IMDb-BEWERTUNG
6,3/10
6663
IHRE BEWERTUNG
Ein Sergeant muss sich mit seinem Wunsch auseinandersetzen, das Leben von jungen Soldaten zu retten, die nach Vietnam geschickt werden.Ein Sergeant muss sich mit seinem Wunsch auseinandersetzen, das Leben von jungen Soldaten zu retten, die nach Vietnam geschickt werden.Ein Sergeant muss sich mit seinem Wunsch auseinandersetzen, das Leben von jungen Soldaten zu retten, die nach Vietnam geschickt werden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Laurence Fishburne
- Sgt. Flanagan
- (as Larry Fishburne)
Empfohlene Bewertungen
10JNC-4
This movie is little-watched compared to Coppola's other Viet Nam movie, "Apocalypse Now", which is unfortunate, because it's a gem. Taking a device straight out of Aeschylus' masterpiece "The Persians", the war itself is almost entirely an off-screen presence (except for a few atmospheric news-reel clips, which serve to separate acts, as it were). Instead, like "The Persians", it considers the war through its effects on those at home, and does a generally excellent job.
It is particularly good at showing the view from inside the military "family", both of that life in general, and the effects of Viet Nam in particular. James Caan and James Earl Jones (the latter especially) turn in fine performances as veteran non-coms (the backbone of any army). One reviewer condemned D.B. Sweeney's portrayal of the young gung-ho recruit Willow because he sounded as if he were reading his line from cue cards - which rather misses the point, which is that because the green Willow doesn't know what it's really like, the slogans he repeats inevitably sound tinny and false.
Despite a few flaws (e.g. Mary Stuart Masterton's character is rather under-developed, and a few scenes are clangers), overall this is one of the greatest of all Viet Nam movies.
It is particularly good at showing the view from inside the military "family", both of that life in general, and the effects of Viet Nam in particular. James Caan and James Earl Jones (the latter especially) turn in fine performances as veteran non-coms (the backbone of any army). One reviewer condemned D.B. Sweeney's portrayal of the young gung-ho recruit Willow because he sounded as if he were reading his line from cue cards - which rather misses the point, which is that because the green Willow doesn't know what it's really like, the slogans he repeats inevitably sound tinny and false.
Despite a few flaws (e.g. Mary Stuart Masterton's character is rather under-developed, and a few scenes are clangers), overall this is one of the greatest of all Viet Nam movies.
An excellent film. The subject matter is not one that I thought would hold my attention....but I was wrong. The characters in this movie will involve you in their lives, so be prepared to stay awhile. The writing is first-rate. But I was most impressed with the directorial abilities of Coppola....and here's the reason why: he reined in the actors so that they gave marvelous, realistic performances (James Caan and Dean Stockwell are not always the most subtle of performers - but here, they are perfect). There is one exception - Coppola allows Angelica Huston to shine, and brings her out to full advantage (what is the opposite of 'reining in?'). For all the actors to turn in such great portrayals says something about the director, I think.
This is a very underrated movie and belongs up there with some of Francis Ford Coppola's best movies. The movie has a great cast that includes James Caan, Anjelica Huston, James Earl Jones, Dean Stockwell and several more people. Caan plays a solider who fought in Korea and Vietnam but is now in charge of Arlington national Cemetery and wants to train young soldiers going into Vietnam but is turned down. Huston is Caan's girlfriend and Jones is his friend who fought with him in Vietnam and now serves with him. Stockwell is the man in charge and D.B. Sweeney is a young soldier who can't wait to get to Vietnam. It's a really great movie that is one of Coppola's best films.
After 'Apocalypse Now', it's hard to believe that this film was directed by Francis Ford Coppola with such sensitivity. Truly a testament that in many ways demonstrates that Coppola is one of film's greatest directors.
This film shows the lives of many different people and their backgrounds in opposing the Vietnam war. James Caan is a military officer working as a home guard at Arlington National Cemetery during the casualties of America's most tragic conflict. It shows his relationship with Anjelica Huston and James Earl Jones as his closest friends. D.B. Sweeney and Mary Stuart Masterson are great as the younger and more naive observers of the times.
