IMDb-BEWERTUNG
5,6/10
2045
IHRE BEWERTUNG
Historische Fiktion vor dem Hintergrund von Hongkong in den ersten Jahren der britischen Herrschaft.Historische Fiktion vor dem Hintergrund von Hongkong in den ersten Jahren der britischen Herrschaft.Historische Fiktion vor dem Hintergrund von Hongkong in den ersten Jahren der britischen Herrschaft.
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It's worth pointing out that I came to this film having read James Clavell's excellent novel, TAI-PAN, on which this is based. If I hadn't read the book beforehand, I probably would have enjoyed this adaptation a lot more.
Sadly, I was left feeling that the filmed TAI-PAN is a crushing disappointment, purely because it cuts so very much out of the story. The whole background is missing, the Triad stuff, the politics, the trade with the Chinese. The story is reduced to the human relationships and particularly the family rivalries between the main characters, but there was so much more to it than that.
I do understand that films are very different to books and that adaptations have to cut material out, but TAI-PAN has a two hour running time and a lot of it is slow-paced. If it had told events at a much faster pace, it would have been able to include a lot more of the details and subtleties that are missing here. As it is, there are elements of greatness - plus the novelty of seeing Bryan Brown in a leading role - but it could have been so much more. A miniseries would suffice better, I think.
Sadly, I was left feeling that the filmed TAI-PAN is a crushing disappointment, purely because it cuts so very much out of the story. The whole background is missing, the Triad stuff, the politics, the trade with the Chinese. The story is reduced to the human relationships and particularly the family rivalries between the main characters, but there was so much more to it than that.
I do understand that films are very different to books and that adaptations have to cut material out, but TAI-PAN has a two hour running time and a lot of it is slow-paced. If it had told events at a much faster pace, it would have been able to include a lot more of the details and subtleties that are missing here. As it is, there are elements of greatness - plus the novelty of seeing Bryan Brown in a leading role - but it could have been so much more. A miniseries would suffice better, I think.
first, inject countless clichés and stereotypes, populate the cast with some well-knowns, and add some 'tit'illation.
and wait for the box office receipts to pour in!!!
I am very very disappointed in this film which I purchased on VHS. its one of those I *know* I wont be watching a 2nd time.
it meanders, gap toothed, and those stereotypes just weigh it down till it sinks in Hong Kong harbor. and of course, top it all off with a quickie pan of modern day Hong Kong.
some good acting but not enough to overcome the numerous shortcomings.
I didn't read the book but Im sure it far outclasses this quickie 2 + hour 'featurette'. is there a Hollywood ombudsman you can call up to you know, get your money back or something?
Im glad IMDb exists so that duds like this can be outed and red-flagged.
and wait for the box office receipts to pour in!!!
I am very very disappointed in this film which I purchased on VHS. its one of those I *know* I wont be watching a 2nd time.
it meanders, gap toothed, and those stereotypes just weigh it down till it sinks in Hong Kong harbor. and of course, top it all off with a quickie pan of modern day Hong Kong.
some good acting but not enough to overcome the numerous shortcomings.
I didn't read the book but Im sure it far outclasses this quickie 2 + hour 'featurette'. is there a Hollywood ombudsman you can call up to you know, get your money back or something?
Im glad IMDb exists so that duds like this can be outed and red-flagged.
Last night on Turner Classic Movies, I saw a trailer from the sixties called "Lion Power" about all the big projects audiences could expect from MGM in the months and years ahead. Included among them were clips from "Far From the Madding Crowd" and "Where Were You When the Lights Went Out?", plus mention of "Where Eagles Dare" with Richard Burton (not mentioning Clint Eastwood, as perhaps he wasn't signed yet), "Ice Station Zebra", and "2001: A Space Odyssey" with very early-form artwork of its making. Among the many films mentioned in passing near the end of the trailer was "James Clavell's 'Tai-Pan'", yet no earlier version of the film was ever made. Just how long was this thing in the making, and what casts were potentially involved at different times? It would be interesting to see the planned history of such a movie that took so long to finally get made, bad as it reportedly is.
Tai-Pan was probably too ambitious an undertaking for a film as short as just over 2 hours. Maybe a mini-series would have been the answer, but Tai-Pan certainly had the potential to be an oriental Gone With The Wind.
Unrealized potential though it is. The screenplay made many references to previous events in the novel that are not shown here. We do know there's one nasty rivalry going on between Bryan Brown and John Stanton who both rose to wealth in the China trade like the protagonists in an Edna Ferber novel.
