling?)and befriends her brother(Tung Thanh Tran),which leads the popular DJ down a road of self-discovery.

With excellent support from Forrest Whitaker(one of my favorites!he ends up sort of counter-balancing Williams' manic frenzy with nerdish normalcy as his buddy/assistant/guide),Richard Edson,Noble Winnigham,Robert Wuhl and Cu Ba Nguyen(as the oily GI bar proprietor)among others,this film,directed by Barry Levinson(whose work hasn't been this good in what feels like forever,certainly not since Avalon or Rain Man) and written by Mitch Markowitz,it is arguable one of the deftest films to create and maintain a balance between the horrors and inhumanity of war and the humor and pathos that are very much present in it. Robin Williams' fans may get much more out of this that those who aren't,but I think even many of those who don't consider themselves fanciers of his talents should be able to appreciate this. The images were powerful enough that they stuck with me some after the first time I saw GMV and after a second time I feel like can appreciate even more out of this movie.