Chicago Blues

The year is 1957 and in the small town of Rockport, Indiana a young man by the name of "J.C. Cullen" (Matt Dillon) dreams of making it big in Chicago by counting the odds and throwing dice. Even his mentor "Carl Hooker" (Don Francks) admits that he is the best craps shooter he has ever seen-and Hooker has seen some of the best. So with the encouragement of his good friend and a recommendation to a reputable sponsor by the name of "Ferguson Edwards" (Lee Grant) J.C. gets on the bus and heads out to the Windy City to try his luck. And it's here that he meets people who will make an indelible impression on him for the rest of his life. Now rather than reveal any more I will just say that I really liked this movie. Not only does it capture the timeframe rather well but it also included a solid cast with good performances by just about everybody involved with Diane Lane (as "Lorry Dane") and Tom Skerritt (as "Phil Carpenter") truly standing out. In short, I consider this to be an underrated picture and recommend it to viewers who might be interested in a film of this sort.

This is Matt Dillon's best performance by far. This shows why everyone thinks he has such talent. But like most of his other work, this movie is dark and realistic about human nature -- in a word, truthful. All the characters have at least two levels -- the superficial level, and a deeper level which is usually darker and more warped, yet never exaggerated. This film also features a masterful performance by Tommy Lee Jones, an excellent job by Suzy Amis, and Diane Lane's most sensational, most lurid, and deepest performance ever in her depiction of a scheming strip tease queen, the ultimate femme fatale, yet a tortured little girl underneath.

The script is very good, very insightful, very restrained in its depiction of a lurid underworld of raw emotion. It dramatizes a world of sin and depravity, yet the story is at core a morality play in which decency and morality not only survive but thrive in spite of extreme temptations.

A good movie on every level.

How do you rate a movie like this, which will never be great, but realizes tolerably, pretty well, a genre shuffle? The genre we might call neo-noir, but perhaps neo-B is better. There is the various filler--jazz, night alley with gleaming wet pavement, lots of bars, a fight club, street jammed with clubs, a elevated train that sparks when the guy and the girl kiss. And neo-filler--more than one woman doing a striptease with feathers and pasties and a bit of French stuff in bed. 1987 pretending to be the 1950s--mom with a little hat coming from church, shiny suits, homely red car. Someplace pretending to be "Chicago," da Big Town. A dice game a smart guy can pretty much always win, even when it's played in many scenes.

And Matt Dillon who's really into it, skinny guy always focused, doing a fine job. A "kid" who can be older, Tintin in a strip club. But it ain't "Drugstore Cowboy."

Matt Dillon plays a hayseed crap shooter with unbeatable luck who, in late 1950s Chicago, joins a Windy City syndicate and falls hard for the femme fatale wife of an unscrupulous gambling boss. Despite some errors in casting this otherwise familiar urban crime story is, at least in presentation, a lot smarter than it may first appear. The relative youth of the two leads is fatally inconsistent with the very grown up crime and passion scenario, but director Ben Bolt wisely underplays the neo-Noir mood by refusing to rely on the trendy smoke-and-strobe-light pyrotechnics so common in modern thrillers. The gritty urban setting is instead recreated in all its cheap romantic glamour, and the script has its arcane gambling slang down pat, but the film is something of an anachronism in today's over-hyped market: a competent (if minor) drama, made thirty years too late.

Considering the big name cast and lavish production I expected a lot more of this film. The acting for the most part is great, although the story they have to work with is mediocre at best. However the film still warrants watching because of the acting and the stars and some and up and coming young talent.