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Briefe eines toten Mannes

Originaltitel: Pisma myortvogo cheloveka
  • 1986
  • 16
  • 1 Std. 27 Min.
IMDb-BEWERTUNG
7,5/10
4277
IHRE BEWERTUNG
Briefe eines toten Mannes (1986)
DramaScience-Fiction

Nach dem nuklearen Holocaust sehnt sich eine Gruppe von Intellektuellen danach, in der blassen und farblosen neuen Welt Hoffnung zu finden. Unter ihnen versucht ein Geschichtslehrer, per Bri... Alles lesenNach dem nuklearen Holocaust sehnt sich eine Gruppe von Intellektuellen danach, in der blassen und farblosen neuen Welt Hoffnung zu finden. Unter ihnen versucht ein Geschichtslehrer, per Brief Kontakt zu seinem vermissten Sohn aufzunehmen.Nach dem nuklearen Holocaust sehnt sich eine Gruppe von Intellektuellen danach, in der blassen und farblosen neuen Welt Hoffnung zu finden. Unter ihnen versucht ein Geschichtslehrer, per Brief Kontakt zu seinem vermissten Sohn aufzunehmen.

  • Regie
    • Konstantin Lopushanskiy
  • Drehbuch
    • Konstantin Lopushanskiy
    • Vyacheslav Rybakov
    • Boris Strugatskiy
  • Hauptbesetzung
    • Rolan Bykov
    • Iosif Ryklin
    • Viktor Mikhaylov
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    4277
    IHRE BEWERTUNG
    • Regie
      • Konstantin Lopushanskiy
    • Drehbuch
      • Konstantin Lopushanskiy
      • Vyacheslav Rybakov
      • Boris Strugatskiy
    • Hauptbesetzung
      • Rolan Bykov
      • Iosif Ryklin
      • Viktor Mikhaylov
    • 21Benutzerrezensionen
    • 15Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 wins total

    Fotos57

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    Topbesetzung24

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    Rolan Bykov
    Rolan Bykov
    • Professor Larsen
    Iosif Ryklin
    • Khyummel-otets
    • (as I. Ryklin)
    Viktor Mikhaylov
    Viktor Mikhaylov
      Aleksandr Sabinin
        Nora Gryakalova
        Nora Gryakalova
          Vera Mayorova
          Vera Mayorova
          • Anna
          • (as V. Mayorova)
          Vatslav Dvorzhetsky
          Vatslav Dvorzhetsky
          • Pastor
          • (as V. Dvorzhetskiy)
          Vadim Lobanov
          Vadim Lobanov
            Svetlana Smirnova
            Svetlana Smirnova
            • Tereza
            • (as S. Smirnova)
            Nikolai Alkanov
              Misha Afankov
              Vladimir Bessekernykh
                Vera Karavayeva
                  Gena Maltsev
                  Kirill Matyunin
                  Gol Mikhaylov
                  Yevgeny Platokhin
                  Yevgeny Platokhin
                  • Vrach
                  • (as Ye. Platokhin)
                  S. Polishchuk
                  • Regie
                    • Konstantin Lopushanskiy
                  • Drehbuch
                    • Konstantin Lopushanskiy
                    • Vyacheslav Rybakov
                    • Boris Strugatskiy
                  • Komplette Besetzung und alle Crew-Mitglieder
                  • Produktion, Einspielergebnisse & mehr bei IMDbPro

                  Benutzerrezensionen21

                  7,54.2K
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                  Empfohlene Bewertungen

                  9nekitos_113

                  A scary movie ... hopefully not prophetic.

                  When I sat down to watch this film, I, of course, thought that it would impress me. But I could not even think that he would take away from me all the positive emotions.

                  This movie is a warning. It is scary to think how many times the world was on the verge of the Apocalypse. Not the divine Apocalypse, but one that can fly on the wings of a rocket launched by a foggy enemy.

                  Rolan Bykov, I was once again convinced of this, one of the best actors of Soviet cinema. He so organically played the role of the "Dead" ... well, what can I say? Master!

                  The letters that the hero of Bykov (incidentally, a professor who received the Nobel Prize) writes to his late son, only reinforce the already gloomy atmosphere of the film.

                  But, nevertheless, there is some optimism in the film. What can not but rejoice. However, I was insincere when I said that the film sucked all the positive emotions out of me. One more thing remains: hope. Part of me hopes that one day we will wake up and the world will no longer have nuclear weapons. But the other part, however, understands that a world without nuclear weapons is the world that is discussed in this film. This is a world in which there is nothing that holds back human destructive nature.

                  A scary movie ... hopefully not prophetic.

                  <b id="_d">...</b>
                  10moonlitlady1982

                  Requires an effort to watch....but you will never regret it.

                  This is quite an obscure picture, even by Russian standards... It is dark (literally), morbid, disturbing at times... It requires quite an effort to watch. But it is one of those quite numerous Russian films that leave a deepest impression on the viewers by making them THINK. It is one of those brilliant "what if.." ponderings, never really giving you a final answer, or even if suggesting anything, leaving it open for the viewers to make their own conclusions. Perfectly cast (faces DO match the setting!), perfectly performed, and even the "special effects" - something Russian film-makers never have money or enthusiasm for - look quite convincing for their time. It IS hard to watch, and one probably has to be in a certain mood to watch it (I'd recommend watching it alone), but it is worthwhile experience and you will never regret it.
                  8Coventry

                  Quintessential Post-Apocalyptic Fable.

