Ein Professor aus Boston betreibt das Restaurant seines verstorbenen Vaters in New Orleans.Ein Professor aus Boston betreibt das Restaurant seines verstorbenen Vaters in New Orleans.Ein Professor aus Boston betreibt das Restaurant seines verstorbenen Vaters in New Orleans.
- 3 Primetime Emmys gewonnen
- 7 Gewinne & 11 Nominierungen insgesamt
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This show was so unique and so classy and so very well done in every way, that there are many many people who still rave about it to this day. If any show ever deserved to have all of its episodes on a DVD - - this is absolutely the one. The dialog was perfectly written. The music was wonderful and appropriate. It goes without having to elaborate that each one of the actors was talented and a joy to see and hear.
And, one of this show's most unique and classy perks was something that was pure class. There was NO LAUGH TRACK.
Frank's place was truly one of the greatest. This kind of quality is sorely missed. If only this show would be repeated now on any channel, anywhere- - that would be a wonderful thing. And if word got out that indeed it could be seen again on TV, it would not only instantly attract the viewers who still miss it very much; it would most likely establish a significant number of new loyal fans.
Somehow, someone, anyone, PLEASE create a DVD of it.
And, one of this show's most unique and classy perks was something that was pure class. There was NO LAUGH TRACK.
Frank's place was truly one of the greatest. This kind of quality is sorely missed. If only this show would be repeated now on any channel, anywhere- - that would be a wonderful thing. And if word got out that indeed it could be seen again on TV, it would not only instantly attract the viewers who still miss it very much; it would most likely establish a significant number of new loyal fans.
Somehow, someone, anyone, PLEASE create a DVD of it.
Going on twenty years later, and it was one of a kind. Best show hands down.
Too funny, without being sexually explicit with adult material. Brilliant.
Beah Richards would deservedly win the guest actress Emmy as the widow of the man who "may" have killed himself, but to this day I enjoy fellow nominee Conchata Farrell from the same episode as the lawyer representing Richards. The lines "I spit up on her. My mother died in her arms" is a chilling, stunning setup.
"In other words, gentlemen, I am your worst nightmare come true."
Fantastic.
The Rosalind Cash-Lynne Thigpen episode. Subtle, yet memorable. Cash was the old voodoo ways, Thigpen was the updated voodoo ways. Too classic.
Loved the "spell" being carried in by Thigpen in a paper bag covered in aluminum.
I had forgotten about the dead body being removed from the funeral home. The "body" would tip his hat and smile at the very end after credits rolled.
The boxing match. Sensational.
I suppose my fave was the restaurant episode with the country band, the drag queens, the white family and "Pick a bale of cotton." Around the same time, Robin Williams had pulled the same joke on a special "Carol, Carl, Robin & Whoopi" but it was still funny here.
My brother managed to record most of the episodes, only missing a two parter dealing with drugs.
I still think about this grand show.
Daphne Maxwell-Reid and Virginia Capers. Hilarious when she got mad and was in that wheelchair.
And the reverend! How could I forget him! "But the Lord loves me!"
He would have a quick scene in the boxing match that was too funny.
Toward the end, Frank would be told that Daphne was getting married to a football player and he would meet the guy, who had a voice like a cartoon character. Frank felt vindicated. At the very end, he mimicked MIckey Mouse giving football calls.
This show would be replaced with that horrendous retirement community show that starred Glynis Johns, Alan Young and the fellow who played Wimpy in the Robin Williams-Shelly Duvall Popeye movie.
Was Frank's Place ahead of its time? Who knows?
It would receive numerous nominations in the only year it was on, and other than Richards' guest win, it would only receive writing.
Yes, it seemed to be because they were Black. Even in the eighties it could be too much. It was a shame.
But thankfully the show was done for that year.
Too funny, without being sexually explicit with adult material. Brilliant.
Beah Richards would deservedly win the guest actress Emmy as the widow of the man who "may" have killed himself, but to this day I enjoy fellow nominee Conchata Farrell from the same episode as the lawyer representing Richards. The lines "I spit up on her. My mother died in her arms" is a chilling, stunning setup.
