IMDb-BEWERTUNG
4,7/10
1099
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Füge eine Handlung in deiner Sprache hinzuAn orphaned New Zealand girl married to an older, wealthy businessman learns to deal with his strange sexual desires.An orphaned New Zealand girl married to an older, wealthy businessman learns to deal with his strange sexual desires.An orphaned New Zealand girl married to an older, wealthy businessman learns to deal with his strange sexual desires.
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While I adore Jodie Foster and find all of John Lithgow's performances to be uniquely brilliant, I really didn't get this movie. The actors were great, but the filming, directing, and especially the script were inarticulate and just plain messy. While I kind of understood the plot by the end of the movie, I couldn't help being confused as I watched it. The character development was non-existent. The plot was put together with spit. I felt awful for the actors who looked like they were desperately trying to make sense of the movie for the audience. I've seen other confusing movies where the directing and script were so brilliant that even if I didn't understand it the first time, I was intrigued to watch it again. This time, I really was not interested to attempt it again. What a mess! Still, Lithgow and Foster should be proud of their performances. They really did a good job despite the lack of script. Good material, good story, and good acting - but what a shame that the director and the writer couldn't portray it any better.
I hired this on DVD ,I had never heard of it and the cover told me nothing not even the year it was made. It was made in New Zealand,I can't believe Jodie Foster traveled there to make it. She had already made several movies including Taxi Driver and Hotel New Hampshire. I bet she is ashamed of it. The quality of the DVD didn't help,from a low budget video company in Australia. The story was boring as well. This has got to be the worst movie I have ever seen.I took it back to the video store and received a free hire of another film. I just found out Foster produced this film,and then bad mouthed it. The film quality is awful,I fast forwarded through a lot of the film.
Odd-ball movie. What could have been a decent story, instead fell victim to some very bad acting ... acting that was almost painful to watch ... it felt like the actors/actresses were totally uninterested in recording this.
Based on a supposedly true story based in 1800's New Zealand with an almost unbelievable plot, the unbelievability of the plot is made even more inevitable by poor acting. Instead of driving home the point of the real-ness of the movie, the acting made it look like a joke.
Watch it and be prepared to scratch your head at the end. You'll say to yourself: "either this was total baloney, or it was true, but the story very poorly told."
Based on a supposedly true story based in 1800's New Zealand with an almost unbelievable plot, the unbelievability of the plot is made even more inevitable by poor acting. Instead of driving home the point of the real-ness of the movie, the acting made it look like a joke.
Watch it and be prepared to scratch your head at the end. You'll say to yourself: "either this was total baloney, or it was true, but the story very poorly told."
Victoria, a young orphan in late-19th-century New Zealand, enters into an arranged marriage with a wealthy older man; when she comes of age, she leaves the orphanage and goes to live with her husband, who is little more than a stranger to her, and finds married life difficult to face. Her new husband is loutish and chauvinistic, but he has a handsome sensitive younger brother, which complicates the young girl's life. A romantic triangle, tragedy, and mystery ensue; when Oliver, the husband, becomes ill, the cause could be the chemicals he uses to exterminate rats or something more sinister. "Mesmerized," which was originally titled "My Letter to George," is a tidy did-she or didn't-she supposedly based on true events. Co-written and directed by Michael Laughlin, the film may be too slow for some; events unfold at a leisurely pace, but those attuned to PBS dramas or Merchant-Ivory productions may find it to their liking.
Jodie Foster both co-produced and stars as Victoria, the orphaned child bride; her cool impassive demeanor suits the role of an unwilling wife in a loveless marriage. However, her iciness extends a bit too far, and little heat ignites between Foster and Don Shor, who plays the younger brother, George, which undercuts their supposed attraction. John Lithgow breathes life into Oliver, the grizzled insensitive husband; he has some good moments, and his character is more vibrant and alive than that of the cold Victoria. Harry Andrews also does well as Oliver's equally loutish father.
A delicate score by Georges Delerue enhances the period film, and the script, co-written by Jerzy Skolimowski, is well written and literate. A short, well intentioned movie, "Mesmerized" is no classic, but better than average, and boasts a good performance by Lithgow, a fine score by Delerue, and an enigmatic fade-out that will leave viewers pondering, "Did she? Or didn't she?"
Jodie Foster both co-produced and stars as Victoria, the orphaned child bride; her cool impassive demeanor suits the role of an unwilling wife in a loveless marriage. However, her iciness extends a bit too far, and little heat ignites between Foster and Don Shor, who plays the younger brother, George, which undercuts their supposed attraction. John Lithgow breathes life into Oliver, the grizzled insensitive husband; he has some good moments, and his character is more vibrant and alive than that of the cold Victoria. Harry Andrews also does well as Oliver's equally loutish father.
A delicate score by Georges Delerue enhances the period film, and the script, co-written by Jerzy Skolimowski, is well written and literate. A short, well intentioned movie, "Mesmerized" is no classic, but better than average, and boasts a good performance by Lithgow, a fine score by Delerue, and an enigmatic fade-out that will leave viewers pondering, "Did she? Or didn't she?"
While watching this on late-night TV recently, I couldn't help but think back to an Oscar-bedecked offering that was released about seven years later - The Piano. Both set in New Zealand, both about mail-order brides who can't stand their husbands ... etc. Mesmerized doesn't indulge in the florid touches with which Jane Campion pumped up her rather empty opus (chopped off fingers, Harvey Keitel's Maori facial tattoos and frontal nudity, etc.), and this is certainly a serious effort by co-producer Foster, but that doesn't mean it's better filmmaking. In fact, despite the cast, it's flat and unimpressive visually and for the most part boring storywise. So if Campion did any ripping off, it was at least in the interests of high camp.
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- WissenswertesThe story is loosely based on that of Adelaide Bartlett, who, in 1886, went on trial for the chloroform poisoning of her husband.
- VerbindungenReferenced in Antony I. Ginnane on 'Dead Kids' (2004)
- SoundtracksKaru Karu
Written by Sam Freedman and F.A. Bennett
Performed by The Tura Kina Girls Choir
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