Füge eine Handlung in deiner Sprache hinzuA corrupt cop blackmails former burglar Bernice, forcing her into her most ambitious job yet: a dentist hires her to break into her ex-husband's house and steal back her jewelry. But when th... Alles lesenA corrupt cop blackmails former burglar Bernice, forcing her into her most ambitious job yet: a dentist hires her to break into her ex-husband's house and steal back her jewelry. But when the ex is murdered, Bernice is the only suspect.A corrupt cop blackmails former burglar Bernice, forcing her into her most ambitious job yet: a dentist hires her to break into her ex-husband's house and steal back her jewelry. But when the ex is murdered, Bernice is the only suspect.
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Bailey lets Bernie onto a high stakes heist. Dr. Cynthia Sheldrake (Leslie Anne Warren) is a dentist. Her patients are mostly illegal immigrants, so they pay in cash. With the cash, she and her husband bought some pretty expensive jewels, totaling somewhere around a hundred thousand or more. When they split up, Sheldrake's husband kept the jewels at his place and she wants them back. That's where Bernie comes into the picture. One last heist to make enough money to square with Bailey and in the end, get out of the business for good. It seems easy enough. That is, until Sheldrake's husband is murdered while Bernie was hiding out in the closet. And now, she's the prime suspect. But Bernie, a smart cookie that she is, isn't about to go down without a fight. And, she seems to be the only really intent on serving the murder and prove her innocence. And it isn't going to be easy.
Burglar isn't a whole lot of comedy as much as it is a murder mystery. Of course, with Whoopie Goldberg in the lead, you can expect a load of funny antics as Bernie sweet talks her way through the story with the help of her slurring spastic friend, Carl (Bobcat Goldwaith) who has some pretty funny moments himself, especially during the interrogation scene with John Goodman. Also, there's a pretty good chase scene as the cops chase Bernie through the wild hilly asphalt of San Fransico, with some of the chase done with camera views from the bumpers. But the movie, like I said before, is largely a murder mystery.
Unfortunately, the audience may start losing interest towards the end, as Bernie seems to have her end of the mystery solved. The movie puts on the brakes once she reports her findings to the wife Sheldrake and everyone drags their feet around deciding what to do then. By then, any suspense of Bernie's snooping around, is turned into a totally dull bit of scenes followed by a pretty lame conclusion. So, I'd say the movie was decent at least up to the end.
One of BURGLAR's biggest strengths is that it hits the ground running. Whoopi is great in the opening scenes, disguised as a fat-bottomed ol' lady ripping off a small piece of a rich man's riches. This sets the stage nicely for what promises to be a fast-paced blend of comedy, action, and snappy dialog. The film continues at a surprisingly entertaining level as our thieving hero, owing 25 G's to keep the lid on past misdeeds, agrees to snatch back some jewelry for a bitter ex-wife. Only things go terribly wrong when her target is murdered before she can make a clean getaway. Now she's the chief suspect and, just as O.J. once famously pledged, must find the real killer.
Unfortunately, it's at this point, when our expectations are highest, that BURGLAR begins to fall apart. The film grows progressively (and unnecessarily) lewd and at times downright dreary (particularly the out-of-place climax). Though there are a couple of laughs, much of the humor is so painfully unfunny you almost cringe. Performance wise, Whoopi is at the top of her game. But hard ass/cutie pie act -- punching men in the groin one minute and making wisecracks the next --never really works. Spastic comic Bobcat Goldthwait is as zany as ever as her best pal, but no one seemed to realize that his is an act meant to be taken in much smaller doses than this.
BURGLAR would have worked much better as a straight action thriller. Its insistence on trying to be humorous is what hurts it the most. Of course under no circumstances would this be a classic. But at the end of it all, you get the sense BURGLAR could have been more than it was.
