IMDb-BEWERTUNG
5,5/10
8245
IHRE BEWERTUNG
Das neue Satellitenfernsehsystem einer Familie beginnt, Signale von einem anderen Planeten zu empfangen, und bald wird es zum Durchgang zu einer fremden Welt.Das neue Satellitenfernsehsystem einer Familie beginnt, Signale von einem anderen Planeten zu empfangen, und bald wird es zum Durchgang zu einer fremden Welt.Das neue Satellitenfernsehsystem einer Familie beginnt, Signale von einem anderen Planeten zu empfangen, und bald wird es zum Durchgang zu einer fremden Welt.
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- 1 Nominierung insgesamt
Empfohlene Bewertungen
One of the underappreciated gems of the horror era in the 1980s. This is silly fun but ultimately enjoyable.
This is a movie I've kind of been wanting to see. I am ready to add this to my list of personal favorites after watching it for the first time, so I know they did some stuff right. While it's still fresh in my mind, there are some things I definitely want to say. First off, I am extremely surprised that this doesn't seem to have a cult following to it. "TerrorVision" is a great film that should have definitely achieved cult status. From the start (after some credits set to music by Siouxsie and the Banshees imitators!), this has a definite John Waters look and feel. When the fast-paced story moves into grotesque monster territory, it gets even better. And, regardless of how goofy it is, I dig the commentaries the filmmakers are sprinkling all throughout this movie, the main one of all being the most obvious: television giving birth to monsters. This is definitely one of those wild movies that gets weirder and more bizarre as it moves along. As for people quoting favorite lines from Bert Remsen's "Gramps" character, I love it when he refers to MTV as a secret conspiracy to rot the brain. "TerrorVision" wasn't as gory as I've heard, relying more on gooey FX than gory ones, but there are no complaints here. I love this, it was a real upper of a flagrant horror satire. I am so glad I saw this, and I would give it no less than a definite 9 on a scale of one to ten. In fact, I'm tempted to give it a full 10.
"Terrorvision" is a fun little slab of 80s cheese. With the costumes,(ranging from Yuppie to Metal Head to Cyndi Lauper) slang, set decor, music (including a 5 sec shot of Blackie Lawless from W.A.S.P. >:) ) props (including a hi-fi with the one of the first CD players.) this movie doesn't need carbon dating to show it was made in that era. I first came across this film on the Sci-Fi Channel in the summer of 1999 (the defunct Vestron Television was the ones who distributed the edited mess and judging by the edits made for broadcast, this was aired circa the late 80s when FCC restrictions were *really* tight) I kinda threw it off as a bad movie. Years later, I picked up the complete R-rated video at the local mom-and-pop video store and watched it. The 2nd time around was way better than the first. My opinion changed after seeing the full version. If you like classic B-movie material meshed with the 80s, this is your movie.
"TerrorVision" is an odd sci-fi/horror/comedy that seems to wear its "Poltergeist" influence on its sleeve. Either that or the filmmakers didn't care enough to hide the debt they owe to that movie.
The plot is about an otherworldly monster that comes - where else? - through the TV. Its arrival is even noticed by a cute little blond kid, a boy this time (Heather O'Rourke, R. I. P.).
The movie also doubles as a kind-of satire about middle class attitudes of the time as "Poltergeist" did, though that is barely noticeable. I liked the patriarch complaining about the punk/metal slacker his daughter brings home to meet the family, saying he looks ridiculous while putting metal chains around his neck to draw attention to his ample chest hair (they're preparing for a "'swingers' party", you see).
I admit I will watch anything with Diane Franklin in it. She's barely recognizable this time around, so heavily punked up you wonder why her parents are so shocked at the sight of her boyfriend - his own parents would probably be more shocked to see her.
I mentioned the movie was "odd" at the beginning of this review. I said that for a couple of reasons: one, despite the movie apparently being set in boring, staid 1980s suburbia, the house the characters live in looks like something out of "A Clockwork Orange". There are all kinds of weird art deco touches to the furnishing, like doors that belong on a submarine airlock. There's even semi-pornographic art work on the walls.
