IMDb-BEWERTUNG
6,2/10
20.775
IHRE BEWERTUNG
Beverly Hills: Hier wohnen die Reichsten der Reichen, einen Royce fährt man höchstens als Drittwagen und selbst die Dienstboten haben eine Villa auf den Bermudas! In Beverly Hills sind auch ... Alles lesenBeverly Hills: Hier wohnen die Reichsten der Reichen, einen Royce fährt man höchstens als Drittwagen und selbst die Dienstboten haben eine Villa auf den Bermudas! In Beverly Hills sind auch die Whitemans zu Hause.Beverly Hills: Hier wohnen die Reichsten der Reichen, einen Royce fährt man höchstens als Drittwagen und selbst die Dienstboten haben eine Villa auf den Bermudas! In Beverly Hills sind auch die Whitemans zu Hause.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Mike the Dog
- Matisse
- (as Mike)
Empfohlene Bewertungen
Still funny upon seeing it the second time - 20 years after its first-run viewing. Every character is likable - Nolte, Dreyfuss and Midler in the starring roles, and every one of the primary co-star and the supporting cast.
Nolte is an outstanding actor, and this role and his harder-edged character in the great "North Dallas Forty," are among his very best. Many actors exhibit far different personalities off-screen than "on" ( e.g. Nicholson), or are downright goofy in real life (Cruise, Jolle, Affleck/Lopez, etc.). But I've never seen any whom I wish might be more like his on-screen persona than Nolte. The guy has charisma, believability, and is completely likable in every role.
Here, he staggers, pretty much literally, homeless, into the mansion of a Beverly Hills wealthy family as dysfunctional (although pleasantly so) as any on the planet.
Of course, his presence and "counsel" take care of all their neuroses - bringing a relaxed enjoyment of life to Dreyfuss, a reawakening of sexual delight in Midler, enjoyment (and relief from anorexia/bulimia) to the winsome daughter, direction to the frustrated adolescent son, happiness to the sexy Latino maid, and effecting a change in the family pooch to where he can now enjoy the pleasant life of a contented, happy pet.
The diversions and hi-jinks in the story are also pleasant - often these necessary components of a film can detract - and the equally necessary closing events lead to a pleasant rapprochement and a happy ending.
An excellent, "feel good" viewing experience.
Nolte is an outstanding actor, and this role and his harder-edged character in the great "North Dallas Forty," are among his very best. Many actors exhibit far different personalities off-screen than "on" ( e.g. Nicholson), or are downright goofy in real life (Cruise, Jolle, Affleck/Lopez, etc.). But I've never seen any whom I wish might be more like his on-screen persona than Nolte. The guy has charisma, believability, and is completely likable in every role.
Here, he staggers, pretty much literally, homeless, into the mansion of a Beverly Hills wealthy family as dysfunctional (although pleasantly so) as any on the planet.
Of course, his presence and "counsel" take care of all their neuroses - bringing a relaxed enjoyment of life to Dreyfuss, a reawakening of sexual delight in Midler, enjoyment (and relief from anorexia/bulimia) to the winsome daughter, direction to the frustrated adolescent son, happiness to the sexy Latino maid, and effecting a change in the family pooch to where he can now enjoy the pleasant life of a contented, happy pet.
The diversions and hi-jinks in the story are also pleasant - often these necessary components of a film can detract - and the equally necessary closing events lead to a pleasant rapprochement and a happy ending.
An excellent, "feel good" viewing experience.
Sure it hasn't dated all that well, but look at this 1986 hit as a nice time capsule of L.A. from that time period. A period that basically ended with the sobering and terrifying riots of 1992. Down and Out in Beverly Hills deals with a well-to-do yet dysfunctional family having its priorities rearranged by a bum who first attempts to drown himself in their swimming pool. Nick Nolte, looking only a little scruffier than his 2002 Hawai'ian shirt mugshot plays the Jerry Baskin character on different levels. Early on he seems much like the typical run of the mill schizophrenic homeless person chasing after a dog who found himself a better owner. Then, after his dunk in the pool, we see that he is actually quite intelligent and observant. Almost instantly he sees what is wrong with everyone in the household. He just can't seem to point any of that intellect toward improving his own situation. Even when it is laying there right in front of him.
