Der ehemalige F.B.I. Profiler Will Graham kehrt in den Dienst zurück, um einen gestörten Serienmörder namens "die Zahnfee" von den Medien zu verfolgen.Der ehemalige F.B.I. Profiler Will Graham kehrt in den Dienst zurück, um einen gestörten Serienmörder namens "die Zahnfee" von den Medien zu verfolgen.Der ehemalige F.B.I. Profiler Will Graham kehrt in den Dienst zurück, um einen gestörten Serienmörder namens "die Zahnfee" von den Medien zu verfolgen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Dan Butler
- Jimmy Price
- (as Dan E. Butler)
Alexandra Neil
- Eileen
- (as Alex Neil)
Empfohlene Bewertungen
The bulk of comments concerning this film center on the debate of its superiority/inferiority versus Silence of the Lambs. That line of criticism does not do justice to either movie.
Besides the Thomas Harris link, there is no connection between them at all. Sure, there are shared character names, most notably Dr. Lecter, but not shared characters. Cox's and Hopkins' interpretations of the infamous cannibal could not be any more different. Whose is better? That's irrelevant here. What is relevant is Manhunter's success as a stand-alone feature film.
Michael Mann's film is standard serial killer fare, which is not necessarily a bad thing. What separates it from its cinematic brethren is its style and class. It's easy to follow a hunter-prey storyline. What isn't easy is to provide the audience with well-rounded characters who convey that grey moral ground of real life. In that respect, Manhunter is a success. From the FBI agent teetering on the edge to the killer struggling with his emotions, Mann weaves a complex story that takes a step above the genre.
The movie is definitely of the 80s. Timelessness is the top determining factor of a film's "classic" status. Whether or not Manhunter stands the test of time is yet to be seen. The music is already dated, but not to the point of impeding the story. Fortunately, it has not suffered the same fate as the now campy reruns of Miami Vice.
Manhunter is not a great movie. It is an above average genre film aided by a stellar cast and crew. Take it for what it is and enjoy an underappreciated thriller.
Besides the Thomas Harris link, there is no connection between them at all. Sure, there are shared character names, most notably Dr. Lecter, but not shared characters. Cox's and Hopkins' interpretations of the infamous cannibal could not be any more different. Whose is better? That's irrelevant here. What is relevant is Manhunter's success as a stand-alone feature film.
Michael Mann's film is standard serial killer fare, which is not necessarily a bad thing. What separates it from its cinematic brethren is its style and class. It's easy to follow a hunter-prey storyline. What isn't easy is to provide the audience with well-rounded characters who convey that grey moral ground of real life. In that respect, Manhunter is a success. From the FBI agent teetering on the edge to the killer struggling with his emotions, Mann weaves a complex story that takes a step above the genre.
The movie is definitely of the 80s. Timelessness is the top determining factor of a film's "classic" status. Whether or not Manhunter stands the test of time is yet to be seen. The music is already dated, but not to the point of impeding the story. Fortunately, it has not suffered the same fate as the now campy reruns of Miami Vice.
Manhunter is not a great movie. It is an above average genre film aided by a stellar cast and crew. Take it for what it is and enjoy an underappreciated thriller.
Besides the fact that it was released without much hoopla in 1986, and that it was recently remade(the same exact movie except for the end) as Red Dragon, Manhunter is undoubtedly the most overlooked movie of the past 20 years. The plot is tremendous, Mann's direction is outstanding, and the acting(especially Noonan) is equally amazing. What Mann realized while making this film is that a thriller was not just meant to shock and disgust the audience but to develop the characters carefully so that there is an even greater sense of anticipation for the climax of the movie than there otherwise would be. Recent thrillers are clearly lacking in the character development that made movies like Manhunter and Silence of the Lambs so good. Its a shame that Red Dragon had to be made, since it is basically a strait ripoff of Manhunter except for a different ending which is much worse than the original and way too predictable. Anyone who thinks Red Dragon was a good movie should watch Manhunter and compare the two. If you try this you'll see that there is no comparison. Tom Noonan's performance alone is worth the watch.
This will no doubt elicit howls of outrage, but I have always thought that Mr. Cox's portrayal of Hannibal Lector to be far superior to that of Mr Hopkins'. Mr Cox portrays Lector as someone coldly intellectual, almost reptilian and inhuman, while Mr Hopkins gives a performance that always brings to mind that of Ernest Thesiger as Dr. Pretorius in Bride of Frankenstein". Mind you, I really enjoy Ernest Thesiger as Dr. Pretorius; I'm just saying that the charming, witty and OH! so urbane serial killer has been done to death, and had been even when "Silence Of The Lambs" came out. Rent this video if you want to see how it's supposed to be done.
