Der Herrscher des Central Parks

Tommy Lee Jones does his part to hold this movie together, and that's about the only thing going for it. The plot about one man taking over Central Park (!) is highly improbable, but makes for a good Saturday afternoon action flick. Don't put a lot of thought into this movie, just enjoy it for what it is!

I saw this on HBO in the mid '80s and I loved it. Tommy Lee Jones was so cool and I had no problem buying the premise. It was kind of like Assault on Precinct 13 or The Warriors in its cartoonish depiction of violence. I remember especially the part where he's in full military garb and grease paint on his face with an arsenal of weapons around his body and he tells a woman to leave the park because its filled with "thugs and perverts and weirdos." Check it out if you can, it won't change your life, but it's good.

Following the success of First Blood and other attempts to cash in on the struggle of vets in overcoming their still recent emasculation, The Park is Mine strips away any unnecessary subtext and nuance, leaving a gratifying action flick that shoves its foot up the collective ass of the cops, the politicians, and even the Viet Cong, as Tommy Lee Jones uses domestic terrorism and an astronomical sense of entitlement to control Central Park as a publicity stunt to tell the world that we should be kinder to each other, not because he so desperately needs to prove to them that we could have won the war, guys, if only we'd...

You might say this is a passionate action movie. Probably did not cost much to make, but is somewhat interesting. Tommy Lee Jones plays a veteran from the Vietnamese conflict and he wants to raise awareness to how veterans, the elderly and underprivileged are overlooked. He decides to take Central Park hostage. Then he is forced to defend his position with gunfire. Who said all is fair in love and war?

Also in the cast are Helen Shaver and Yaphet Kotto. Not too far fetched; and this movie does grab your attention.

Tommy Lee Jones, in an updated version of Taxi Driver, plays a disillusioned, disenchanted Vietnam Vet who only truly feels at home while on patrol. He takes over Central Park in downtown New York City in a believable scenario; seeking control, and seeking recognition, he dominates the city by shutting down the Park.

Jones becomes the indigenous guerrilla, the one who controls the fight by setting the scene and drawing the inept Police into his traps. An excellent movie, ahead of its time, imagine a very human Rambo in downtown New York. The movie does not have a neat ending, like Taxi Driver or even Dog Day afternoon. Instead, it ends as you might like it too.