Die Macht des Feuers

Unusual and violent activity is observed on the surface of the sun during an eclipse. A dormant volcano erupts in Turkey. A musician (Peter Firth) is haunted by a strange melody. These are the starting points of what turns out to be a surrealist journey into Arabic mythology.

After meeting an astronomer (Suzan Crowley) who observed the strange activity on the sun, Firth visits his mother on her deathbed. She tells him of the Master Musician, a mysterious being living in Turkey, where his father, also a musician, died a long time ago.

Firth takes off for Turkey, to face the demons of his father's past and find this mythical Master Musician. His trip takes us deep into the heart of arabic mythology, into a world inhabited by Djinns and Shaytans, respectively born of Air and Fire. He will learn many things about his father's life that will bring him to the brink of insanity.

Directed by Jamil Dehlavi and filmed on location in Turkey, the cinematography of this film is so gorgeous you could watch it with the sound off. The plot isn't so important as the powerful symbology of the imagery (for example, the eclipse is represented by a skull covering the sun). It must be said that the director does very little to explain the many references to the mythology. But this isn't a weakness as it sent me on my own quest to find out more about it.

Not for the impatient viewer looking for a cheap thrill, but definitely recommended for the serious viewer seeking a heightened adventure into the surreal.

I really enjoyed a large amount of the imagery in this film. The lighting is great, the colors are gorgeous, the locations are beautiful and the framing is great. That's really all there was for me. I guess if you can connect more with the mythology a large amount of this film references this may be an enjoyable experience. For anyone else there's really only visuals because honestly just about everything else is kinda dull.

Unusual and violent activity is observed on the surface of the sun during an eclipse. A dormant volcano erupts in Turkey. A musician (Peter Firth) is haunted by a strange melody. These are the starting points of what turns out to be a surrealist journey into arabic mythology.

After meeting an astronomer (Suzan Crowley) who observed the strange activity on the sun, Firth visits his mother on her deathbed. She tells him of the Master Musician, a mysterious being living in Turkey, where his father, also a musician, died a long time ago.

Firth takes off for Turkey, to face the demons of his father's past and find this mythical Master Musician. His trip takes us deep into the heart of arabic mythology, into a world inhabited by Djinns and Shaytans, respectively born of Air and Fire. He will learn many things about his father's life that will bring him to the brink of insanity.

Directed by Jamil Dehlavi and filmed on location in Turkey, the cinematography of this film is so gorgeous you could watch it with the sound off. The plot isn't so important as the powerful symbology of the imagery (for example, the eclipse is represented by a skull covering the sun). It must be said that the director does very little to explain the many references to the mythology. But this isn't a weakness as it sent me on my own quest to find out more about it.

Not for the impatient viewer looking for a cheap thrill, but definitely recommended for the serious viewer seeking a heightened adventure into the surreal.

The first half of the story was good almost perfect , the atmosphere the mystery I must admit it was scary and so interesting , but unfortunately it missed and flawed after the second half . I think the director lost and he didn't know what to do .

3/10

This movie had the honor of being the world's first and only Islamic horror movie. Horror films I've seen from Pakistan and other Muslim countries were little more than rip-offs of Western horror. But this one delves into Islamic mysticism. We are taken into the world of the Djinn (spirits) and Shaytan (devils). Quotes from the Qur'an and Sufi poet / master Jallaludin Rumi and "dhikr" (rememberence / chants) by Bilal the Muezzin change the total feel of this movie to one that, unlike Western horror movies, owes nothing to the Christian tradition. There were some flaws. Some of the symbolism got a little strange and obscure, and baffling inserts made some of the editing a bit amateurish. But all in all its a good movie. Perhaps some other director will make a movie that shows the essence of Islamic spirituality.