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SPOILER: This is the best movie I have seen so far. I watch it again about once or twice a year, like a ritual or an annual holiday I would be taking into levels of consciousness where the mind is not really required. I do not understand, and I do not feel like I have to, it is secondary. I feel touched like only pure and silent beauty can touch me, or bliss. It is obviously created around an idea of sacrifice, being both a gift to others but also to ourselves. By offering his life in order to save his family, his grandson and the world, the main character is also giving a true meaning to his own life that had mostly been of artificiality, questionings and shallowness. Every person who enters the house, he starts seeing under a deeper if not more expressionistic light... And when he meets with magic (while making love with the witch) he creates the bridge that will take him from reality into mystery. The whole film is as breathtaking and self-sufficient as a painting, or even more so, a Russian icon. It is ageless. I suppose it will remain with me for my entire life. I consider it Tarkovsky's last will, but even more so a piece of the Human Heritage that should be protected and kept accessible for future generation.

Please forgive this disorganized, vague rambling...it is difficult to put into words what this film has done for me, as it is a spiritual experiment in time and character more than it is a traditional film.

I will say right off that this movie is not for everyone. Tarkovsky is a fan of long takes, slow character development and awkward silences. Even though this is one of my favourite films, it was a struggle to get through the whole thing...which is, in fact, an effective medium to describe a man who is finding it a struggle to progress with his everyday life. The settings are fittingly dreary and dismal; indeed, his son seems to be the only spark of life in the film.

There is no plot to speak of; the film is an in-depth character study. Tarkovsky has given the main character so many dimensions that one cannot help but wonder if it is semi-autobiographical. Elements of magic realism serve to enhance the character's despair and isolation, but there are finely-crafted human details -- such as a shaking hand that must try twice to light a match properly -- that give the film a very realistic sense. The world Tarkovsky has created is like a vivid dream.

The images in this movie are incredible: watch for his use of fire, wood, earth and water, for all four elements are heavily drawn upon in his shots.

There is a documentary floating around out there that has Tarkovsky discuss this film in depth; it shows the processes he invented to create some of the takes, and the stubbornness he exhibits to get everything to match his vision perfectly. I saw the documentary before the film, and I think it only added to my appreciation. His book, "Sculpting in Time," also offers insights and bits of philosophy that add dimensions to this movie.

Though I regret that Tarkovsky passed before he could produce more works like this, "The Sacrifice" is a fitting epilogue to his collection of films, and perhaps the best eulogy a person could ever hope for.

Behold, a torrential spew of superlatives; "Sacrifice captivates the heart." "Sacrifice stirs the soul" "Sacrifice devastates as well as it rehabilitates"....you get my drift...

An almost mythic blend of haunting imagery, rich audio cues and astounding performances, this masterwork of introspection spins a sublime poem on the conundrums of faith, unconditional love, the nature of reality and the very meaning of sacrifice. I cannot help but be moved me truly, madly, deeply.

By the time a boy rests by a lonesome tree, I realized few films will come close to injecting me with such revelatory euphoria. The Sacrifice shall be as close a religious epiphany as this "sinner" is ever gonna get. Sigh...

Andrei Tarkovsky was without a doubt one of the genuine artist working in the cinema. With films such as "Andrei Rublev", "Solaris", "Mirror", Stalker" and "Nostalghia", Tarkovsky enriched the world with powerful works for art. "Sacrifice" was his final film, made while Tarkovsky was dying of cancer. The story concerns an elderly academic who lives with his family in a rural part of Sweden. When he learns that about an imminent nuclear war, he makes a desperate pact with God. The film is astonishingly beautiful, like all Tarkovsky's films. Images of nature, water and fire feature prominently, as does the shifting from colour images to black and white.

It is important to remember that Tarkovsky is not a very accessible film-maker, and his films make great demands on viewer's patience and attention, but if you are willing to make the effort you will be rewarded by an unforgettable experience.

This is a spare and haunting work that weaves its spell slowly yet powerfully. Every shot is framed with loving care, and Tarkovsky allows the camera to remain fixed on a scene as events unfold. It's perhaps the most beautifully photographed film I've ever seen. There's very little music during the course of the movie, yet subtle, mysterious sounds contribute to an overall feeling of mystery and foreboding. The acting and dialogue are no doubt greatly influenced by the work of Bergman. Perhaps the film is a kind of homage to him.

This is definitely not a popcorn movie, nor one to see on a first date. I recommend you see it when you're not distracted or impatient - when you can be fully present and mindful as events develop at an unhurried, organic, human pace. The cumulative effect is devastating, yet somehow wonderfully cathartic.