This film reminds me of a deglamorized verison of the Hannibal films. IMO it has a more realistic view to it. Instead of the likable and friendly Ed Norton, we have the moody and intense William Petersen playing Will Graham. Brian Cox's Hannibal is just as clever as Anthony Hopkins' but not as charismatic. Thus, that makes him more realistic, instead of superhuman, like the character later becomes. Instead of a spooky dark basement prison as in Slience or Hannibal, we have an austure white cell. Ralph Fiennes' Dolarhyde is quiet to the point of being a mute and almost semi retarded almost. I can't see how the girl would be attacted to him (even if she is blind). Tom Noonhan's Dolarhyde is more amible and friendly. He actually speaks in a friendly voice, at times even being a normal person. Even the ending is more realistic. Instead of having a supspense full thilling end, it ends rather anti-climaticly...but thus is life.
As I watched Manhunter the first time I kept thinking something about it seemed familiar. From the credits I discovered it was from Red Dragon by Thomas Harris, a book I had read.
William Peterson plays the enigmatic FBI agent Will Graham, who has left the job after almost being killed by Hannibal Lechter, but who is now coaxed back to help catch a killer who is murdering whole families in different locations in the United States.
I enjoyed Brian Cox as Lechter. He displays the "normal" quality of Lechter which allowed him to go undetected for so long before being arrested and receiving the moniker, "Hannibal the Cannibal". Perhaps because I saw Manhunter before Silence of the Lambs, I prefer Cox to Anthony Hopkins in the role.
The Freddy Lounds character is the stereotypical reporter you love to hate. He's in Graham's face and as obnoxious as they come. You almost root for something bad to happen to him.
Tom Noonan is delightful as the quiet Francis Dolarhyde. He's the loner that no one notices. I pitied him, then I feared him.
I recommend this film for those who enjoy suspense with a bit of a horror twist. It's not a horror film, but some of the elements are there. There is also a good soundtrack.
William Peterson plays the enigmatic FBI agent Will Graham, who has left the job after almost being killed by Hannibal Lechter, but who is now coaxed back to help catch a killer who is murdering whole families in different locations in the United States.
I enjoyed Brian Cox as Lechter. He displays the "normal" quality of Lechter which allowed him to go undetected for so long before being arrested and receiving the moniker, "Hannibal the Cannibal". Perhaps because I saw Manhunter before Silence of the Lambs, I prefer Cox to Anthony Hopkins in the role.
The Freddy Lounds character is the stereotypical reporter you love to hate. He's in Graham's face and as obnoxious as they come. You almost root for something bad to happen to him.
Tom Noonan is delightful as the quiet Francis Dolarhyde. He's the loner that no one notices. I pitied him, then I feared him.
I recommend this film for those who enjoy suspense with a bit of a horror twist. It's not a horror film, but some of the elements are there. There is also a good soundtrack.
Wusstest du schon
- WissenswertesWhen the production could not get permission to film on board a commercial airplane, writer and director Michael Mann booked his actors, actresses, and crew onto a twilight flight from Chicago to Florida, where the production was relocating anyway. A stripped-down camera, lighting and sound equipment were taken on board as carry-on luggage. Pilots and flight attendants were appeased with gifts of movie crew jackets.
- PatzerThe movie implies that Will Graham uses a Charter Arms Bulldog .44 special pistol. If this were true, then Will could not shoot Francis Dollarhyde six times. A Charter Arms Bulldog only holds five rounds. Graham actually shoots the gun seven times, but two of the shots are repeated; the first and second shot that we see are actually the same one, as are the six and seventh. Thus, he only actually fires five bullets, which is the number that the gun can hold.
- Zitate
Will Graham: I know that I'm not smarter than you.
Dr. Hannibal Lecktor: Then how did you catch me?
Will Graham: You had disadvantages.
Dr. Hannibal Lecktor: What disadvantages?
Will Graham: You're insane.
- Alternative VersionenThe Hannibal Lecter Collection released by MGM in 2007, which also features Das Schweigen der Lämmer (1991) and Hannibal (2001), contains the authentic Theatrical Cut of the film.
- VerbindungenFeatured in The Prime Movers: Strong As I Am (1986)
- SoundtracksGraham's Theme
Created, Performed and Composed by Michel Rubini
Composed by Michel Rubini on the Synclavier Digital Music System
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Blutmond
- Drehorte
- High Museum of Art - 1280 Peachtree Street, Atlanta, Georgia, USA(Lecktor's prison exteriors)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 8.620.929 $
- Eröffnungswochenende in den USA und in Kanada
- 2.204.400 $
- 17. Aug. 1986
- Weltweiter Bruttoertrag
- 8.624.009 $
- Laufzeit
- 2 Std.(120 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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