Ghostfever

This movie is só incredibly unfunny it makes any man want to cry, the cliché are put on thicker than 5-year old peanut butter and in such a way that it actually sucks humour out of your heart, every single joke was badly timed and wouldn't have been funny if it were timed correctly.

Don't see this movie, there's a real chance you'll never be able to enjoy going to comedies again...ever.

I was telling a friend of mine about the time my grandfather actually picked this horrible piece of crap for us to see one night at the theater. He never picked another one again! It was that bad! Anyway, my friend then told me that her father did some of the writing for this garbage. I thought she was kidding. It turns out, she was serious. She had never actually seen it, and she said that it put a quick halt to her father's writing career. I told her not to waste her time. But, if she did actually break down and watch it, she would see within the fist minute why this ended her father's days as a writer. I mean, even for the 1980's, this crap is bad beyond description. I mean, Joe Frazier as Terrible Tucker? And why in the world would two cops care one bit about a house full of ghosts? And the movie poster? A ghost with his tongue hanging out? What is that about? Nothing about this makes any sense. Well, I told my friend that this crap not only ended her father's writing career, it ended the careers of everybody involved. Or, at least none of them ever fully recovered from being in this garbage of a movie. Let's just say that I will forever ridicule my friend for revealing to me that her father was a writer for this movie! That alone should tell just how bad this is!

Alan Smithee strikes again. Yes, after watching "Ghost Fever" you'll see why this popular pseudonym (in placed for Lee Madden) was used. "Ghost Fever" is very corny and boisterous, but a very misguided slapstick low-budget horror comedy with little in the way laughs, but filled with constant annoyance and stupidity in the sketches. Well actually, I was somewhat amused by it. Not that I found it funny, but at least it didn't bore me. I guess that's got to count for something. Two cops, Buford and Benny are sent to a supposedly rundown southern plantation to evict the residents of the Victorian mansion. However to their surprise the occupants happen to be ghosts and they have no intention of leaving. Story-wise it's a slight, farcical and chaotic sideshow. There's not much of a story thread, as it's a one-idea joke with randomly staged set-pieces looking for nothing more than a laugh and to set-up the very next out-there, if clichéd haunted house situation to help move the film forward. But some things which do happen at the back-end, feel breezy and spontaneous with no real thought behind it but to simply to throw it out there. A vampire, zombies and a boxing match finds its way in the make up. Sherman Hemsley and Luis Avalos in the leads are comically silly in a very forced manner, but mildly agreeable. Also turning up is Myron Healey, Jennifer Rhodes and a cameo role for boxer Joe Frazier. The production looks cheap, as the special effects are gawky and filled with colourful lights to go along with the exaggeratedly decorated direction. Some moments do manage to install a bit of atmosphere. Plus you gotta love that catchy theme song.

"We dead people sure know how to live."

My review was written in November 1987 after watching the film on Charter video cassette.

"Ghost Fever" is an earnest but unsuccessful attempt to resurrect the 1940s style of comedy associated with Abbott & Costello. Heavy dose of strained ethnic humor was released on a regional basis last March and is now a home video item.

Sherman Hemsley and Luis Avalosl poetry Buford and Benny, a pair of cops sent to evict two old ladies from their ante bellum mansion. The place is haunted by a spirit of Beauregard, an evil former slave owner (film's previous title was "Benny and Buford Meet the Bigoted Ghost"), who pulls practical jokes on the hapless heroes, while they dally with the beautiful blonde great-granddaughters of Beauregard. Commenting on the action are two other ghosts. Andy, played by Myron Healey, who is Beauregard's son and Jethro, Buford's ancestor (dual role for Hemsley).

Shenanigans climax pointlessly with Benny agreeing to fight ex-champ Terrible Tucker (played by former Heavyweight champ Joe Frazier) in order to raise money to save the mansion. Predictably dumb finish has the heroes better off dead.

Though Hemsley and Avalos are adequate farceurs, the material is lame and only interesting on a poor taste level (endless dialog referring to "spooks" and a wacky scene of Hemsley reading an illustrated Victorian-era porntome entitled "Groins of the Darker Species"). Pic was directed in Mexico in 1984 by Lee Madden, but anonymous later shooting caused him to have his name removed and fictitious Alan Smithee credited.

I agree with many other here that this movie is SOOOOOO BAD it is good. You will laugh unintentionally at the horrible trainwreck this movie is. Its shot badly, acted badly and the "script" is atrocious. They tried to jump on the Ghostbusters bandwagon but there are sequences in here that will make your jaw drop to the floor and then your jaw will try and leave the room. The break dancing scene is truly memorable and yes, lots of "groin" jokes. Wow!! There is also a long boxing subplot that comes out of nowhere. It is deathly unfunny. And horribly done. All the effects are lame. But....A great bad 1980s disaster. Just the kind of thing those recent great Slate podcasts highlight!