Vindicator

A scientist working on a top secret experiment is killed in an explosion but the corporation that funds his experiments transforms him into a robot.

A resurrection science fiction film that despite being a B-low budget affair has a grander 80's film quality feel thanks to some gritty, raw and rough round the edges special effects from Stan Winston. Richard Cox and Pam Grier are watchable and some performances are above average. Written by Edith Rey and David Preston, the dialogue is sometimes a little clunky, yet their story fairs better exploring some moral dilemmas.

Jean-Claude Lord's Vindicator was of its day. Although it predates Robocop (1987) in retrospect I remember the main draw to watch it was because of The Terminator (1984). That said, the Vindicator shares more with Frankenstein and the Wraith (1986). It has some nice visual moments, simmering violence and emotional clout. It has a certain off beat charm, a nostalgia that has stayed in my mind since watching the VHS. On revisiting The Vindicator it's not as fast paced as I remembered, but it's entertaining, worth viewing if for comparable curiosity only.

Maybe I was expecting a little too much from it, but 'The Vindicator' was a so-so Canadian low-budget get-up of a half-human / robot on the rampage for revenge against those who did him wrong. While being tacky, junky and trashy all rolled into one, it just didn't rally up the thrills like it could have done. The story is pure comic-book stuff with some outrageous inclusions and can be loosely tied to the 'Frankenstein' story. But the main cause of interest, and it's been thrown around was how it could be seen as a minor blueprint for Paul Verhoeven's superior 'Robocop (1987)'.

Comparisons aside (which on the other hand James Cameron's 'Terminator (1984)' could've been an influencer to it), it's standard b-grade ho-huh that I didn't find it all that exciting or gripping in it's bland story-telling (which had too many daft moments in a wonky script) and uniformed visuals. Director Jean-Claude Lord's (who was also behind the 1982 slasher 'Visiting Hours') handling is crudely makeshift and the pacing can get blotchy, but the grimy atmosphere and cold-blooded violence (at least the deaths are creative) seems to fit. However the premise had something original to work with, but the way Lord went about it wasn't. At times it seemed to get too mushy with some unwanted details, where I wished it kept to a more straight-forward, but harrowing revenge exploitation path.

Iconic cult actress Pam Grier appears as a hired gun to destroy the cyborg, but even her firebrand presence isn't all that flammable. David McIlwraith cruises through his part as the scientist turned machine. Richard Cox is perfectly snake-like in his performance, but the pick of the bunch is Teri Austin's gallant turn. The always dependable Stan Winston vividly crafts out the space-suit wearing cyborg and make-up FX with great care, and is one of the film's major highlights. Paul Zaza's music score starts off effective, to only go on to be mainly forgettable.

The high-tech ARC Corporation that is directed by the unscrupulous Alex Whyte (Richard Cox) is researching a software that provokes violent reaction from someone that is attacked against the attacker. The efficient scientist Carl Lehman (David McIlwraith) has an argument with Whyte since his funds have been cut. On the next morning, Carl has a serious accident while his partner and friend Burt Arthurs (Maury Chaykin) is bringing coffee for them. Carl's pregnant wife Lauren Lehman (Teri Austin) is informed that her husband has died; however, the accident was provoked by Whyte. Carl becomes the guinea pig for the ARC Frankenstein Project and is turned into a cyborg. While testing the remote control unit, the scientist Gail Vernon (Lynda Mason Green) is attacked by Carl that escapes from ARC in a garbage truck. Then he eliminates a motorcycle gang that has attacked him. Carl realizes that he cannot be touched and he contacts Lauren from outside home to arrange a meeting with Burt. Meanwhile Whyte contracts the killer Hunter (Pam Grier) to get rid off Carl.

"The Vindicator" is a low-budget movie with a poor storyline and lame production. The characters and situations are not well-developed and the rushed beginning does not exactly explain the importance of the rage project or why it was necessary to eliminate Carl. The storyline has similarities with "Robocop" that was released more than one year later. Was "Robocop" a rip-off "The Vindicator"? My vote is six.

Title (Brazil): "Roboman"

Looks as if the Robocop writer has been wholesale looting The Vindicator. This is a very solid horror/action movie about a man set up in an accident to be used in cruel experiment. Anyone who have seen Robocop knows the story. Watch out for Pam Grier as a bitchy and darn good looking assassin. This highly effective, violent and bloody horror movie may not be to everyones liking, but this Canadian outing is well worth seeking out for anyone who is fan of the genre. 8/10

You probably have never heard of this movie but it's a real find. It's a mixture of science-fiction/action and revenge themes. It has a comic book plot but it's presented in a fast paced, razzle-dazzle way. The cast is in pretty good form too. Chaykin really steals the show in an interesting plot twist. It doesn't have much to do with the original Frankenstein legend so The Vindicator is a better title than Frankenstein 88. It was shot in Montreal but you'd never know it. Unlike many Canadian films made at the time, it does not have an ultra-slow, cheap look about it. In fact, the special effects and sets are highly impressive. It only had a minimal release and then turned up on Pay-TV and video. If you like sci-fi even a tiny bit, check this out and tell a friend. You won't be disappointed!