A second rate comedy about a second story woman. A simple and plain thriller/comedy about a cat burglar moves to right side of the law when she attempts to solve a murder case. Based on the novel "The burglar in the closet" written by Lawrence Block and weak storyline by producer Jeph Loeb and director Hugh Wilson himself . Whoopi's always a treat , but this movie's best forgotten , Goldberg's fans should watch "Jumpin' Jack Flash" again instead . Co-star Bobcat Goldthwait elevates the comedic level , though he repeats a similar role from Police Academy II . Nice performances from a fun cast , resulting to a be a particularly energetic but mediocre effort from Goldberg held back by a silly and predictable script. Whoopi is well accompanied by a good support cast with plenty of familar faces , such as : W. G. Bailey , Lesley Ann Warren, James Handy, Anne De Salvo , John Goodman , Nathan Davies , Elizabeth Ruscio , among others.
It displays an anti-climatic and misadjusted musical score by composer Sylvester Levay , in the Eighties style , and composed by means of synthesizer . As well as atmospheric and functional cinematography by prestigious cameraman William A. Fraker. The motion picture was regularly directed by Hugh Wilson , resulting to be some boring and tiring . Wilson usually gave himself a cameo in the films he directed. He worked in advertising in Atlanta before becoming a writer and associate producer on "The Tony Randall Show" (1976). Wilson was a notorious writer and producer working as cinema as TV , shooting all all kind of genres with penchant for comedy . Being known for "Blast from the Past" (1999), "Radio Cincinnati" (1978) , "Frank's place" , "Rustler's Rhapsody" , "Guarding Tess", "The first wives club" , "Blast from the past" , "Dudley Do-Right" and his big hit : "Police Academy" (1984) . Rating : 4.5/10 . Average , only for Whoopi Goldberg's hardcore enthusiasts.
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- WissenswertesThe plot is loosely based on Lawrence Block's Burglar novels, with major changes to two principal characters. Bernard "Bernie" Rhodenbarr, a white male bookstore owner/burglar, became Bernice "Bernie" Rhodenbarr. Gay dog groomer Carolyn Kaiser, Bernie's best friend, became straight dog groomer Carl Heller.
- PatzerElizabeth Ruscio is credited twice at the end of the movie. Moments after her character is displayed with the actress' name credited in a caption, as is done with all the other major characters, Ruscio is again credited under "Also Starring," at the beginning of the rolling credits.
- Zitate
Vincent 'Knobby' DiCarno: What'll it be?
Carl Hefler: [walking up to the bar] Package delivery.
Vincent 'Knobby' DiCarno: For who?
Carl Hefler: It just says "Mayday".
Vincent 'Knobby' DiCarno: Here I'll take it.
Carl Hefler: Ya gotta sign for it.
[passing a clipboard]
Vincent 'Knobby' DiCarno: [signs and returns clipboard]
Carl Hefler: [reading signature] Kay-no-bee... K-noby! Is that like in Star Wars?
Vincent 'Knobby' DiCarno: No idiot, it's "Knobby".
Carl Hefler: Oh! it's... so it's like a nickname.
Vincent 'Knobby' DiCarno: Yes, I think maybe it's something like that.
[knocking on his bald head]
Carl Hefler: Well I'm gonna need your full name, please.
Vincent 'Knobby' DiCarno: Sorry...
Carl Hefler: Come on, it's the regulations.
Vincent 'Knobby' DiCarno: Hey fuck you, okay?
Carl Hefler: Fuck you? Thank you very much! I come here to give you a fuckin' package and you decide to blow me shit?
[getting more irate]
Carl Hefler: Like-like-like-like-like-like-like you're my idea of a dream come true - takin' shit from a dildo with ears?
[shouting]
Carl Hefler: You know when I was like five I said, "Dad, Dad! Can I get a job where random fuckin' shitheads blow me crap all day?" I'm gonna break you in fuckin' half and use your head as a ballpoint!
[grabs Knobby by the shirt]
Carl Hefler: Now sign the goddamn thing!
- SoundtracksTime Out for the Burglar
Performed by The Jacksons
Produced by Bernard Edwards and The Jacksons
Written by Jackie Jackson, Randy Jackson, Pamela Phillips Oland and The Distance
Courtesy of Epic Records
[end credits song, also plays during the roof jumping scene]
Top-Auswahl
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Details
Box Office
- Budget
- 12.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 16.337.355 $
- Eröffnungswochenende in den USA und in Kanada
- 4.509.754 $
- 22. März 1987
- Weltweiter Bruttoertrag
- 16.337.355 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1