"In other words, gentlemen, I am your worst nightmare come true."
Fantastic.
The Rosalind Cash-Lynne Thigpen episode. Subtle, yet memorable. Cash was the old voodoo ways, Thigpen was the updated voodoo ways. Too classic.
Loved the "spell" being carried in by Thigpen in a paper bag covered in aluminum.
I had forgotten about the dead body being removed from the funeral home. The "body" would tip his hat and smile at the very end after credits rolled.
The boxing match. Sensational.
I suppose my fave was the restaurant episode with the country band, the drag queens, the white family and "Pick a bale of cotton." Around the same time, Robin Williams had pulled the same joke on a special "Carol, Carl, Robin & Whoopi" but it was still funny here.
My brother managed to record most of the episodes, only missing a two parter dealing with drugs.
I still think about this grand show.
Daphne Maxwell-Reid and Virginia Capers. Hilarious when she got mad and was in that wheelchair.
And the reverend! How could I forget him! "But the Lord loves me!"
He would have a quick scene in the boxing match that was too funny.
Toward the end, Frank would be told that Daphne was getting married to a football player and he would meet the guy, who had a voice like a cartoon character. Frank felt vindicated. At the very end, he mimicked MIckey Mouse giving football calls.
This show would be replaced with that horrendous retirement community show that starred Glynis Johns, Alan Young and the fellow who played Wimpy in the Robin Williams-Shelly Duvall Popeye movie.
Was Frank's Place ahead of its time? Who knows?
It would receive numerous nominations in the only year it was on, and other than Richards' guest win, it would only receive writing.
Yes, it seemed to be because they were Black. Even in the eighties it could be too much. It was a shame.
But thankfully the show was done for that year.
Frank's Place was loved by both viewers and critics. Too bad sponsors and networks were too jittery about black people as they really are and not as stereotypes. The episode where the "guys" take Ed's body from the funeral home for a night on the town is the funniest ever shown on TV. Even Lucy and Ethel would vote it the best.
Frank's Place is one of my favorite shows. Very underrated, very unappreciated and quite ahead of its time. The episode in which the corpse shows up sitting in the back row at his own funeral, with Bach's marvelously macabre "Toccata in D Minor" as the stinger, is pure genius. The episode in which the homeless man stands at the back door singing "Daaaaaaaaaaayyyyy-OOOOOOOO!" (Harry Belafonte, eat your heart out) is classic. And who could believe that Shorty! The use of subtitles to translate that spicy-as-gumbo Louisiana gush - what a hoot! My husband, whose father was from Louisiana, could always understand every word Shorty said. I had to rely on the subtitles. Why, why, why wasn't this show given a chance? Because it was sensitive, intelligent and enormously funny, that's why. Diversity, the dearth of which is so lamented today, came to TV in 1987 and was shuffled off with less finesse than was the missing corpse. Our loss. TV Land, bring it back! I promise to set my VCR!
Fantastic show. As everyone else seems to note, canceled way too soon. Puts shows like NYPD Blue, Six Feet Under, and other critical darlings to shame -- had more depth, cleverness, backwards humor and good, understated acting in a single show than a year's worth of Six Feet Under.
Definitely leads off the list of "why don't the networks spend the six hours it would take to hire some intern to transfer the tape to DVD and release this oblivion" shows.
Definitely leads off the list of "why don't the networks spend the six hours it would take to hire some intern to transfer the tape to DVD and release this oblivion" shows.
Wusstest du schon
- WissenswertesAccording to Tim Reid, Walter Cronkite, who was a member of the board of directors at CBS, told him that the series was cancelled because of the final episode. In "The King of Wall Street", a Wall Street tycoon condemns junk bonds. Laurence Tisch, the CEO of CBS, was offended by this episode because he had bought the network with junk bonds. He demanded that the series be cancelled despite the objections of Cronkite and other board members.
- VerbindungenFeatured in The 40th Annual Primetime Emmy Awards (1988)
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