Eine Gruppe von Wissenschaftlern hat den Resonator entwickelt, eine Maschine, die es jedem, der sich in Reichweite befindet, ermöglicht, über die normal wahrnehmbare Realität hinauszusehen. ... Alles lesenEine Gruppe von Wissenschaftlern hat den Resonator entwickelt, eine Maschine, die es jedem, der sich in Reichweite befindet, ermöglicht, über die normal wahrnehmbare Realität hinauszusehen. Aber wenn das Experiment gelingt, werden sie sofort von schrecklichen Lebensformen angegri... Alles lesenEine Gruppe von Wissenschaftlern hat den Resonator entwickelt, eine Maschine, die es jedem, der sich in Reichweite befindet, ermöglicht, über die normal wahrnehmbare Realität hinauszusehen. Aber wenn das Experiment gelingt, werden sie sofort von schrecklichen Lebensformen angegriffen.
- Auszeichnungen
- 3 Gewinne & 4 Nominierungen insgesamt
- Patient - Strait Jacket
- (as Andy Miller)
- Drunk
- (Nicht genannt)
- Asylum Orderly
- (Nicht genannt)
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Rated R; Nudity, Graphic Violence and Profanity.
Like Re-Animator, From Beyond is based on a story by the fantastic horror writer H.P. Lovecraft. The acting here comes courtesy of two of Re-Animator's best actors; Jeffrey Combs, a man that is well known in the world of B-Movie, and Barbara Crampton; the scream queen that we all remember from the infamous 'head' sequence in Re-Animator. There is also a role in this movie for Ken Foree, whom horror fans will instantly recognize from the classic film, Dawn of the Dead. I didn't know he was in this movie, so it was a nice surprise for me. From Beyond is also brought to the screen by the same team that brought Re-Animator to the screen; Stuart Gordon in the director's chair and Brian Yuzna producing. With a group of people as accomplished in the horror genre as this fine bunch, what could possibly go wrong?
The plot of this movie is good because it very much plunges into the unknown, and as well all know; it is that which makes horror frightening. This movie is also made good by the fact that once the horror starts, it doesn't stop and that's always a good thing for a horror movie as nobody likes waiting for the next horror sequence to turn up. The team of Gordon and Yuzna obviously knows that relentlessness makes a good horror movie as it is evident in all horror movies that they have worked on, together or separately. The idea behind it is also an original one, as ever with H.P. Lovecraft and it leaves a lot open for creativity, which is capitalized upon very well by Stuart Gordon with his interesting and effective creatures that are brought into the film as a result of the scientist's foray into 'the beyond'. The story, it could be said, is unrealistic, which is true of most horror films. However, the way it is brought to life seems realistic and as there is some explanation to the point of the machine and that which it does, so the audience can somewhat believe it; much to the film's credit.
In the 80's, horror reached a new point; gone was the creativity of the 60's and 70's, and a new area of over the top and extremely gory horror was opened up. From Beyond very much capitalizes on this 'new wave', but unlike a lot of the 80's films that did, From Beyond manages to pull it off so it is both interesting and creative and therefore it is a cut above the majority of other 80's films of the same ilk. From Beyond is not a masterpiece, but it is very good and fans of the horror genre will certainly find something to like about it. Recommended.
Wusstest du schon
- WissenswertesBarbara Crampton sold the leather dominatrix outfit she wore in this film at a yard sale.
- PatzerIn the opening scene the windows of the first floor in Dr. Pretorious' house are shattered. A little later in the movie, when the team arrives again at the "crime scene", it is clearly visible, that the window classes are still unbroken.
- Zitate
Crawford Tillinghast: It ate him... bit off his head... like a gingerbread man!
- Alternative VersionenThe original UK cinema version was uncut by the BBFC (though the print submitted was the MPAA-edited R-rated version). The UK Vestron video releases were cut by 10 secs by the BBFC and edited a scene where Katherine's breasts are molested by the transformed Pretorius.
- VerbindungenFeatured in The Best of Stephen King's World of Horror (1986)
Top-Auswahl
Details
Box Office
- Budget
- 4.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.261.000 $
- Eröffnungswochenende in den USA und in Kanada
- 514.417 $
- 26. Okt. 1986
- Weltweiter Bruttoertrag
- 1.261.000 $
- Laufzeit
- 1 Std. 25 Min.(85 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1