Bryan Brown is the Far East version of Rhett Butler. He's built the family fortune on legal trade and illegal trade in opium. Not that opium was unknown before the British and other European powers got there, but they did turn it into a thriving business. When the Chinese government objected, the European powers took nibbles out of a prostrate and weakened state.
One of those nibbles the British took was Hong Kong, spoils from the Opium War of 1841. Brown like Margaret Mitchell's Rhett Butler or the hero of many Edna Ferber books is the guy who builds what became one of the busiest trading centers on the globe.
Unlike his rival Stanton, Brown's wife left him and took their small son back to the United Kingdom. Brown didn't mourn he took up with some Chinese women, they were pawns in various business negotiations. He got a son, Russell Wong, from one of them.
Things get interesting when his other son arrives from Great Britain played by Tim Guinee. He's a rather uptight Victorian youth who is not pleased with the debauchery he finds and his father's part in it.
Tai-Pan is exquisitely photographed with the climatic typhoon scene very well done indeed. A better screenplay would have been needed to tell this epic story.
Unrealized potential though it is. The screenplay made many references to previous events in the novel that are not shown here. We do know there's one nasty rivalry going on between Bryan Brown and John Stanton who both rose to wealth in the China trade like the protagonists in an Edna Ferber novel.
Bryan Brown is the Far East version of Rhett Butler. He's built the family fortune on legal trade and illegal trade in opium. Not that opium was unknown before the British and other European powers got there, but they did turn it into a thriving business. When the Chinese government objected, the European powers took nibbles out of a prostrate and weakened state.
One of those nibbles the British took was Hong Kong, spoils from the Opium War of 1841. Brown like Margaret Mitchell's Rhett Butler or the hero of many Edna Ferber books is the guy who builds what became one of the busiest trading centers on the globe.
Unlike his rival Stanton, Brown's wife left him and took their small son back to the United Kingdom. Brown didn't mourn he took up with some Chinese women, they were pawns in various business negotiations. He got a son, Russell Wong, from one of them.
Things get interesting when his other son arrives from Great Britain played by Tim Guinee. He's a rather uptight Victorian youth who is not pleased with the debauchery he finds and his father's part in it.
Tai-Pan is exquisitely photographed with the climatic typhoon scene very well done indeed. A better screenplay would have been needed to tell this epic story.
As another reviewer put it, this movie was very similar to Dune. Very interesting comparison, since Raffaella De Laurentiis produced them both. This was her first project right after Dune. Both were sweeping epic sagas with multiple intertwined plotlines. Both should have been six or eight hour mini series and not feature films. As with Dune, you will find that if you have not read the book, you will not understand the movie. However, if you have read the book, then the movie isn't all that bad. James Clavell's 'Asian Saga' is one of my favorite book series, so I bought this movie cheap just to see it. The characters are like old friends to me, so I didn't think that the movie was all that bad. I realized while watching it though, that someone who had not read the book would not be able to keep up with all of the plot points. My suggestion to you is to read the book, then watch the movie. You will discover two things; first it's a super good book. Second, this movie had everything going for it in cast and settings; it just had too much story to tell in too short a time. It definitely should have been a six-hour miniseries.
Wusstest du schon
- WissenswertesProducer Martin Ransohoff and the Metro-Goldwyn-Mayer studio in 1966 acquired the rights to James Clavell's source "Tai-Pan" novel for US $500,000. The movie was then announced by MGM in 1967-68 to star Patrick McGoohan to play Dirk Struan, to be directed by Michael Anderson, with source novelist Clavell writing the screenplay. The picture was originally budgeted to cost US $26 million which was then reduced to US $20 million. The project sat around stagnant for a time in development hell. However, after severe operating losses, the epic was one of a number of expensive projects the new management at the MGM studio dropped as being too costly. The project and the development of the movie at MGM was in the end canceled by executive James T. Aubrey.
- PatzerIn a scene, set in 1841, several of the ladies were wearing bright mauve outfits. That would have been most unlikely for the wives of middle class traders at that time as the color purple was prohibitively expensive before the invention of analine dyes in London - in 1856. By 1870 these gaudy colors had become so cheap and commonplace that it became a status symbol to mimic the subtler, paler colors of the pre analine dye days.
- Zitate
Dirk Struan: No emperor has seen the guns of a British man-of-war.
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Details
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.007.250 $
- Eröffnungswochenende in den USA und in Kanada
- 1.863.469 $
- 9. Nov. 1986
- Weltweiter Bruttoertrag
- 4.007.250 $
- Laufzeit2 Stunden 7 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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