Der Voodoo-Fluch

Originaltitel: Scared Stiff

1987
18
1 Std. 23 Min.

IMDb-BEWERTUNG

4,8/10

1015

IHRE BEWERTUNG

Andrew Stevens and Mary Page Keller in Der Voodoo-Fluch (1987)

Strange visions come to haunt a singer when she, her son, and her psychiatrist-turned-boyfriend move into an old colonial house that is haunted by the ghost of a ruthless slave owner.

trailer wiedergeben1:28

1 Video

46 Fotos

Horror

Füge eine Handlung in deiner Sprache hinzuStrange visions come to haunt a singer when she, her son, and her psychiatrist-turned-boyfriend move into an old colonial house that is haunted by the ghost of a ruthless slave owner.Strange visions come to haunt a singer when she, her son, and her psychiatrist-turned-boyfriend move into an old colonial house that is haunted by the ghost of a ruthless slave owner.Strange visions come to haunt a singer when she, her son, and her psychiatrist-turned-boyfriend move into an old colonial house that is haunted by the ghost of a ruthless slave owner.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

4,8/10

1015

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Videos1

Trailer 1:28

Official Teaser Trailer

Fotos46

+ 41

Benutzerrezensionen26

4,81K

Empfohlene Bewertungen

8Moviereeeels12

Strictly for 80's Horror Film Fans !!!

If watched in the context of 1980's horror films this is a great little forgotten horror, fits in with films of the era such as 'House' & 'The Gate' movies, has the real film of USA middle budget horror films, it's a little surprise gem of that era .... enjoyable horror flick.

4BA_Harrison

You won't be.

'80s supernatural horror Scared Stiff is, for the most part, a rather dull affair, but it is lifted somewhat by a final twenty minutes that completely throw logic and sanity out of the window. The lunacy is hinted at in an earlier scene where a young lad's toy cars come to life, engines roaring and wheels spinning, but it's not until the closing act that director Richard Friedman goes all out with the madness, chucking in time travel, a snarling monster, an exploding police car (it's amazing how easy the vehicle blows up), a mouldy corpse smashing through a window (having hung outside for several days unnoticed), a giant floating lampshade in the shape of an Indian, and Ivory Coast natives hurling spears through time and space.

The plot goes something like this: having recovered from a mental breakdown, pop star Kate moves into a new home with her boyfriend (and doctor) David Young (Andrew Stevens), and her seven year old son Jason (Josh Segal), unaware that the place is haunted by the malevolent ghost of a slave merchant. This hokey old set-up is rife with clichés, Friedman's attempts at atmosphere and foreboding fall horribly flat, his cast give uniformly bad performances, and certain scenes are horribly dated (such as the moment when Jason's computer projects a holographic 3D image or when David explains what diskettes are for). If you can, try and stay the distance for the mind-numbingly bonkers ending, which is just about worth the wait, but I wouldn't blame you if you gave up and found something better to do with your time.

2/10, plus a couple more points for the nutty stuff.

6Stevieboy666

I wasn't scared stiff but I wasn't disappointed either

In the 19th Century some slaves put a curse on cruel slave trader George Masterson (David Ramsey). Move forward to the mid-1980's and pop singer Kate (Mary Page Keller, complete with mullet) moves into Masterson's Southern mansion, along with young son Jason and boyfriend Dr David Young. Needless to say strange and spooky things start to happen, eventually becoming more and more horrific. Back in the 1980's and 90's I was visiting video shops most weeks and I did have a poster for the UK VHS release of this movie yet strangely I don't think that I had actually watched it until last night. I recently acquired the Arrow blu-ray and a fine release it is too. Scared Stiff is very typical of the B movies that found themselves more or less straight to VHS, and that is certainly no bad thing as that period was awash with such films and it was a great time to be a horror fan. This one reminds me of "House" (1986) but with less humour plus it's not as good. The movie had a low budget but the acting is fine though the practical special effects (so much better than horrible CGI) are the real stars of the show. I have seen better quality but they are good enough. I clearly remember this for its wonderful Graham Humphrey's VHS poster artwork but can find very little mention of it in my horror movie books. Sad really, it's no classic but does deserve to be better known. For a late night movie, lights off and a few beers it's a pretty entertaining watch. And after the end credits have rolled don't be surprised if you have the song "Beat of the Heart" going around and around in your head, ha ha!

FieCrier

What's that smell?

Could it be the workman, hanging undiscovered outside a boy's screenless window? He hangs there by his neck for days, perhaps weeks without being found, despite being in clear view from the outside, despite being less than a foot away from the boy's window; shouldn't there be flies? shouldn't the smell be intense?

But no, as you might suspect, it is this movie that stinks - stinks real bad. Whether its Andrew Stevens typical performance as...Andrew Stevens, or the Comic Relief Cop, or the Negroid (!) Slaveowner Werebeast, or the Giant Kitsch Indian Head Lamp, or, or, or...oh man, it's too bad to go on.

Miss it, unless you want to kill some time, and have a few (not many) laughs or groans at this painful wreck.

brandonsites1981

* out of 4.

Awful film about a family moving into a new house and falling prey to a rubber faced African voodoo monster that possesses Andrew Stevens and forces him to kill his family. The special effects are really that terrible, the entire cast is bland, and the situations that unfold in the film are a laugh riot. Good to watch and make fun of, otherwise avoid this piece of junk masquerading as a horror film. Rated R.

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Wissenswertes
After the film's underwhelming performance, it was released on VHS and then LaserDisc, but then fell into obscurity. In 2004, film historian Robert Ellinger was in one of the last video rental stores that still sold VHS tapes when the film caught his eye. He loved the film's music, especially "Beat of the Heart", but no soundtrack had ever been released. This began his long obsession with the film. He began acquiring everything he could from the film: test posters, various foreign VHS copies and even a promotional paperweight from when the film was released to home video. He was able to reach the film's costume designer Beverly Safier, who sent him a piece of fabric from one of the dresses that Kate wears in the film. He wanted to see if the film had other fans, so he uploaded "Beat of the Heart" to YouTube and discovered that there were fans who loved both the song and the movie. Because Ellinger works in the music industry, he was able to locate the film's composer The Barber Brothers (who was really just one person, Billy Barber) and asked him if he had the original masters for the soundtrack, but they were lost. Unwilling to give up, Ellinger contacted producer Daniel F. Bacaner, who had disowned the film and was surprised to hear someone mentioning the film so long after its release. Ellinger told Bacaner that he should re-release the film to introduce it to a new audience. They were able to locate the original negatives in an MGM vault in Pittsburgh, where it had remained for thirty years, as well as a treasure trove of unused promotional materials. Bacaner contacted director Richard Friedman and was able to secure a restoration by Arrow Video, who also gave the film a Blu-Ray release. They were able to get some of the cast and crew to provide some background information on the film, and Friedman, Bacaner and Ellinger made a commentary track. Billy Barber even performed a piano cover of "Beat of the Heart." As thanks for setting the restoration in motion, Bacaner gave Ellinger some negatives from the film out of his personal collection.

Patzer
The workman's eyes clearly move after he is dead.

Zitate
Michael Murphy: [as a hallucination to Kate] Hi Miss Christopher... I'm fine now... wanna see?
[unzips his forehead, causing his scalp to fall off, displaying his pulsating brain]