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Die Schöne und das Biest

Originaltitel: Beauty and the Beast
  • Fernsehserie
  • 1987–1990
  • 12
  • 1 Std.
IMDb-BEWERTUNG
7,0/10
8341
IHRE BEWERTUNG
BELIEBTHEIT
2.890
692
Linda Hamilton and Ron Perlman in Die Schöne und das Biest (1987)
Beauty & The Beast: Above Below & Beyond
trailer wiedergeben1:36
2 Videos
59 Fotos
Dunkle FantasieEin MärchenDramaFantasieKriminalitätRomanze

Die Abenteuer und die Romantik eines sensiblen und kultivierten Löwenmenschen und eines stellvertretenden Bezirksstaatsanwaltes auf einem Kreuzzug in Manhattan, New York City.Die Abenteuer und die Romantik eines sensiblen und kultivierten Löwenmenschen und eines stellvertretenden Bezirksstaatsanwaltes auf einem Kreuzzug in Manhattan, New York City.Die Abenteuer und die Romantik eines sensiblen und kultivierten Löwenmenschen und eines stellvertretenden Bezirksstaatsanwaltes auf einem Kreuzzug in Manhattan, New York City.

  • Stoffentwicklung
    • Ron Koslow
  • Hauptbesetzung
    • Ron Perlman
    • Roy Dotrice
    • Jay Acovone
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    8341
    IHRE BEWERTUNG
    BELIEBTHEIT
    2.890
    692
    • Stoffentwicklung
      • Ron Koslow
    • Hauptbesetzung
      • Ron Perlman
      • Roy Dotrice
      • Jay Acovone
    • 73Benutzerrezensionen
    • 9Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • 6 Primetime Emmys gewonnen
      • 12 Gewinne & 34 Nominierungen insgesamt

    Episoden55

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    Videos2

    Beauty & The Beast: Above Below & Beyond
    Trailer 1:36
    Beauty & The Beast: Above Below & Beyond
    Beauty And The Beast
    Trailer 1:38
    Beauty And The Beast
    Beauty And The Beast
    Trailer 1:38
    Beauty And The Beast

    Fotos59

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    Topbesetzung99+

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    Ron Perlman
    Ron Perlman
    • Vincent
    • 1987–1990
    Roy Dotrice
    Roy Dotrice
    • Jacob 'Father' Wells
    • 1987–1990
    Jay Acovone
    Jay Acovone
    • Deputy D.A. Joe Maxwell…
    • 1987–1990
    Linda Hamilton
    Linda Hamilton
    • Asst. Dist. Atty. Catherine Chandler
    • 1987–1989
    Renn Woods
    Renn Woods
    • Edie
    • 1987–1989
    David Greenlee
    • Mouse
    • 1988–1990
    Ellen Geer
    Ellen Geer
    • Mary
    • 1988–1990
    Armin Shimerman
    Armin Shimerman
    • Pascal
    • 1987–1990
    Ritch Brinkley
    Ritch Brinkley
    • William
    • 1988–1990
    Stephen McHattie
    Stephen McHattie
    • Gabriel
    • 1989–1990
    Edward Albert
    Edward Albert
    • Elliot Burch
    • 1987–1990
    Irina Irvine
    • Jamie
    • 1988–1990
    Jo Anderson
    Jo Anderson
    • Diana Bennett
    • 1989–1990
    Cory Danziger
    Cory Danziger
    • Kipper
    • 1987–1988
    Zachary Rosencrantz
    • Zach
    • 1988–1989
    Bill Marcus
    • D.A. John Moreno
    • 1987–1989
    Marcie Leeds
    • Samantha
    • 1988–1989
    Tony Jay
    Tony Jay
    • Paracelsus…
    • 1988–1989
    • Stoffentwicklung
      • Ron Koslow
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen73

    7,08.3K
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    tom_amity

    Too strange to succeed on TV

    When it became obvious that this series, which obviously aspired to be the next Star Trek (not just a TV show but a cult, complete with movies, action figures, conventions, t-shirts, books, calendars, etc.) had die-hard fans but not enough of them to sustain the phenomenon, I recall that CBS started running a little promotional blurb for it. The blurb was not very well done, but in any case concluded with the remark: "Are you ready for a different kind of passion?"

    For good or ill, most people weren't. There's a lesson here, or several. I wish I knew what that message was. But here are some thoughts.

    (1) We are told that the audience was heavily female. This is not at all surprising, since it's women who read what is called "romance", which its opponents call "mush": the lovers talking in flowery, quasi-religious language about their relationships; no development or change in the characters; and an absolute lack of humor. You find this sort of thing profound or silly, and in our society it seems the majority find it silly. Statistics suggest that significantly more women than men find it profound. This says something weird about our society, although (I repeat) I don't know exactly WHAT it says. That cheesy popular guru who writes about Mars and Venus appears not to know the half of it.