Part documentary style, part sentiment and all inclusive drama showcase its impact in a more sedated manner than most other films dealing with its subject but worth a look as an alternative.
This film shows the lives of many different people and their backgrounds in opposing the Vietnam war. James Caan is a military officer working as a home guard at Arlington National Cemetery during the casualties of America's most tragic conflict. It shows his relationship with Anjelica Huston and James Earl Jones as his closest friends. D.B. Sweeney and Mary Stuart Masterson are great as the younger and more naive observers of the times.
Part documentary style, part sentiment and all inclusive drama showcase its impact in a more sedated manner than most other films dealing with its subject but worth a look as an alternative.
It's the military funeral of Jackie Willow (D.B. Sweeney) as he recounts his journey. It returns to Jackie's first day at Fort Myer which provides soldiers for Arlington National Cemetery and he's gungho to fight in Vietnam. He's the son of a friend of Sgt. Clell Hazard (James Caan) who tries to talk him out of Vietnam. He helps screw-up Wildman (Casey Siemaszko) from platoon Sgt. Flanagan (Laurence Fishburne). Sergeant Major Goody Nelson (James Earl Jones) and wife Betty Rae set up Hazard with anti-war Washington Post reporter Samantha Davis (Anjelica Huston). Pete Deveber (Elias Koteas) is a clerk and Homer Thomas (Dean Stockwell) is the commander. Jackie marries Rachel Feld (Mary Stuart Masterson), the daughter of a colonel.
Francis Ford Coppola revisits Vietnam with something less epic and more traditional. There are great actors. The thing I remember most is the story of the Vietcons fighting helicopters with arrows. This is certainly not as iconic as Apocalypse Now. It doesn't mean that it's not a worthwhile watch. For a war movie, this surprisingly has little war action. That's probably what throws most people off.
Francis Ford Coppola revisits Vietnam with something less epic and more traditional. There are great actors. The thing I remember most is the story of the Vietcons fighting helicopters with arrows. This is certainly not as iconic as Apocalypse Now. It doesn't mean that it's not a worthwhile watch. For a war movie, this surprisingly has little war action. That's probably what throws most people off.
Wusstest du schon
- WissenswertesFrancis Ford Coppola's son, Gian-Carlo Coppola, was originally cast as Pete Deveber, but was replaced when he was killed in a speedboating accident in May 1986 in Annapolis, Maryland. Griffin O'Neal, who was driving the boat while using drugs, had attempted to pass between two slow-moving boats, failing to realize in his haste that both boats were connected by a very long towline. While O'Neal barely had time to duck, young Coppola was struck, throwing his body to the metal deck, sustaining head injuries whereby he died instantly. O'Neal was later charged with manslaughter over the tragedy. He was ultimately fined $200 and sentenced to eighteen months probation in 1987, eventually receiving an eighteen-day jail sentence for not performing 400 hours of community service as ordered. A law was later passed requiring short towlines between boats. At the time of his death, Coppola's fiancée, Jacqueline de La Fontaine, was two months pregnant with their only daughter, Gia Coppola, who was born on January 1, 1987.
- PatzerAt the beginning of the movie in what turns out to be Willow's funeral, a shot of Wildman shows him in Dress Blues. At the end outside the chapel just before Willow's casket is moved to the burial site Wildman is seen in Class A (green) uniform.
- Zitate
"Goody" Nelson: Clell, Old Boy, you mean you haven't told the lady? Why Madam,we are the Old Guard. We are the Nation's Toy Soldiers. We march with rifles that cannot shoot. We fix bayonets that cannot stick. We are the Kabuki theater of the profession of arms.Jesters in the court of Mars, God of War, do-da, do-da.
- VerbindungenFeatured in Siskel & Ebert & the Movies: Previews of Coming Attractions (1987)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Jardines de piedra
- Drehorte
- Fort Myer, Arlington, Virginia, USA(Arlington National Cemetery)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 5.262.047 $
- Eröffnungswochenende in den USA und in Kanada
- 1.645.588 $
- 10. Mai 1987
- Weltweiter Bruttoertrag
- 5.262.047 $
- Laufzeit
- 1 Std. 51 Min.(111 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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