                  This "Letters from a Dead Man" simply has got to be, hands down, one of the top three most depressing and pessimistic movies I ever encountered in my life. Of all Sci-Fi films dealing with remnants of life after the apocalypse – and believe me they are quite numerous – this Soviet Union produced sleeper upraises the most nightmarishly realistic and harrowing atmosphere ever. Even in your worst imaginable nightmares and premonitions, the post-nuclear existence probably still doesn't look as decayed and melancholic as illustrated here in this film. Survivors are forced to live underground, in the caves and catacombs of destroyed buildings, and have little else to do but watch each other fading away emotionally as well as physically. They can't go the surface without wearing special outfits and gas masks, but even then there's nothing else to do but stroll around between ruins, car wrecks and rotting corpses. With monotonous photography and the exclusive use of a yellow-tinted picture, director Konstantin Lopushansky (an acolyte of the Russian master Andrei Tarkovsky) fabricates the ideally lugubrious ambiance, and he can also rely on the devoted cast and bleakly void screenplay to assist.

                  The story revolves on Rolan Bykov as a scientist – former Nobel Price winner, even – who entrenched himself underneath the remnants of a library building along with his wife and a handful of co-workers. The titular letters are addressed to his son whom the scientist hasn't seen or heard from since the catastrophe. The letters and above all the hope his son is still alive somewhere is what keeps the poor man going, but how long can you hold on to hope when you see everything and everyone around you dying? "Letters from a Dead Man" is a difficult but ultimately very rewarding cinematic experience to endure. Difficult, of course, because of the emotionally devastating imagery and atmosphere, and because there's actually very little substantial content. We literally stare at a handful of people languishing and eventually dying, with only a small hint at hope near the end. And rewarding because of the depiction of genuine humane sentiments and the thought-provoking messages. It's also highly remarkable how "Letters from a Dead Man" remains continuously vague regarding the cause of the apocalypse and eventually even searches the guilt in the own heart. In a time where movies released on the other side of the Iron Curtain (in Europe and particularly the USA) routinely blamed Russia for the potentially upcoming apocalypse, this tale suggests the root cause of the catastrophe lies in a human error during the launch of a space shuttle. The entire cast gives away tremendous performances. I don't know if these people are veteran actors and actresses in their home countries, but their grimaces and catatonic behavior suggest that they were selected especially for this type of discouraging parable. Fantastic film; though obviously not fit for all occasions and/or audiences.
                  10raul-4

                  Possibly the best post-apocalyptic movie ever

                  It took me some time to remember the title of this film, and it's certainly a hidden gem. In it's very slow pace, it transfers the mood of what will probably be if we went through a nuclear war. Great cinematography, and the quality of the film just makes it more profound and hipnotizing.

                  If you find this film, take your time any rainy day, and drift away in a world of dead and dying.
                  10Mafiosi_turnip

                  Haunting, undeservedly underrated masterpiece

                  The story takes place in an eastern European country(no reference is made to what country) after a nuclear war. A military regime has been imposed, there is no reference weather this is a local regime or an occupation. The soldiers tend to carry western weapons like AR pattern rifles and HK G3. The main character lives with coworkers under the university buildings where they once worked , all characters have a type of confession to tell relating to the catastrophe. Decay is everywhere but there is also irony in the decay and destruction, such as the scene in the library that is half covered in water with pages upon pages floating on this evil soup of corpses and texts that the main character ,as a true scholar, goes to a semi submerged desk to study a book. Just like "Threads" this is the only other movie that truly shows how final a nuclear apocalypse would be.

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                  • Wissenswertes
                    The filmmakers took great care to continuously remind their viewers that what they're seeing is not happening in the Soviet Union. To ensure this, a lot of foreign items have been placed in the backgrounds which surely immediately caught the eye of the contemporary viewer. There is not a single object with Cyrillic letters, but there are plenty with English ones. Many items are Western consumer goods which were rare in the Soviet Union in the 1980s. Particular examples are beer cans and a bottle of Jagermeister on a desk. The weapons the soldiers wield are also not even resembling Soviet rifles which would've been familiar to all viewers who completed their military services. They look more like a strange "crossbreed" of American M-16 and M-1 rifles. The vehicle the soldiers are using is a MAZ missile trailer truck, but the same vehicle was also built for the civilian market and sold to many countries. The helicopter that shows up in one of the scenes is a Kamov Ka-26 which was never used by the Soviet military (and in fact only one Warsaw Pact country did, Hungary). The hovercraft that is seen turning and leaving is also not a (known) military vehicle, but anyone in the 1980s should've associated the image with the air-cushion ferries on the English Channel which were a famous and novel technical achievement at the time.
                  • Zitate

                    Unknown: We should acknowledge the fact that the whole history of mankind is a story of a slow suicide commited by a living matter that by sheer accident acquired the abilty to think, but that did not know what to do with this fateful capacity. Full stop.

                  • Verbindungen
                    Featured in TopTenz: 10 Little Known But Genuinely Disturbing Films About Nukes (2018)

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                  FAQ14

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                  Details

                  Ändern
                  • Erscheinungsdatum
                    • 23. April 1987 (Westdeutschland)
                  • Herkunftsland
                    • Sowjetunion
                  • Sprache
                    • Russisch
                  • Auch bekannt als
                    • Dead Man's Letters
                  • Produktionsfirmen
                    • Lenfilm Studio
                    • Pervoe Tvorcheskoe Obedinenie
                  • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

                  Technische Daten

                  Ändern
                  • Laufzeit
                    • 1 Std. 27 Min.(87 min)
                  • Farbe
                    • Color
                    • Black and White
                  • Sound-Mix
                    • Mono
                  • Seitenverhältnis
                    • 1.37 : 1

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