Bloody New Year

Teenagers?? The actors look like they are well into their 20's, if not older! A group of "teens" find themselves in a spot of bother at the seaside when their boat starts to sink and they swim to the nearest island. Here there is a seemingly deserted hotel, stuck in a time warp of New Year's Eve 1959. Ghastly things start to happen to them, one by one. Plot wise I felt able to follow it, despite being a load of nonsense. On the negative side the acting was very wooden, as mentioned before the actors look much older than teenagers, the special effects are cheap looking and it has an obvious low budget feel and look to it. On the positives some of it was filmed at Barry Island seaside resort, a place that I have visited several times and it was nice to see how it used to look. Among the effects are a few clever tricks, such as an arm coming out of a mirror and pulling a victim inside. The British VHS comes in a terrific, 3D box. The picture quality isn't great, not sure if it has ever been released on DVD/BR but deserves to be. Not Warren's best film and not the best film to watch on NYE either but reasonably entertaining if you like bad movies.

This is a certified bad movie classic!

This is a very good example of a movie severely lacking in a multitude of ways but where the filmakers tried their best at making a movie. Knowing behind the scenes facts about how the movie was made and the ultra low budget, gives me a lot of respect for it and the everyone involved.

If you too are interested you can watch the dead meat video on it. Its great

Even though the movie isnt that great it still has some great weird moments that make it worth it watching

And id say i got something more after watching the movie than i lost watching it. And when it comes to quality bad movies that is essential.

And even though its funny bad, it still has that important soul to it.

I struggle rating this because its a very guilty pleasure type film, where the film has so many shortcomings that have become part of why i love it so much. That pretty much goes against the standard film review rules, so im not gonna break those. However the film is very enjoyable especially with friends and especially when tipsy.

This final feature by UK schlockmeister Warren--apparently so unhappy an experience he didn't want to make any more--has an enjoyably daft, anything-goes approach to horror that would be more fun if the film were better made. Six youths visit a fun fair, then run afoul of some nasty carnies. (The highpoint of this is when they manage to shake off from a speeding vehicle the three carnies, each of whom magically falls onto a separate, conveniently located pile of empty cardboard boxes.) Then the youths are suddenly on a boat, which runs aground near an island occupied by an abandoned resort hotel that has apparently been frozen in time since 1960.

Of course, our protagonists are soon prey to terrors and death, but even basic binding fantasy logic is missing. There are ghosts, zombies, monsters, inanimate objects (appliances, a wooden carving, a snooker table, an elevator wall) that "come to life"...even those malevolent carnies return, though god only knows how they got here. It's a little like a low-budget "Shining"--except as arbitrary in its perils as something like "Hausu"--except with little filmmaking style or basic competence to make the nuttiness seem more inspired than just silly.

We've all seen worse, and the sheer randomness of the ideas provides a certain amount of entertainment value. Still, this falls short as both "so bad it's good" and the kind of movie that can actually pull off its deliberate senselessness with panache. It's a medium-hot mess that isn't exactly dull, and has the virtue of not being a formulaic slasher, but is just too sloppily put together to provide more than a few disbelieving yoks.

If "Terror" was Norman J Warren's take on "Suspiria", then "Bloody New Year" is surely his version of "The Beyond". After a slow start, it changes from a British teens at the seaside affair, all big dippers and frustrated love triangles, to a delirious zombie movie - "Quadrophenia" crossed with Lucio Fulci.

Considering the extremely low-budget, this is a creditable piece of filmmaking, with Warren achieving some neat shock effects. The young and unknown cast acquit themselves reasonably and there is some groovy organ music to spice up the final reel mayhem. The unexpected arrival of the fairground yobs adds to the fun.

I do have two questions though! Norman is such a nice man so why does he go in for ultra-downbeat endings? And is there really a time-warp island,complete with drooling zombies, living lifts and ambulatory fishing nets,within sailing distance of Barry Island Funfair? Has the local Tourist Information Centre been informed? (Wait a minute, that's three questions).

Horror fans who delight in the cheesy and the silly may find a fair bit to appreciate with Norman J. Warrens' "Bloody New Year". Don't go into it expecting anything resembling a coherent plot, but be prepared for a lot of insane nonsense.

The story has three young couples up to a whole bunch of tomfoolery at a carnival who afterwards find themselves shipwrecked on an island. This island features a hotel that not only is celebrating Christmas in July, it's celebrating Christmas circa 1959, and is eagerly anticipating 1960.

Among the assorted crackpot ideas Warren and screenwriter Frazer Pearce throw at the wall are snow indoors, invisible pursuers, a furiously moving camera seemingly inspired by "The Force" from "The Evil Dead", a "table monster", and lots of hilariously, endearingly tacky special effects. The good thing is that Warren and Pearce do seem to be just having fun with the genre because this whole production has a heavy tongue in cheek feel. Now, some people may find this simply *too* cheesy and *too* silly, but others should find themselves smiling if not laughing outright.

The first 15 minutes quickly establish the irreverent tone, and the filmmakers do achieve and maintain a certain loopy charm and a "Just what the hell is going on?" sensibility. The actors do an impressive job of keeping poker faces throughout, and they're all reasonably appealing, although there will undoubtedly be viewers who will get sick of all the screaming that Janet (Nikki Brooks) does. One of the best routines involves some appearing and disappearing sets of footprints.

These 90 minutes of off-the-wall antics don't quite fly by, but enough amusing stuff happens to help people pay attention. The music, by Nick Magnus and a duo dubbed "Cry No More", merely adds to the appeal. All things considered, this is an interesting effort among Warrens' filmography.

Six out of 10.