    (2) On the other hand, a significant portion of our population likes "fantasy" (as opposed to "romance" in the narrow sense), as is proved by the popularity of the Lord of the Rings films. This series is just about the only unashamed fantasy (for adults) which TV seems to have produced with a mass audience in mind and without intending satire, a takeoff, or "camp." Which is, I suppose, why the promoters of this series thought they had a chance.

    (3) I'm not a fan of what is called "romance" (few men are, as I've pointed out); in fact, the overly solemn Winter's Tale is the only Shakespeare play I don't like. And I don't especially like "fantasy", with a few exceptions. But I found this series strangely watchable, and others of my temperament have said the same. Few of the episodes had a plot worthy of the name, but it was often pleasant to hear Ron Perlman reciting poetry. The dialog had a kind of elegance to it, not at all common in TV, which I admit to enjoying. Sort of like enjoying opera, maybe. And Perlman (who from all accounts did take Beauty and the Beast very seriously) did a wonderful a job of acting, through all that getup.

    (4) One fine day, Linda Hamilton decided she wasn't going to spend the rest of her life playing this goody-goody role, trying to breathe life into what she must have begun to see as rather bland and stilted dialog and a relationship which never changed or developed. I suppose it was at this point that the producers made a desperate effort to save the show by altering the whole thing to a dark, moody piece with suggestions of "The Shadow" or the "Dark Knight" side of Batman. And BANG, the last season was a totally different concept, in these terms: (a) there is violence and villainy, the nocturnal creep Gabriel, and in one episode Gabriel's Terminator-style henchman, all of which a lot of the original fans found disturbing; (b) Vincent and Catherine have a baby, which again grated on fans' nerves after they'd been hit over the head for two seasons with how platonic their relationship had been (c) bad symbolism, as when Diana the policewoman announces "This is Catherine Chandler's gun!" before shooting Gabriel in cold blood, as if Catherine had been the type who would have wanted revenge in any case; and so on.

    So what is "A different kind of passion"? Well, for one thing, the platonic nature of the Vincent-Catherine relationship, which recalls such images as the knight who prefers to worship his lady chastely, from afar, rather than "defile" her. When women want their horny male companions to leave them alone, they say things like "Let's not ruin our friendship" and "You're making me uncomfortable." Well, maybe men should brood on that a little, and ask why so many female reviewers of this series are saying things like "Vincent is the greatest", "I'd love to have a man like Vincent", etc., and follow that up by asking what Vincent's got that we haven't. I'm serious. (A Don Juan could be defined as a jerk who PRETENDS to be "like Vincent" in order to control women, wouldn't you say?)

    The last season, with its overthrow of many of the series' basic assumptions, shows how confused things can get when you wed a concept like Beauty and the Beast (which inherently caters to a niche audience) to TV (which inherently seeks a common denominator in its fans). The irony is that this show still has such a following. Not hard to understand, but ironic, that the fans of this series still hold their conventions, StarTrek style, and still hope for a movie. I wish them well.

    And I hope that if someone who does figure out the significance of this series' failed attempt to "catch on" will be kind enough to enter a review at IMDb.

    Indeed, maybe there's a good reason why Vincent and Catherine never kissed (leaving aside the last season, which doesn't count). What a drag it would be if the kiss turned him into a handsome prince! He would simply cease to be The Beast and would no longer concern us. Who would want Don Quixote without his delusions, or the Flying Dutchman with no curse on him? ... So here, at the end of my comments, we come at last to the beginning of the subject.

    "Beauty and the Beast will be continued"? No kidding.
    Quill_32

    Okay good! Okay fine!

    Can't tell you exactly why this series caught the imaginations of so many; it probably differs for each person. But this was a winner of a show in a style I've not seen since. It was fantasy, true enough, but it addressed many contemporary issues with a skill seldom seen in TV. The love story was believable, the acting was outstanding, and the minor characters were generally engaging. This was a show for romantics, and for those who believe in the power of love--not just between lovers, but between family and friends, and those whose love spills over into actions. Good fought evil in the grimy real world as well as in fantastic battles against shadowy adversaries. And for those of us who like to pretend that the unknown really is just around the corner--this was our show. Requiescat in pace.
    MISSMOOHERSELF

    Perhaps the Best Television Show ever

    I found this show by accident one Friday night and became hooked immediately. Here was an intelligent, well-acted program for adults. It was not sexually explicit, nor gratuitously violent. It had something most TV shows do not have: Romance.

    Linda Hamilton and Ron Perlman were absolutely perfect together as the beautiful lawyer who lives above and Ron Perlman as the "hideous" beast whose curse is that he is ugly on the outside and who never gets a chance to reveal his inner beauty until he saves Catherine. Knowing how tormented he was because of his deformities was heart-breaking and yet he blossomed as he and Catherine found real love.