The other weird thing about this movie is that all the blood in it is green. Not just the monster blood (paging R. L. Stine) - I mean the human blood. I couldn't work out why humans in this movie have green blood. Was that simply to avoid a harder rating? Overall, it's an enjoyable movie for horror/b-movie fans which unsurprisingly died on a theatrical release. It's not "a truly wretched movie" (Janet Maslin) - if you're a fan of these types of movies, you know there are much worse out there. It's well enough made, well enough acted, funny at times, and has some cool gore effects.
The plot is about an otherworldly monster that comes - where else? - through the TV. Its arrival is even noticed by a cute little blond kid, a boy this time (Heather O'Rourke, R. I. P.).
The movie also doubles as a kind-of satire about middle class attitudes of the time as "Poltergeist" did, though that is barely noticeable. I liked the patriarch complaining about the punk/metal slacker his daughter brings home to meet the family, saying he looks ridiculous while putting metal chains around his neck to draw attention to his ample chest hair (they're preparing for a "'swingers' party", you see).
I admit I will watch anything with Diane Franklin in it. She's barely recognizable this time around, so heavily punked up you wonder why her parents are so shocked at the sight of her boyfriend - his own parents would probably be more shocked to see her.
I mentioned the movie was "odd" at the beginning of this review. I said that for a couple of reasons: one, despite the movie apparently being set in boring, staid 1980s suburbia, the house the characters live in looks like something out of "A Clockwork Orange". There are all kinds of weird art deco touches to the furnishing, like doors that belong on a submarine airlock. There's even semi-pornographic art work on the walls.
The other weird thing about this movie is that all the blood in it is green. Not just the monster blood (paging R. L. Stine) - I mean the human blood. I couldn't work out why humans in this movie have green blood. Was that simply to avoid a harder rating? Overall, it's an enjoyable movie for horror/b-movie fans which unsurprisingly died on a theatrical release. It's not "a truly wretched movie" (Janet Maslin) - if you're a fan of these types of movies, you know there are much worse out there. It's well enough made, well enough acted, funny at times, and has some cool gore effects.
TERRORVISION is a very peculiar horror-comedy that has the word "camp" labeled all over it. This fairy tale tells about a sloppy alien puppet monster who, presumably by accident, enters Planet Earth via a TV satellite dish. This enormous monster appears on the TV screen at first, then, talk about visual effects, it eventually materializes, appearing live, in the flesh! Talk about audience participation!!
Gerrit Graham (PHANTOM OF THE PARADISE, THE ANNIHILATORS) and Mary Wodornov (EATING RAOUL) portray the Puttermans, a happily married suburban couple. They do not realize the "realism" of the monster they see on TV, HA! This so-called "couple" leads a VERY dysfunctional family with a military obsessed son and his survivalist grandfather. There is also a crazed daughter who loves heavy metal rock music, and her mentally inept boyfriend, who looks like Kid Rock minus the attitude and pizzazz. There is also a horror movie hostess, Medusa (Jennifer Richards) who fits into this scheme for absolutely no plausible reason. Meanwhile, the monster devours each of the family members one by one...later reproducing their heads when necessary in order to cover up its actions.
Planet Earth is in grave danger, once again and its only chance into stopping this hungry creature is an intergalactic police alien. He explains to everyone that this creature was originally suppose to be disposed of...but instead, it lands on Planet Earth. This interstellar alien cop is the only one who can blast the gross alien creature into oblivion but...well, I'm sure that you are interested in finding out the rest, so go see this movie!
TERRORVISION is a funny, hilarious horror cult film that has plenty of humor to liven this movie up. There are silly one-liners, hokey special effects, and a variety of "eccentric" characters to give this film strength. It is a stupid film at times, and the cast definitely overacts, but if you are looking for a nice, relaxing horror film that offers a very different style from the rest of the horror movies in this genre, then TERRORVISION is recommended for you!
This film was again produced by the one and only Empire Pictures, and you know what that means: cheesy special effects and acting galore! The monster especially is the most ludicrous...hairball-type creature that I have ever seen on screen. The rest of the special FX in this movie are standard fare though, with a elegant touch of cheekiness...
