Ultra Force

Michelle Yeoh, legend. What a great showcase for her athleticism and fluidity, which just jumps off the screen. At 24 and in her second major role, she cemented herself in the Hong Kong action films of the 80's and 90's with this performance. There are so great scenes here - fighting on the street, in an airplane, during a car chase, in a crane, in a nightclub, with an armored vehicle, and against a chainsaw. Several times it looks like the actors are in real danger of being hurt, and adding to the feeling of being on the edge is the script not being afraid of killing off innocent bystander characters, young and old. It also gives us a nice little backstory for the four villains, though on the other hand it also gives us the annoyingly repetitive romantic overtures of Michael Wong's character to Yeoh's, which was the weakest part of the film. If you think you know where that may end up, however, you might be mistaken. Aside from that, there is a lot of cheese here which may bother you, including some sappy family interaction from a Japanese colleague (Hiroyuki Sanada), the synth soundtrack, and the bad guy's cliché evil laugh, but they just added to the camp appeal for me. I loved its bits of real darkness and how it was Yeoh's character doing the rescuing at the end. A lot of fun, so much so that I rounded up my review score a bit.

Michelle Yeoh is very cool. That could be the review; that's enough to make Royal Warriors worth watching.

It's a bit of an oddity as a film, starting out with a dance number and then becoming surprisingly dark, not to mention jarringly violent. It's that kind of hard-edged martial arts movie where the punches and collisions look genuinely painful, and some of the stunts look remarkably dangerous. There are certain parts that aren't entirely believable (an overuse of sped-up footage at the end, and a mat poorly disguised as pavement early on), but most of the action's done really well.

I think it's a movie that hits the ground running to the point where it runs out of steam a little by the final act. It flounders a bit to get to the final action sequence, but once it gets there, it does work.

Some of the melodramatic elements didn't always work for me either, but the core of what's needed for a Hong Kong action movie to shine is intact here, and so I mostly liked Royal Warriors. Michelle Yeoh is very good, and it's interesting seeing a young Hiroyuki Sanada here too, given both he and Yeoh have seen their popularity reach new heights (at least internationally) during the early 2010s. They're both very good here, too.

This cops vs. terrorists chase flick featured a pretty familiar plot line - Yeoh stops a terrorist on board a plane, and the terrorist chief targets her and two male confederates for a rub-out.

But this is a must-see for Yeoh fans. The former (1983) Miss Malaysia first introduced her unsmiling, no-nonsense cop persona here and comes off as a kick-boxing female Charles Bronson. Yeoh's fabulous fight scenes (which, typically for any Hong Kong action star, she performed herself) and on-screen charisma made her a star in this role and it needs to be seen by her fans. It helps that the movie had a decent budget, with good looking production design and elaborate stunts to go with the martial arts. This is a first rate movie of its type.

For those who are familiar with the action side of Michelle Yeoh only from her later blockbusters like "Tomorrow Never Dies" or "Police Story 3", prepare for an eye-opening experience. She has rarely fought (or looked) better than she does in "Royal Warriors", a film made early (1986) into her career. Several of her moves will have you going "WOW!". Unfortunately, there are some problems that keep this film from being as good as it could have been. For one thing, there is too much gratuitous violence: I'm referring especially to the nightclub scene, which has at least a dozen innocent bystanders mercilessly gunned down. The nastiness of the villains comes through clearly enough through their other acts - that scene was overkill (pun not intended). For another thing, Michelle Yeoh has surprisingly few fight scenes: after her 2 in the first 10 minutes, there are no more than 3 in the rest of the film. And then there's Michael Wong, who's a pretty poorly written character: he acts as if he's in a romantic comedy, always flirting with Michelle and making jokes, when in reality he's in a grim drama, where almost no lives are spared. In fact, Michelle tells him straight to his face what is wrong with his character, which suggests that the writers knew it as well - so why did they write him to be this way? I'm still giving "Royal Warriors" a relatively high rating because of the action scenes - I just wish the rest of the movie had lived up to them. *** out of 4.

'Royal Warriors (1986)' is absolutely wild. This exhilarating action movie pushes through high-octane set-piece after high-octane set-piece, rarely letting its foot of the gas as it presents a compelling mix of old-school Hong Kong Kung Fu and exquisitely eighties action excess. It's the kind of movie in which everyone wears either 'The Terminator (1984)'-esque leather, Vietnam-era combat gear or bold business blazers three sizes too big for them. It's filled to the brim with death-defying stunts, metal-crunching car chases, squib-triggering shootouts, bone-crunching brawls and dizzying amounts of collateral damage. It's incredibly exciting. Rather unusually for a film of its kind, it only features four baddies. There are no giant fights between our heroes and hoards of faceless goons, just personal battles between people seeking revenge in a nearly endless loop that threatens to make good on the promise that an eye for an eye makes the whole world blind. It's actually a sequel to 'Yes, Madam! (1985)', and it's superior to that picture because it keeps its focus firmly on Michelle Yeoh and her co-stars, Hiroyuki Sanada and Michael Wong (playing someone called Michael Wong, for some reason), rather than cutting away to secondary characters who mostly engage in screwball comedy. It's a pretty dark and occasionally downright vicious picture, even if it does have moments of levity in the from of Wong's attempts to start a relationship with Yeoh. It's rather tragic overall and isn't afraid to show civilians getting caught in the crossfire that occurs as a result of the villains' vendetta against the heroes (a sequence set in a gloriously neon-soaked nightclub is particularly callous in its chaos). Thanks to its mixture of different types of set-piece, strong central performances (Yeoh is a total star) and consistently well-choreographed action, the well-paced piece remains really entertaining from its first frame to its last. It's one of the more sheerly thrilling examples of its genre, and it's genuinely great. Of course, it has some of the same flaws as many of its counterparts, but they're all fairly minor and aren't really worth mentioning. It's not perfect, but - for what it is - it's fantastic.