Eine sarkastische humanoide Ente wird von seiner Heimatwelt zur Erde gezogen, wo er eine höllische außerirdische Invasion mit Hilfe eines nerdigen Wissenschaftlers und einer süßen, kämpfende... Alles lesenEine sarkastische humanoide Ente wird von seiner Heimatwelt zur Erde gezogen, wo er eine höllische außerirdische Invasion mit Hilfe eines nerdigen Wissenschaftlers und einer süßen, kämpfenden Rocksängerin, die auf ihn steht, stoppen muss.Eine sarkastische humanoide Ente wird von seiner Heimatwelt zur Erde gezogen, wo er eine höllische außerirdische Invasion mit Hilfe eines nerdigen Wissenschaftlers und einer süßen, kämpfenden Rocksängerin, die auf ihn steht, stoppen muss.
- Auszeichnungen
- 5 Gewinne & 4 Nominierungen insgesamt
- Howard T. Duck
- (Synchronisation)
- K.C.
- (as Holly Robinson)
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This is based off the Marvel comics character called Howard who starred in his own comic book "Howard the Duck". The story goes that he's an anthropomorphic duck from a parallel universe where ducks are the dominant species who's transported to Earth against his will. Here he meets up with Beverly who eventually becomes his love interest and they go on lots of weird adventures together. The comic itself was a social satire employing parodies of genre fiction as well as using a bit of metanarrative to advance the story. So in other words he was meta before Deadpool took over that role.
And that's the problem. If you look carefully at the movie itself you can see that they were trying to recreate that world on the silver screen. The problem is movies of that type need to be a little more obvious because otherwise they get taken literally and that spells the death of the movie. Which is what happened here. A lot of things happen in the background and no attention is brought to them as they should. For example in the restaurant scene where Howard almost gets killed and grilled by the crazy cook. If you read the sign it was a place that specialized in Cajun and Sushi. Two foods that were considered very trendy in the 80's except they're being served together. It's a strange pairing and in the theme of the comic book it makes sense. Here? Most people miss it and the joke is lost.
That doesn't excuse it's many glaring faults however. The biggest of which is the costume. This was originally supposed to be an animated feature, at least that's what I've been able to dig up. And yet for some reason they just put a little person in a suit. Sure a case could be made that it gives Howard a true outsider aspect as nobody else looks like he does. But it doesn't excuse the fact that everytime I see him I just see a guy in a duck costume.
There are decent scenes, some good actors trying to put some life into this pile of whatsit and let's face it Lea Thompson looks great here. So while it's not a great movie by any stretch of the imagination it's not as bad as people make it out to be.
The film begins late at night in "Duckworld," which is a version of planet Earth, but with talking ducks living there in place of human beings. As Howard tries to relax, his armchair begins to vibrate violently, and Howard and the chair are promptly yanked through outer-space, all the way to Cleveland on planet Earth. After ending up in an oil drum, Howard hears a fight involving a woman and two thugs pretending to be her fans. Howard uses his skills of "Quack Fu" to defend her. Intimidated by a talking duck, the thugs scamper. The woman, Beverly, thanks Howard and, feeling sorry for him because he has no warm and dry place to sleep, invites him to her apartment. The next day, Beverly takes Howard to see Phil Blumburtt , who she believes is a scientist that can help Howard get back to Duckworld. It turns out Phil is actually a janitor at a museum and Howard, infuriated with Phil's charade. A few days later, Dr. Walter Jenning , and Larry who explain to Howard that they were doing a routine procedure at the lab, only for the experiment to go out of control, causing the laser to hit Howard's planet instead. Howard suggests he can be sent back to Duckworld if the laser can be put into reverse. He is taken to the Dynatechnics lab alongside Beverly, only to find out on arrival that the laser is seriously damaged due to another explosion. The explosion brings down a "Dark Overlord" who is not seen by the audience at the time, and takes over Jenning's body. Howard and Beverly see Dr. Jenning, but he is in the process of being taken over by the Dark Overlord. With Howard and Beverly both unaware of this, they escape in Jenning's car onto the freeway with him driving dangerously due to his worsening possession. They stop outside a diner just before he is fully taken over. Inside the Diner, the Overlord explains his attempts to call forth his fellow aliens from the Nexus of Sominus so that they may take over the world.
Honestly, yeah the plot is a bit much to grasp, but cut the movie some slack, it's about a duck for goodness' sake! For me, it still makes me laugh and I have a ton of fun watching it. I loved seeing Tim Robbins and Howard trying to get to the factory to destroy Jeffrey Jones before he could take over the world, Tim was absolutely hilarious! Yes there are a few things about this movie that are over the top but I still think that this movie is just mindless entertainment. Hey how many movies do we have where a duck saves Planet Earth? Hmm, I guess this is the only one; but give the movie a fair chance, it's a cute one.
7/10
Howard (Jordan Prentice & Chip Zien (primarily)) from a planet where the duck, rather than monkey, was the dominate species, is transported across the Galaxy, to Earth, where, despite his appearance he connects with Beverly (Lea Thompson) a struggling rock singer. Their attempts to find a way for Howard to return to his own planet are assisted by Beverly's friend Phil (Tim Robbins), who brings in Dr. Jenning (Jeffrey Jones) but their research only results is something much worse being brought to Earth.
So, no. It's not good. Not good at all. Particularly for the first half. Tonally it's all over the place, with duck playboy magazine and the visit to the brothel feeling at odds with the PG Certificate. The plot takes an age to get going and the set pieces are dull or incomprehensible. The acting is terrible, from some pretty big names too - what is Tim Robbins doing? It's also not helped that time hasn't been kind to the very 80's sensibilities, from the awful band, to the massive hair, to the outfits that everyone wears to the weird Rock club, to the generic 80's street thugs.