If you are in the mood for a humorously bad movie, then this picture is the perfect candidate for you! In addition to being a delightfully stomach churning horror experience, TERRORVISION is a satire on the media-obsessed suburban middle class family. Hey, these guys make "The Simpsons" look and act like those mature, civilized, and pleasantly lovable neighbors living next door. If you thought that your own family may be "dysfunctional," hey (trust me), the family portrayed in this movie will add new meaning to that word!
For a fine sense of humor that will appeal to cult film fans, TERRORVISION is destined to become that next "special" classic. Beware, if you are not prepared to laugh and be disgusted at the same time, then perhaps you should skip this film...
RATING: ** out of ****.
Gerrit Graham (PHANTOM OF THE PARADISE, THE ANNIHILATORS) and Mary Wodornov (EATING RAOUL) portray the Puttermans, a happily married suburban couple. They do not realize the "realism" of the monster they see on TV, HA! This so-called "couple" leads a VERY dysfunctional family with a military obsessed son and his survivalist grandfather. There is also a crazed daughter who loves heavy metal rock music, and her mentally inept boyfriend, who looks like Kid Rock minus the attitude and pizzazz. There is also a horror movie hostess, Medusa (Jennifer Richards) who fits into this scheme for absolutely no plausible reason. Meanwhile, the monster devours each of the family members one by one...later reproducing their heads when necessary in order to cover up its actions.
Planet Earth is in grave danger, once again and its only chance into stopping this hungry creature is an intergalactic police alien. He explains to everyone that this creature was originally suppose to be disposed of...but instead, it lands on Planet Earth. This interstellar alien cop is the only one who can blast the gross alien creature into oblivion but...well, I'm sure that you are interested in finding out the rest, so go see this movie!
TERRORVISION is a funny, hilarious horror cult film that has plenty of humor to liven this movie up. There are silly one-liners, hokey special effects, and a variety of "eccentric" characters to give this film strength. It is a stupid film at times, and the cast definitely overacts, but if you are looking for a nice, relaxing horror film that offers a very different style from the rest of the horror movies in this genre, then TERRORVISION is recommended for you!
This film was again produced by the one and only Empire Pictures, and you know what that means: cheesy special effects and acting galore! The monster especially is the most ludicrous...hairball-type creature that I have ever seen on screen. The rest of the special FX in this movie are standard fare though, with a elegant touch of cheekiness...
If you are in the mood for a humorously bad movie, then this picture is the perfect candidate for you! In addition to being a delightfully stomach churning horror experience, TERRORVISION is a satire on the media-obsessed suburban middle class family. Hey, these guys make "The Simpsons" look and act like those mature, civilized, and pleasantly lovable neighbors living next door. If you thought that your own family may be "dysfunctional," hey (trust me), the family portrayed in this movie will add new meaning to that word!
For a fine sense of humor that will appeal to cult film fans, TERRORVISION is destined to become that next "special" classic. Beware, if you are not prepared to laugh and be disgusted at the same time, then perhaps you should skip this film...
RATING: ** out of ****.
Wusstest du schon
- WissenswertesDirector Ted Nicolaou and production designer Giovanni Natalucci scouted swingers' pads in Los Angeles in order to get ideas for the Putterman household.
- PatzerWhen Pluthar is talking to Suzy and Sherman, his skin is glossy and reflective of light. Upon learning that the "beast has ingested earthlings," cutting back from Suzy and Sherman, his skin appears dull and muted.
- Zitate
[Grampa sits down to watch Medusa on TV]
Grampa Putterman: I've said it before and I'll say it again, war stories and monster movies are educational. They're survival-oriented. They always neutralize the enemy in the end.
- VerbindungenFeatured in Killer Kid (1989)
- SoundtracksTerrorVision
Written and Performed by The Fibonaccis
Produced by Ron Goudie
© 1986 Smell Brain / Amgine
Administered by Bug Music
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Truyền hình kinh hoàng
- Drehorte
- Rom, Latium, Italien(studio interiors)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 320.256 $
- Eröffnungswochenende in den USA und in Kanada
- 320.256 $
- 17. Feb. 1986
- Weltweiter Bruttoertrag
- 320.256 $
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