IMDb-BEWERTUNG
5,5/10
17.580
IHRE BEWERTUNG
Norman Bates verliebt sich in eine gefallene Nonne, die neben einem Drifter und einem neugierigen Reporter im Bates Motel wohnt. Währenddessen schaut "Mutter" immer noch zu.Norman Bates verliebt sich in eine gefallene Nonne, die neben einem Drifter und einem neugierigen Reporter im Bates Motel wohnt. Währenddessen schaut "Mutter" immer noch zu.Norman Bates verliebt sich in eine gefallene Nonne, die neben einem Drifter und einem neugierigen Reporter im Bates Motel wohnt. Währenddessen schaut "Mutter" immer noch zu.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Katt Shea
- Patsy Boyle
- (as Katt Shea Ruben)
Hugo Stanger
- Harvey Leach
- (as Hugo L. Stanger)
Empfohlene Bewertungen
My fave of the series, this one has a bit more going on than last time. There's also a lot of throwbacks to the original, like Leigh look-a-like Scarwid getting Perkins all aroused, Maxwell investigating Perkins kind of like Balsam in the first, and a stabbing scene very similar to the infamous shower one, with the exception being this times its in a phone booth. This entrys a little more routine than part 2's, with that being a whodunnit. Here, you know whodunnit and basically the characters are more interesting than the story. You wouldn't know Perkins directed with it looking pretty much like any movie youve ever seen with capable photography. And as in the classic part 1, he has it end with his wacko grin glaring up at us. Of course.
*** This comment may contain spoilers ***
...read the introduction of Psycho III on TV. I was excited to watch Anthony Perkins's directorial debut, but I must say that this film had so much more potential to be better than it was.
Psycho III in several ways, is better than Psycho II. It reveals much more about Norman as a person, not just a crazy old man with a mental illness. Anthony Perkins once told David Letterman of the Psycho franchise that "They're not really horror movies. They're tragedies." I really felt sympathy for Norman in this sequel above all the others. There is not a better word to describe everything about Norman than tragic.
Psycho III contains a lot of 'familar' scenes. The bell tower scene at the beginning inspired from Vertigo, when Norman's 'girlfriend' Maureen fell down the stairs of the home, done exactly the same way Detective Arbogast fell in the original film; 'floaty' like. After Norman 'saved' Maureen from her attempt at suicide, they have a quick heart-to-heart, in which Norman says "We all go a little mad sometimes," a famous quote from the original. Clearly Perkins wanted to pay homage to the Master of Suspense.
On to his performance - wonderful as always, but I can't help noticing that a lot of the Bates trademark movements and facial expressions were brought back in this sequel, some unnecessarily so. Sometimes it seemed as if Norman was parodying himself. Jeff Fahey as Duke, a musician with a cocky surfer boy personality was an interesting contrast.
Overall, I think Perkins should be given more credit. Sure, it isn't perfect - but I think it has a lot more heart. I think if certain scenes were removed, it would have been a lot better, particularly the end of the film where he brings back the infamous grinning 'stare.' It counteracts with what Norman overcame only a scene ago. But Psycho III doesn't deserve such a low rating. It's definitely worth a look - but don't expect a masterpiece. 6/10.
...read the introduction of Psycho III on TV. I was excited to watch Anthony Perkins's directorial debut, but I must say that this film had so much more potential to be better than it was.
Psycho III in several ways, is better than Psycho II. It reveals much more about Norman as a person, not just a crazy old man with a mental illness. Anthony Perkins once told David Letterman of the Psycho franchise that "They're not really horror movies. They're tragedies." I really felt sympathy for Norman in this sequel above all the others. There is not a better word to describe everything about Norman than tragic.
Psycho III contains a lot of 'familar' scenes. The bell tower scene at the beginning inspired from Vertigo, when Norman's 'girlfriend' Maureen fell down the stairs of the home, done exactly the same way Detective Arbogast fell in the original film; 'floaty' like. After Norman 'saved' Maureen from her attempt at suicide, they have a quick heart-to-heart, in which Norman says "We all go a little mad sometimes," a famous quote from the original. Clearly Perkins wanted to pay homage to the Master of Suspense.
On to his performance - wonderful as always, but I can't help noticing that a lot of the Bates trademark movements and facial expressions were brought back in this sequel, some unnecessarily so. Sometimes it seemed as if Norman was parodying himself. Jeff Fahey as Duke, a musician with a cocky surfer boy personality was an interesting contrast.
Overall, I think Perkins should be given more credit. Sure, it isn't perfect - but I think it has a lot more heart. I think if certain scenes were removed, it would have been a lot better, particularly the end of the film where he brings back the infamous grinning 'stare.' It counteracts with what Norman overcame only a scene ago. But Psycho III doesn't deserve such a low rating. It's definitely worth a look - but don't expect a masterpiece. 6/10.
Psycho 3 is better than the sequel, which I liked very much, but still suffers in comparisons to the original masterpiece. Now, this sequel is much more close in spirit to the original, which is a great thing. It takes elements from the first film and fashions an almost "copycat" story, but then surprises you when you see where it goes.
Anthony Perkins also improves his performance from part two, but still nothing beats his legendary performance from the original. I hate to be comparing it so much to the first two, but with sequels it's hard not to. Perkins is gripping here with much more to work with than he was given in the sequel.
