IMDb-BEWERTUNG
6,3/10
5577
IHRE BEWERTUNG
Tat, Ex-SWAT, der zum CID-Cop in Hongkong wurde, hat einen 29 Jahre alten, zurückgebliebenen Bruder, der sich wie die kleinen Jungs verhält, mit denen er spielt und immer in Schwierigkeiten ... Alles lesenTat, Ex-SWAT, der zum CID-Cop in Hongkong wurde, hat einen 29 Jahre alten, zurückgebliebenen Bruder, der sich wie die kleinen Jungs verhält, mit denen er spielt und immer in Schwierigkeiten gerät.Tat, Ex-SWAT, der zum CID-Cop in Hongkong wurde, hat einen 29 Jahre alten, zurückgebliebenen Bruder, der sich wie die kleinen Jungs verhält, mit denen er spielt und immer in Schwierigkeiten gerät.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Sammo Kam-Bo Hung
- Danny
- (as Samo Hung)
- …
Ching-Ying Lam
- SWAT Team Commander
- (as Lam Ching Ying)
Ka-Lok Chin
- SWAT Team Member
- (as Ka Lok)
- …
Corey Yuen
- SWAT Team Member
- (as Yuen Kwai)
Ying-Fat Lam
- Edmond Pang
- (as Lam Ying Fat)
- …
Wing-Cho Yip
- Restaurant Manager
- (as Ip Wing Cho)
Man-Ha Tze
- Grandma
- (as Tze Man Ha)
- …
Fung Woo
- Headmaster
- (as Wu Fung)
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After several "Lucky Stars" films, Sammo Hung wanted to direct Jackie Chan in a serious movie. Jackie believed (rightly so) that the Hong Kong audience would have trouble accepting him in a non-action role. Sammo was insistent and Jackie acquiesced. With a screenplay coauthored by Barry Wong and Sammo Hung they ventured forth to create Heart of Dragon (aka First Mission). This film would be a box office disappointment though he soon would create one of his best films Police Story.
Jackie stars as a CID officer (formally from SWAT) who takes care of his mentally-challenged 29 year old brother Danny. Danny is an affable and naive grown-up who is known as Do Do by his child friends. He is so credulous that even his kid companions use him for nefarious reasons such as getting into a restaurant or passing off as a parent. He is a constant drain on his brother Jackie who always has to take care of him. Jackie is also split between wanting to make his girlfriend Jenny (Emily Chu who was also in the first two A Better Tomorrow films) happy and his dream of becoming a merchant marine. Danny is wonderfully played by Hung who is not afraid to sacrifice his dignity and his body for this role such as the scene when Danny is looking for a job to be more self supporting is taken advantage of by a restaurant owner (Wu Ma who also helped produce this film) who persuades him to act like a bull, a dog and a snake. Chan's acting is good with occasional forays into the melodramatic.
Heart of Dragon is an enjoyable but fragmented and uneven film. It attempts to be a drama, but after half the picture is over it wants to be action movie. I feel that they did not believe they could create a full serious picture. The switch in tone of the film is distracting and hurts the overall feel of the picture. Yet the ending choreographed by Yuen Biao, though somewhat stereotypical of action film endings, has one of the most exciting sequences Jackie and Sammo has ever done. So my feelings are mixed by this change. Golden Harvest also felt that the audience would not believe a Sammo and Jackie film could sustain a dramatic pace and ordered two additional fighting scenes for the Japanese market. These scenes can be found as deleted scenes on the Fortune Star release.
You could review this film as two separate films. The drama was good except for periodical bouts of overacting and melodramatic scenes (though Sammo's character seems quite believable.) The action part of the film was also good (not counting the opening scene which was totally unbelievable with Mr. Eyebrows one of my favorite actors Lam Ching Ying) but catered to stereotypical scripting. For example Do Do plays cops and robbers with his kid friends and accidentally scares a gangster into giving up a bag of jewelry that belongs to local Triad member the cigar chomping Mr Kin (James Tien.) Mr Kin then, eventually, kidnaps Do Do to get the eventual climax between CID and Mr Kin and his men.
As a complete concept, the film does not work as well as the sum of the parts. The film also has the problem of transitioning from action to drama to action then back to drama again. Then there is the problem with the horrible "electronic" music playing in the background. But many of the parts are quite excellent. People who are expecting a "Jackie Chan" film will be disappointed with the exception of the deleted scenes and the excellent ending. I was disappointed because I saw that they could have made a more compelling drama or at least a more fluid piece. However, there is much to enjoy with the film, as if I had not said it enough, especially the ending.. Notes: other character actors in the film are Fung Hark On (portraying another slimy character), Yuen Wah and Corey Yuen (both who grew up with Jackie Chan, Sammo and Yuen Biao as part of the Seven Little Fortunes.)