But is its reputation as one of the worst films of all time actually warranted? Not really, of course it was a financial failure and essentially ended up costing Lucas Pixar, but those consequences shouldn't really be considered when appraising the movie. Does "The Shawshank Redemptions" initial financial failure affect people's opinions of that film? The second half of the movie is alright, when the plot finally starts. I actually quite like the effects for the evil overlords race, I'm a bit of a sucker for stop motion animation.
Whilst never approaching a level you would describe as "good" the film is, never the less, rather unfairly grouped in during the "worst of all time" conversations and Howard himself is overdue his full MCU reboot.
Nearly twenty years later, 'Howard' is slowly being pulled from video store shelves. But it is now that a film of such poor quality can be truly appreciated.
Here's how it all goes down: You are dropped onto a planet from a far-away universe, where ducks are human-like and are running the world, only to be pulled out again moments later. An everyday working-duck by the name of Howard gets sucked out of his living room on his recliner after returning to his apartment after a long, hard day.
After the opening title is shown in the thundering tradition of cinematic heavyweights like '2001: A Space Odyssey', we see Howard's decent toward the planet Earth. Once he has reluctantly gotten his feet on the ground, he clashes with the dregs of society and saves the lead singer of an all-female punk band named Beverly, (played by 'Back to the Future's Lea Thompson). She tries to give him a hand, and help him get an explanation as to how he got sucked out of his living room and landed in Cleveland, Ohio.
That explanation never actually makes any sense, but that doesn't matter, because better plot developments hinge upon it. With the help of a goofy lab janitor Phil (played by the immortal Tim Robbins in an early comedic role) and a big time nuclear scientist Dr. Jennings (none other than Jeffery Jones), Howard finds out that a giant laser Jennings was using went haywire, and pulled Howard down instead. But going back isn't going to be so easy, because one of Dark Overlords of Evil hitched a ride on that laser, and has plans of planet domination and destruction. And who better than to save the day than the 3'1" (3'2", that is) wise-"quacking" title character, Howard T. Duck!
Although George Lucas got ripped apart for having his hands in this one, I have yet to see a movie that is so awful, so terribly bad that I have been brought to tears crying at simply recalling scenes from this flick. The opening sequences on the duck planet contain countless parodies of American pop culture, and Howard's implausible hurtle through space is enough to make even the most serious chuckle.
Audiences back in 1986 didn't seem to, however. But something about watching this flop nearly two decades later makes all of these scenes so much funnier. The way I see it, our teen generation now has a funny fascination with the decade in which they were born, the 80s, and anything from it has a distinctive look and sound. American pop culture was throwing away Three's Company for MTV, LPs for tapes, and the Bee Gees for the Brat Pack. The youth took yet another step in distancing themselves from their parents, and although they furthered that schism, they too felt a strong connection the past few decades. What was happening when I was in utero? Taking my first steps? Saying my first words?
Today's generation has 'Howard the Duck' as one of the most endangered time capsules of the 80s. You've got a one-of-a-kind performance by now Acadmey Award Winner Tim Robbins, whose his explanation of duck's evolutionary scale is priceless. George Lucas's own Industrial Light and Magic (ILM) special effects studio must be embarassed to have itself credited with the horrendous effects (the Dark Overlord, for one). You've got a helplessly catchy theme song, revelling in all of its cheesy 80s pop-synth glory.
The jokes are terrible, the dialogue sub-par, the plot laughable. But you know what, you'll laugh you a$$ off.
Join me in saving Howard from being pulled from video store shelves. Today's generation will love the waddling fowl more than the angry movie-goers who saw this dud in the theaters. Keep him alive!
Wusstest du schon
- WissenswertesAccording to reports at the time of the movie's release, George Lucas had just built the $50-million Skywalker Ranch complex, and was counting on this film to get him back in the black. When it bombed, he was forced to start selling off assets to stay afloat. His friend Steve Jobs, the CEO of Apple Computer, offered to help by buying Lucasfilm's newly-launched CGI animation division for a price well above market value. Lucas, in dire straits and thankful for the assistance, agreed. That division eventually became Pixar Animation Studios.
- PatzerPalm trees in Cleveland, Ohio.
- Zitate
[Together in bed, Beverly seducing Howard]
Howard T. Duck: [flustered] I've got a headache...
Beverly: And I've got the aspirin!
Howard T. Duck: Be gentle.
- Alternative VersionenIn the UK two cuts totalling 46 secs were made to secure a PG rating. One is of Lea Thompson pulling a condom out of Howard's wallet, the other is of the bad guy sticking his tongue in a car cigarette lighter socket to recharge himself. The scene with the condom was left intact on the film's television premiere on the BBC. Although the cuts were fully restored in 2008 for the 12-rated Metrodome release the same company reissued the film later in the year with a PG certificate, and this release lost 52 secs of cuts to photo shots in a sex magazine and a scene where Howard works in a sleazy sauna parlour.
- VerbindungenEdited into The Nostalgia Critic: Max Payne (2019)
- SoundtracksHunger City
Performed by Lea Thompson, Dominique Davalos, Liz Sagal, Holly Robinson Peete (as Holly Robinson)
Produced by Thomas Dolby
Written by Thomas Dolby and Allee Willis
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Howard el pato
- Drehorte
- Petaluma, Kalifornien, USA(Petaluma River is used for almost all waterway scenes, with takeoff from Western Avenue)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 37.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 16.295.774 $
- Eröffnungswochenende in den USA und in Kanada
- 5.070.136 $
- 3. Aug. 1986
- Weltweiter Bruttoertrag
- 37.962.774 $
- Laufzeit
- 1 Std. 50 Min.(110 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1