Ratboy

The idea must have looked bizarre on paper: a poignant comedy-drama about a half-human, half-rodent orphan found living in an LA dump, groomed to be a media sensation, and exploited by various Hollywood hustlers in search of a quick buck. It could have been an intriguing fantasy of show-biz manipulation, but like its title character the film cowers timidly in a corner, unwilling to break free from convention. Actress-turned-director Sondra Locke doesn't shy away from unflattering characterizations (she herself plays a ruthless opportunist using Ratboy as her ticket to fame), and wisely doesn't disturb the air of unreality around the story (no one, for example, shows much interest in Ratboy's origins). But the title character himself is never more than a transparent metaphor, and once that idea is exhausted nothing is left except a few gratuitous car chases and an ending drenched in post-E.T. pathos. The French apparently loved it, but keep in mind these are the same cinephiles who consider Jerry Lewis a comic genius.

I hate this movie and I think it's hysterical that the only other person who voted on this was from Champaign Illinois about 45 minutes from where I live. I hate this movie with a passion in fact I rate all movies on "The Ratboy Scale". I wanted someone to drown Ratboy about 5 minutes into it. I can't believe it got a 3. This movie tried to endear you to the character as if this was a cute little waddling alien following a trail of Reeses Pieces instead of a whining, sniveling, cowering rodent with the charisma of Don Rickles.

If you didn't get a sudden urge to kill Ratboy or any of the other characters in this movie, you were the lucky one who fell asleep! The amount of cameo appearances by some well-known actors was astonishing. Did they NOT receive the script before hand? Do they have no conscience? I do believe the writers had good intentions to make this movie heart-warming. I'm sure the director (Sondra Locke) had a pure dream to turn this story into a storybook fantasy about a loving and sensitive boy who just happened to be a rat (?!). Let me tell you, there are only two good things this movie has to offer; Robert Townsend and Ratboy's cool makeup job. Well, actually the makeup job sucked as well! I give it a resounding thumbs down!!

Long ago, when I was a child, I had seen part of this movie. From what my memory had recalled, I had liked what I'd seen. Boy, was I wrong. I haven't seen this movie anywhere to rent for a long time, and then one day I saw it for sale for a few bucks in some discount bin in a video store. I'd figured I'd pick it up and see what I had missed since my original viewing. I watched it and was not sure what to think about it. First off I hated Sondra Locke. She was not funny, very annoying and had the worst outfits I have ever seen on a woman. The box of this movie promotes it as a comedy. Well I didn't really think that this rating was appropriate, since the only time I laughed was when the actors tried to act. Ratboy has no emotion (which was what the movie was trying to promote), and whenever he talked I couldn't understand what he was saying. Some of the supporting characters were alright, I enjoyed Nipsy Russell and Robert Townshend, and Gerritt Graham and Louie Anderson were okay, I also enjoyed seeing cameos from Bill Maher, John Lovitz and "Diz" from the TV show Out of Control. Other than that I feel that this movie should have never been made. But I cant change the past, so if your in the mood for a boring "comedy", and if you can find this movie anywhere, maybe you should check it out, but I don't recommend it.

When Clint Eastwood and Sondra Locke were still an item, Eastwood helped Locke make her directorial debut with this movie through his production company Malpaso. Though Eastwood has typically shown a good batting average when picking projects, this movie joins efforts like "Pink Cadillac" that have you thinking, "What were you thinking, Clint?"

Actually, much of the failure of "Ratboy" falls on Locke's shoulders. The first mistake she made was casting herself in the movie; Locke has never been a good actress, and this movie is no exception. As for her direction, the movie is a mess. Sometimes it's serious in tone, sometimes it's satirical, and sometimes its tone is downright farce. The movie never finds a consistent tone, so it's hard to get involved with what's happening.

It also doesn't help that the characters' actions are more often than not unbelievable, even when the movie tries to be serious. And while the title character can speak, there is surprisingly little effort to get into his head and learn what he's thinking or feeling.

In fairness to Locke, some of the mess was probably not her fault. The story, either through an inadequately written screenplay or (more likely) being hacked up in the editing room, has a number of moments where it's clear that certain plot details are blatantly missing. There are plot threads that seem to start in midstream, or are never resolved at all.

What all this results in is a real mess of a movie, and it's easy to see why Warner Brothers barely released it to theaters.