Jackie stars as a CID officer (formally from SWAT) who takes care of his mentally-challenged 29 year old brother Danny. Danny is an affable and naive grown-up who is known as Do Do by his child friends. He is so credulous that even his kid companions use him for nefarious reasons such as getting into a restaurant or passing off as a parent. He is a constant drain on his brother Jackie who always has to take care of him. Jackie is also split between wanting to make his girlfriend Jenny (Emily Chu who was also in the first two A Better Tomorrow films) happy and his dream of becoming a merchant marine. Danny is wonderfully played by Hung who is not afraid to sacrifice his dignity and his body for this role such as the scene when Danny is looking for a job to be more self supporting is taken advantage of by a restaurant owner (Wu Ma who also helped produce this film) who persuades him to act like a bull, a dog and a snake. Chan's acting is good with occasional forays into the melodramatic.
Heart of Dragon is an enjoyable but fragmented and uneven film. It attempts to be a drama, but after half the picture is over it wants to be action movie. I feel that they did not believe they could create a full serious picture. The switch in tone of the film is distracting and hurts the overall feel of the picture. Yet the ending choreographed by Yuen Biao, though somewhat stereotypical of action film endings, has one of the most exciting sequences Jackie and Sammo has ever done. So my feelings are mixed by this change. Golden Harvest also felt that the audience would not believe a Sammo and Jackie film could sustain a dramatic pace and ordered two additional fighting scenes for the Japanese market. These scenes can be found as deleted scenes on the Fortune Star release.
You could review this film as two separate films. The drama was good except for periodical bouts of overacting and melodramatic scenes (though Sammo's character seems quite believable.) The action part of the film was also good (not counting the opening scene which was totally unbelievable with Mr. Eyebrows one of my favorite actors Lam Ching Ying) but catered to stereotypical scripting. For example Do Do plays cops and robbers with his kid friends and accidentally scares a gangster into giving up a bag of jewelry that belongs to local Triad member the cigar chomping Mr Kin (James Tien.) Mr Kin then, eventually, kidnaps Do Do to get the eventual climax between CID and Mr Kin and his men.
As a complete concept, the film does not work as well as the sum of the parts. The film also has the problem of transitioning from action to drama to action then back to drama again. Then there is the problem with the horrible "electronic" music playing in the background. But many of the parts are quite excellent. People who are expecting a "Jackie Chan" film will be disappointed with the exception of the deleted scenes and the excellent ending. I was disappointed because I saw that they could have made a more compelling drama or at least a more fluid piece. However, there is much to enjoy with the film, as if I had not said it enough, especially the ending.. Notes: other character actors in the film are Fung Hark On (portraying another slimy character), Yuen Wah and Corey Yuen (both who grew up with Jackie Chan, Sammo and Yuen Biao as part of the Seven Little Fortunes.)
A pretty good, though slow drama, Jackie proves himself as an actor, and Sammo pulls off the part of the handicapped brother beautifully. It's very somber and pretty sad, with a really violent fight at the climax when Jackie and his cop friends go to rescue Sammo. Jackie even buries a machete in some poor sap's neck! If you want a good serious battle, check out Jackie vs. the awesome (and underrappreciated) Dick Wei at the finale....I've always enjoyed this guy as his usual cool as ice villain! Not bad, but vastly different from most of Chan's work...
Heart Of The Dragon can be described as Rain Man with martial arts, which is not a bad description, although this was actually made several years before. Made around the time Jackie Chan was churning out loads of great films, such as Police Story, Project A, Wheels On Meals and Dragons Forever, as well as poorer but hugely successful efforts like the 'Lucky Stars' films, this movie has somewhat been ignored, which is a shame, as it's a brave attempt at something a little different.
For the first 50 mins or so, this is mostly a drama, but both Jackie Chan, playing a character who is initially none too sympathetic, and Samo Hung, as his mentally challenged brother, give amazingly strong performances. There are laughs [such as when Chan is walking around holding his brother's hand saying to people "he's my brother" in case they might think they are gay],but there is also a great deal of sensitivity and honesty, climaxing in a powerful scene where Jackie almost breaks down in sheer fustration in front of Samo.
After this the film suddenly becomes an action movie, but the transition is not badly done, and, as if to reward patient action fans, the film climaxes with what is quite simply one of the best staged fight sequences EVER, a small masterpiece of choreography, editing and lighting. Jackie is as vicious as Bruce Lee ever was here, he's never been meaner.
There are two extra fight scenes which exist, but in most places they were removed from the film to emphasise the drama. Indeed the other elements of the film are so good that it can exist perfectly well without them. Of course there are a few silly touches, including TWO montages with the sentimental theme song, and Dick Wie's eyebrows! Generally a fine film, though.
