Hercule Poirot: Tödliche Parties

Watching a less-engaging Agatha Christie movie adaptation is like watching an extended episode of Murder, She Wrote. Like Hercule Poirot, Jessica Fletcher is a walking crime magnet, making you wonder if the world wouldn't be a safer place for the rest of us if people like them were put away for good.

Agatha Christie movies often host a potpourri of stars to be the suspects. Sometimes they're a mix of renowned actors, like Vanessa Redgrave, John Gielgud, Ingrid Bergman et al, in 1974's Murder on the Orient Express; and sometimes, like in Murder in Three Acts, they're a mix of actors you vaguely recall seeing on some TV show or other, like Emma Samms from Dynasty and Diana Muldaur from Star Trek: The Next Generation. Though the former makes for a more attractive package, even when they're the latter, they usually still turn out to be decent viewing, as this movie is.

This is a fine movie. Watching Peter Ustinov play Poirot is always a treat. The dialogue between him and Hastings provides adequate humor. And the Agatha Christie whodunit puzzle is fairly good.

The film suffers though when compared to two previous Ustinov films: "Death On The Nile", and "Evil Under The Sun", both of which were grand and stately big-budget theatrical productions. By contrast, "Murder In Three Acts" is a made-for-TV movie, and therefore seems small and cheap. The scenery, the music, and the casting cannot compete.

Further, the suspects in "Murder In Three Acts" seem too "normal"; there are no really eccentric characters. The women especially seem bland and undifferentiated.

Still, if you can avoid the temptation to compare this film to other Hercule Poirot films, as well as Christie's source novel, the movie "Murder In Three Acts" is still entertaining.

Having read all of the Agatha Christie books, I have to say that David Suchet was the ultimate Hercule Poirot as written by Agatha Christie. But my favorite Poirot, having nothing whatsoever to do with either Poirot or what Ms. Christie wrote, is Peter Ustinov. It always reminds me of what someone once said about Zero Mostel in "Fiddler on the Roof" - "He's fabulous...but what he does has nothing to do with Fiddler." Ustinov is a sheer delight in every way - he's funny, he's charming, he's warm, he's relaxed - all things that, frankly, Agatha's Hercule just wasn't.

"Murder in Three Acts" is a slapped together TV movie without the usual star power except for Tony Curtis and several TV actors - the gorgeous Emma Samms, who was a big TV star in the '80s, Diana Muldaur, Concetta Tomei, Dana Elcar, Nicholas Pryor, and several others. The characters have been Americanized, and though set in Acapulco, aside from a few exterior shots, you don't get much atmosphere.

Though the story is very interesting (it is, after all, based on an Agatha Christie novel), the production has a certain blandness to it. You know there's a problem when Diana Muldaur announces that she and the Tony Curtis character did "Private Lives" together. Now, I happen to be very fond of Tony Curtis - I did research for his autobiography, he's on the cover of a book I wrote, I found him a very charming man - but come on, PRIVATE LIVES? With that New York accent? I don't think so. He does, however, look really fabulous, and if you watch the scenes in his house carefully, you'll catch some fantastic photos of him on the wall.

It's an okay way to pass the time, and the plot is intriguing, Tony's Tony, Emma's beautiful and sexy, Nicholas Pryor is funny, and Ustinov is - well, he's Poirot even if he's not what Dame Agatha had in mind.

Murder In Three Acts certainly isn't terrible, but compared to Death On the Nile and Evil under The Sun, it has a certain blandness to it. That I can understand because it is a TV film, so would be limited in budget in comparison. There is some lavish scenery, costumes and locations, and the acting is good on the whole. Peter Ustinov certainly seems to be enjoying himself as the dapper detective, while Tony Curtis, Lisa Eichlorn and Emma Samms give able support. Jonathan Cecil is wonderfully naive as Hastings as well. However despite a good cast, and the lovely production values, the film does have a number of failings. One was the script, badly underdeveloped in places, and bore little resemblance to the book, which is brilliant by the way, I suggest you read it. There are numerous plot changes too, even characters's names were changed, Hermione Lytton Gore's name was changed to Jennifer for some obscure reason, and Bartholemew Strange's portrayal wasn't at all what I imagined. And I did think the murders were clumsily handled. However, there are a number of redeeming qualities, it is very entertaining and enjoyable, but isn't like the book. 7/10 Bethany Cox

Agatha Christie's Belgian sleuth Hercule Poirot and his ever faithful Tonto like companion Captain Hastings are in Acapulco for Murder In Three Acts. As you gather by the title their are three murders, but their connection to each other is in some cases non-existent and to the murderer they are known in varying degrees of acquaintanceship.

The first is of a clergyman Philip Guilmant at a cocktail party given by retired expatriate actor Tony Curtis when a lethal cocktail is given the victim. At another cocktail party with a different setting the same happens to Dr. Dana Elcar. Lastly a poor catatonic woman in an asylum is slipped a box of chocolates laced with the same poison. The old switch is used like in many a magician's act.

Peter Ustinov as Poirot is present at the first and that was the perpetrator's fatal mistake. As Dana Elcar says all too prophetically for him, crime seems to follow him around.

Agatha Christie purists will object to the way poor Jonathan Cecil is treated like such a boob. He's not in the David Suchet BBC series. It's very much like Nigel Bruce as Dr. Watson who slowly became a befuddled idiot in the Universal Sherlock Holmes movies.

Still the film is all right not up to the standard of Ustinov big screen Hercule Poirot films. And the murderer when revealed truly steals the film.

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