Schrei nach Freiheit

If you find apartheid-set films fascinating, you'll want to check out Cry Freedom, a drama starring Denzel Washington as the activist Steve Biko. Kevin Kline comes along for the ride, and as a journalist who clashes with Denzel, but as they get to know each other, he understands his methods and gets drawn to the cause himself.

Parts of this movie are very tense and exciting, as risks are taken to further the greater good. Keep in mind it was made in the 1980s, though, so it won't be as graphic or violent as it would be if made today. Still, for '80s audiences, I'm sure it was educational and eye-opening as to conditions in apartheid South Africa. There's still a modicum of "Hollywood" about this movie: Kevin's character is much more developed than Denzel's, and the entire point of the movie is his shift in support, rather than a straight biopic of Steve Biko with a side character of a journalist. Still, it's always a treat to see actors putting on difficult accents, and you'll also get to see a young Penelope Wilton as Kevin's wife!

I think the context of the story has been covered by other posters so I would just like to write about the impact this film had on me.

I first saw this film the year of it's release around 1987. My school organised a trip to the cinema to see it, for an RE project I think. We all went along of course excited because we were on a school trip to the cinema! Little did we know what we were about to experience. To this day I still remember the feelings it invoked in me and i remembered crying a lot as were most of my friends. I think at the age we were we found it shocking and quiet rightly outraged in our own youthful way .It had such an impact on me that I joined the Anti Apartheid Movement the same year.

I think it served it's purpose in my case.

Richard Attenborough is one storyteller. 'Gandhi' & 'Chaplin' are widely regarded & respected to this date. 'Cry Freedom', according to me, is his finest work since 'Gandhi'. This British drama takes place in a time of violence, and is executed with flourish. Even the performances are top-notch!

'Cry Freedom' is set in the late 1970s, during the apartheid era of South Africa and centers around the real-life events involving black activist Steve Biko and his friend Donald Woods, who initially finds him destructive, and attempts to understand his way of life.

'Cry Freedom' delves into the ideas of discrimination, political corruption, and the repercussions of violence. Based on a pair of books by journalist Donald Woods, this human-tragedy is wonderfully written by John Briley. Also, the dialogue at places, give you goose-flesh. Sure, the writing does drag a bit, but that doesn't effect it's impact.

Richard Attenborough knows what he's making. He knows this isn't an easy story to make. But, the veteran directs each frame with flourish. Cinematography by Ronnie Taylor, is excellent. Editing & Art Design, are perfect.

Performance-Wise: Denzel Washington is fantastic as Steve Biko. He delivers a performance that easily ranks amongst his finest works to date. Kevin Kline as Donald Woods, on the other-hand, is restrained all through. Not once does he go over the top. Penelope Wilton is effective. Kevin McNally scores. Others lend good support.

On the whole, 'Cry Freedom' is a terrific film, that over-shadows it's flaws, cleverly. Don't miss this one!

CRY FREEDOM is an excellent primer for those wanting an overview of apartheid's cruelty in just a couple of hours. Famed director Richard Attenborough (GANDHI) is certainly no stranger to the genre, and the collaboration of the real-life Mr. and Mrs. Woods, the main white characters in their book and in this film, lends further authenticity to CRY FREEDOM. The video now in release actually runs a little over 2 and a half hours since 23 minutes of extra footage was inserted to make it a two part TV miniseries after the film's initial theatrical release. While the added length serves to heighten the film's forgivable flaws: uneven character development and blanket stereotyping in particular, another possible flaw (the insistence on the white characters' fate over that of the African ones) may work out as a strength. Viewing CRYING FREEDOM as a politically and historically educational film (as I think it should, over its artistic merits), the story is one which black Africans know only too well, though the younger generation may now need to see it on film for full impact. It is the whites who have always been the film's and the book's target audience, hopefully driving them to change. Now twelve years after the movie's production, CRY FREEDOM is in many ways a more interesting film to watch. Almost ten years after black majority rule has been at least theorically in place, 1987's CRY FREEDOM's ideals remain by and large unrealized. It therefore remains as imperative as ever for white South Africans, particularly the younger ones who have only heard of these actions to see it, and absorb the film's messages. In total contrast to American slavery and the Jewish Holocaust's exposure, South Africans' struggles have been told by a mere two or three stories: CRY FREEDOM, CRY THE BELOVED COUNTRY (OK, Count it twice if you include the remake), and SARAFINA (did I miss one?). All three dramas also clumsily feature American and British actors in both the white and black roles. Not one South African actor has played a major role, white, coloured, Indian or Black!). And yes I did miss another international South African drama, MANDELA and DEKLERK. Though this (also highly recommended) biopic was released after black majority rule was instituted, MANDELA was played by a Black American (Sidney Poitier, who also starred in the original S.A.-themed CRY THE BELOVED COUNTRY), while the Afrikaner DeKlerk was played by a (bald) very British Michael Caine, a good performance if you can dismiss that the very essence of Afrikanerdom is vehement anti-British feelings. Until local SABC TV and African films start dealing with their own legacy, CRY FREEDOM is about as authentic as you'll get. As villified as the whites (particularly the Afrikaners) are portrayed in the film, any observant (non-casual) visitor to South Africa even now in 1999, not to mention 1977 when CRY FREEDOM takes place, will generally find white's attitudes towards blacks restrained, even understated. Looking at CRY FREEDOM in hindsight, it is amazing that reconciliation can take place at all, and it is. But CRY FREEDOM at time shows not much has really changed in many people's minds yet, and that the Black Africans' goal to FREEDOM and reconciliation is still ongoing. This is why if you're a novice to the situation, CRY FREEDOM, is your best introduction.

I show this film to university students in speech and media law because its lessons are timeless: Why speaking out against injustice is important and can bring about the changes sought by the oppressed. Why freedom of the press and freedom of speech are essential to democracy. This is a must-see story of how apartheid was brought to the attention of the world through the activism of Steven Biko and the journalism of Donald Woods. It also gives an important lesson of free speech: "You can blow out a candle, but you can't blow out a fire. Once the flame begins to catch, the wind will blow it higher." (From Biko by Peter Gabriel, on Shaking the Tree).