    Normally, I would be pleased when an actress leaves a show to spend time with her son, as Miss Hamilton did. I'm all for women staying home to be with their children over spending time at a carer; at risk of being hopelessly old-fashioned, I believe women with children should stay home to care for them. However, in this case, it was one of her worst decisions because her marriage to the father of this child fizzled. She later had a child and then married James Cameron of "Titanic" fame, only to lose him to a star of that overblown ocean-going vehicle. She did have success with the Terminator movies but those were nothing but Schwarzenegger fests. Meanwhile B&B also suffered because they just couldn't find a woman to replace Catherine. Diana just didn't have it.

    The fact that the show lasted 3 seasons (2 with Miss Hamilton) is a testament to its quality. Of course, we can't have quality on TV - there's not enough T&A, violence, or out and out stupidity (think Jessica Simpson here). But for the 3 years this show was on, it was a real Friday night Feast. And I do thank Mr. Perlman and Miss Hamilton for the years they gave us and I thank Mr. Perlman for the CD of music and poetry from the show. It's still heart-wrenchingly beautiful to listen to Vincent as he narrates works by Matthew Arnold, e.e. cummings and, of course, the King of all poetry, plays and prose, Mr. William Shakespeare.

    It would be a miracle if CBS were to air a "reunion" movie but I think there will be a tropical heat wave in the South Pole before that happens. Too bad - it sure beats the stupidity of such shows as The Newlyweds, starring the aforementioned Jessica Simpson, or Reality TV, American Idol and the other slime that passes for decent television. Meanwhile, I'll be content with VHS copies of B&B or I'll wait patiently until the DVDs come out.
    Venus-25

    A Totally Misunderstood Program

    The brilliance of this series was its romance and its excellent early stories. We could entirely believe that this could happen in New York -- except that any New Yorker would tell you that there are people far stranger than Vincent walking the streets. We were never told how he came to be as he is, but it almost didn't matter. I don't think it was any accident that he had such a feline appearance.

    This series was so badly misunderstood and mishandled by its parent network that I am not surprised it lasted only two seasons. Season 3 wasn't even the same program in my book. CBS seemed terribly upset with the fact that its audience was almost entirely female. Was that why the body count of season 3 was higher than in a Bruce Willis movie?

    The worst mistake CBS ever made was to let Linda Hamilton leave after two seasons. Had the network been intelligent enough, they could have talked her into a third season, ending it with the fairytale ending -- she kisses Vincent for real (something CBS was VERY afraid of, but the fans would have loved) and have him turn into a human prince. That would have given it the magical ending it deserved.
    ELRON115

    I FELL IN LOVE WITH VINCENT AND CATHERINE

    Beauty and the Beast was the best show that I have ever watched. It took me away for one hour a week, to a fantasy place, and I never wanted to return. I fell in love with Catherine and Vincent the first time that I saw them, I always wished that I could be Catherine, even just for one second to hear that beautiful voice and to touch that beautiful face. I have every episode taped, and I watch it at least once a day,Catherine and Vincent are like an addiction to me, the more I see of them, the more i have to have them, I even have my four year old grandaughter hooked on B&B, you can,t say anything bad about Vincent and Catherine. To me, Beauty and the Beast will always be in my heart. I really hurt when they took it off the air. I really would like to see them do a re-make of the series, with the same characters. This is my true feelings about the series, Beauty and the Beast

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    • Wissenswertes
      Ron Perlman's make-up took four hours to apply each episode.
    • Patzer
      In the World Below there are often active steam grates, pipes with valves, and sometimes control panels for sewer and water. Even in the most neglected city, eventually maintenance workers would have to check these areas and thus learn the existence of the subterranean world.
    • Zitate

      [opening credits narration]

      Vincent: This is where the wealthy and the powerful rule. It is her world... a world apart from mine. Her name... is Catherine. From the moment I saw her, she captured my heart with her beauty, her warmth, and her courage. I knew then, as I know now, she would change my life... forever.

      Catherine Chandler: He comes from a secret place, far below the city streets, hiding his face from strangers, safe from hate and harm. He brought me there to save my life... and now, wherever I go, he is with me, in spirit. For we have a bond stronger than friendship or love. And although we cannot be together, we will never, ever be apart.

    • Verbindungen
      Featured in The 40th Annual Primetime Emmy Awards (1988)

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    • Erscheinungsdatum
      • 25. September 1988 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Beauty and the Beast
    • Drehorte
      • Walt Disney's Golden Oak Ranch - 19802 Placerita Canyon Road, Newhall, Kalifornien, USA
    • Produktionsfirmen
      • Witt/Thomas Productions
      • Republic Pictures
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