Perkins also directed the film. He does a fantastic job. This is definitely the scariest of the three, but then again the most up-to-date, too. Maybe that's why it feels spiritually guided by the original; 7.5
Anthony Perkins also improves his performance from part two, but still nothing beats his legendary performance from the original. I hate to be comparing it so much to the first two, but with sequels it's hard not to. Perkins is gripping here with much more to work with than he was given in the sequel.
Perkins also directed the film. He does a fantastic job. This is definitely the scariest of the three, but then again the most up-to-date, too. Maybe that's why it feels spiritually guided by the original; 7.5
I was surprised that many didn't like this sequel, as I thought it was the best sequel and was very well done. Anthony Hopkins did a great acting and directing job in it. The supporting cast also did a fine job. It mixes some good black humor and scares around, with a very creepy score from Carter Burwell. If you haven't seen this "Psycho," you should see it. It still gives me goosebumps when watching it.
PSYCHO III (1986)
directed by: Anthony Perkins
starring: Anthony Perkins, Diana Scarwid, Jeff Fahey, and Roberta Maxwell
plot: One month after the events of PSYCHO II, Norman (Anthony Perkins) is still running the Bates Motel along with "Mother". Things are going fine until Norman falls in love with a fallen nun (Diana Scarwid), takes in a greedy drifter (Jeff Fahey), a nosy reporter (Roberta Maxwell) sticks her nose where it doesn't belong and a series of murders begins once again.
my thoughts: Although not as great a sequel as PSYCHO II, this is still a good sequel. With Anthony Perkins directing himself, you can expect a good addition to the PSYCHO series.
Now, Norman Bates is dealing with a lot. He's falling in love, a reporter is poking around, and a new employee is close to discovering his secret. The mystery and atmosphere of the first two are still here but it's 1986, the middle of the 80's slasher era. More sex and violence have been added.
We have gorier kills and even Juliette Cummins (FRIDAY THE 13TH PART V: A NEW BEGINNING, SLUMBER PARTY MASSACRE II) playing a slut who is picked up at a bar by Duke (Jeff Fahey), kicked out of his room, and then murdered in the actually pretty cool payphone scene.
These 80's elements do not add much to the film, but certainly do not take away.
Perkins also does a fine job directing, and adds a lot of dark humor to the film.
Definitely check this sequel out, it's not as good as the first two but certainly better than the fourth installment and the remake.
directed by: Anthony Perkins
starring: Anthony Perkins, Diana Scarwid, Jeff Fahey, and Roberta Maxwell
plot: One month after the events of PSYCHO II, Norman (Anthony Perkins) is still running the Bates Motel along with "Mother". Things are going fine until Norman falls in love with a fallen nun (Diana Scarwid), takes in a greedy drifter (Jeff Fahey), a nosy reporter (Roberta Maxwell) sticks her nose where it doesn't belong and a series of murders begins once again.
my thoughts: Although not as great a sequel as PSYCHO II, this is still a good sequel. With Anthony Perkins directing himself, you can expect a good addition to the PSYCHO series.
Now, Norman Bates is dealing with a lot. He's falling in love, a reporter is poking around, and a new employee is close to discovering his secret. The mystery and atmosphere of the first two are still here but it's 1986, the middle of the 80's slasher era. More sex and violence have been added.
We have gorier kills and even Juliette Cummins (FRIDAY THE 13TH PART V: A NEW BEGINNING, SLUMBER PARTY MASSACRE II) playing a slut who is picked up at a bar by Duke (Jeff Fahey), kicked out of his room, and then murdered in the actually pretty cool payphone scene.
These 80's elements do not add much to the film, but certainly do not take away.
Perkins also does a fine job directing, and adds a lot of dark humor to the film.
Definitely check this sequel out, it's not as good as the first two but certainly better than the fourth installment and the remake.
Wusstest du schon
- WissenswertesIn an interview with American Movie Classics just before his death, Anthony Perkins admitted he was not up to the task of directing this film, feeling his technical knowledge to be too limited.
- PatzerWhen the reporter Tracy is shown Mrs. Spool's apartment, the manager tells her that the police have already paraded through the apartment. Yet there is mail and a notepad by the phone and magazines with many phone numbers on the covers. It is inconceivable that the police did not take these items in order to get answers to Mrs. Spool's disappearance, especially since one of the phone numbers was for Bates Motel, obviously linking Norman to her.
- Zitate
Duane Duke: [to Maureen] Stupid bitch! You could have been comin' instead of goin'!
- Alternative VersionenIn the initial Ontario theatrical and video release, the throat slitting was censored both in its initial depiction and the flashback. The cuts were waived for the 2005 DVD edition and the classification was reduced from R to 14A.
- VerbindungenEdited from Psycho II (1983)
- SoundtracksThe Scream Of Love
Music by Carter Burwell
Written by Steve Bray & David Sanborn
Performed by Carter Burwell, Steve Bray, & David Sanborn
MCA Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Psicosis III
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 14.481.606 $
- Eröffnungswochenende in den USA und in Kanada
- 3.238.400 $
- 6. Juli 1986
- Weltweiter Bruttoertrag
- 14.481.606 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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