For the first 50 mins or so, this is mostly a drama, but both Jackie Chan, playing a character who is initially none too sympathetic, and Samo Hung, as his mentally challenged brother, give amazingly strong performances. There are laughs [such as when Chan is walking around holding his brother's hand saying to people "he's my brother" in case they might think they are gay],but there is also a great deal of sensitivity and honesty, climaxing in a powerful scene where Jackie almost breaks down in sheer fustration in front of Samo.
After this the film suddenly becomes an action movie, but the transition is not badly done, and, as if to reward patient action fans, the film climaxes with what is quite simply one of the best staged fight sequences EVER, a small masterpiece of choreography, editing and lighting. Jackie is as vicious as Bruce Lee ever was here, he's never been meaner.
There are two extra fight scenes which exist, but in most places they were removed from the film to emphasise the drama. Indeed the other elements of the film are so good that it can exist perfectly well without them. Of course there are a few silly touches, including TWO montages with the sentimental theme song, and Dick Wie's eyebrows! Generally a fine film, though.
"Long de xin" has Jackie's character (Tat) on the CID (Criminal Investigation Department). This is no "Police Story" though, and Chan is portrayed as just another member of the squad. His main occupation though, is looking after his mentally-disabled brother (Dodo, or Do-do), played decently by Sammo himself. Tat is constantly being called away to help out his brother, and the crime-fighting scenes in the film take a long time to develop.
This film has all of the ingredients that I look for, but it failed to impress me as much as it might have. First of all, Sammo direction is usually brilliant and progressive, in this film however, it seems that most of his creative energy went on his character-acting - and I must say, the scene about Jackie's leaving is particularly impressive. This moment, with it's heart-wrenching display of frustration, anger, and love is as memorable as any of the fight scenes in the film. Chan here is a brilliant dramatic actor, and it took Sammo to get it out of him I suppose.
Yuen Biao, as action-director, does a great job. And the final fight scene is particularly brutal and snappy. But, I can't help but wonder how much better this film may have been if Biao was given an on-screen part - I can see many that may have suited in retrospect.
The film does it's best to balance the drama and action, but I think this is it's main area of failure. There are none of those clever edits that Sammo is usually known for that make for brilliant transitions between contrasting scenes. Here, we sit through some repetitive and redundant scenes that (yet again) display Dodo's vulnerability as much as common man's inhumanity. (Actually, I was just realising how much trouble the children cause for Sammo - even his closest friends are doomed to hurt him). The first few times are good, the rest were trying.
This is a film that is worth watching for some great highlights, but it's not a film that I can imagine enjoying start-to-end, over and over like so many other of Sammo's directorial gems. Sammo and Chan's dramatic acting are the real winners in this film.
This film has all of the ingredients that I look for, but it failed to impress me as much as it might have. First of all, Sammo direction is usually brilliant and progressive, in this film however, it seems that most of his creative energy went on his character-acting - and I must say, the scene about Jackie's leaving is particularly impressive. This moment, with it's heart-wrenching display of frustration, anger, and love is as memorable as any of the fight scenes in the film. Chan here is a brilliant dramatic actor, and it took Sammo to get it out of him I suppose.
Yuen Biao, as action-director, does a great job. And the final fight scene is particularly brutal and snappy. But, I can't help but wonder how much better this film may have been if Biao was given an on-screen part - I can see many that may have suited in retrospect.
The film does it's best to balance the drama and action, but I think this is it's main area of failure. There are none of those clever edits that Sammo is usually known for that make for brilliant transitions between contrasting scenes. Here, we sit through some repetitive and redundant scenes that (yet again) display Dodo's vulnerability as much as common man's inhumanity. (Actually, I was just realising how much trouble the children cause for Sammo - even his closest friends are doomed to hurt him). The first few times are good, the rest were trying.
This is a film that is worth watching for some great highlights, but it's not a film that I can imagine enjoying start-to-end, over and over like so many other of Sammo's directorial gems. Sammo and Chan's dramatic acting are the real winners in this film.
not an action movie! a heart felt drama that had me(yes me) in tears. there is action at the end, but that wasnt even needed. this great drama is about jackie helping his retarded brother through thick and thin or something like that. bring some tissues and dont see it with the guys, cause its a sad one.
Wusstest du schon
- WissenswertesGolden Harvest had wanted Hung to perform fight scenes in the film, but he refused, rationalising "My character was mentally r*t*rd*d, mentally disabled, so how can you ask me to fall down and suddenly become well again? And fight? They knew my fighting skills and wanted me to be part of the action but I thought that would have completely destroyed the tone of the film, the principles behind the film.".
- Alternative VersionenJapanese version has two extra fight scenes, alternate soundtrack featuring Jackie Chan and an out take reel during the end credits.
- VerbindungenFeatured in Jackie Chan: My Story (1998)
- SoundtracksSui Hoh Seung Yi (Who Could Be Dependent)
Music by Violet Lam
Lyrics by Yuen-Leung Poon
Performed by Noi So
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