The patriarch of the family is Dave Whiteman who embodies some of Richard Dreyfuss's better work. He is very successful, yet he it just too uptight. Something seems lacking for him. It isn't the appearance of the bum that sets him off. He actually is the one who most wants him to stay if perhaps to live vicariously through him in some ways. Bette Middler is on hand as Dave's sexually unfulfilled wife who mostly spends her time with worthless self-help gurus. She even has one hired for their cutesy little dog. Nolte is apparently the only man around who has what it takes to recharge her batteries in bed! The family has an attractive yet obviously anorexic daughter and an androgynous son. A sexpot Hispanic maid is also on hand for Dave to use at his will... that is until Nolte moves in on her as well. The film takes place over about a month's time and there really isn't much plot to speak of other than seeing how these characters are altered by Nolte's character.
The film has several funny moments, and thankfully Ms. Middler is not allowed to sing too much. The theme song by the Talking Heads is always welcome to the human ear. Some of the comedy, mostly involving the cutesy dog reactions and Little Richard's exasperated yelling are more annoying than anything else. There are some great performances and many funny observations about successful Angelinos at that time. Not much of a message to be learned from any of it, however. Maybe that is why it works. 8 of 10 stars.
The Hound.
The patriarch of the family is Dave Whiteman who embodies some of Richard Dreyfuss's better work. He is very successful, yet he it just too uptight. Something seems lacking for him. It isn't the appearance of the bum that sets him off. He actually is the one who most wants him to stay if perhaps to live vicariously through him in some ways. Bette Middler is on hand as Dave's sexually unfulfilled wife who mostly spends her time with worthless self-help gurus. She even has one hired for their cutesy little dog. Nolte is apparently the only man around who has what it takes to recharge her batteries in bed! The family has an attractive yet obviously anorexic daughter and an androgynous son. A sexpot Hispanic maid is also on hand for Dave to use at his will... that is until Nolte moves in on her as well. The film takes place over about a month's time and there really isn't much plot to speak of other than seeing how these characters are altered by Nolte's character.
The film has several funny moments, and thankfully Ms. Middler is not allowed to sing too much. The theme song by the Talking Heads is always welcome to the human ear. Some of the comedy, mostly involving the cutesy dog reactions and Little Richard's exasperated yelling are more annoying than anything else. There are some great performances and many funny observations about successful Angelinos at that time. Not much of a message to be learned from any of it, however. Maybe that is why it works. 8 of 10 stars.
The Hound.
"Down and Out in Beverly Hills" is a very funny 1986 comedy from director Paul Mazursky. Nick Nolte stars as a down-and-out bum who one day, after his dog leaves him and goes to live somewhere else, tries to drown himself in the swimming pool of a rich couple. The man of the house (played delightfully by Richard Dreyfuss) saves his live and decides to take him in despite the objections of his wife (played wonderfully by Bette Midler). The bum becomes an influence over everybody in the household. Plus, their dog starts to love the bum. There are big laughs throughout the film, though the movie is a little less funny than Bette Midler's other 1986 comedy "Ruthless People". Still, "Down and Out" has some terrific performances from Midler, Dreyfuss, Nolte, and the rest of the supporting cast. But the real scene-stealer here is the performance by Mike the Dog as Matisse, the canine with a dog psychiatrist. Mike gives one of the best performances by an animal of all-time.
***1/2 (out of four)
***1/2 (out of four)
Nick Nolte is "Down and Out in Beverly Hills," a 1986 film directed and co-written by Paul Mazursky and starring Richard Dreyfuss, Bette Midler, Elizabeth Pena, Little Richard, and Tracy Nelson.
Nolte is Jerry, a street person so low even his dog leaves him for a kind jogger. While searching for his dog, he stumbles onto the property of Dave and Barbara Whiteman - Whiteman is a clothes hanger king living the good life in Beverly Hills.
Filling his pockets with rocks, Jerry attempts suicide by diving into the Whiteman pool, but is saved and ultimately taken in by Dave. Jerry isn't particularly grateful - he wants Courvoisier instead of the alcohol offered him, and, given dinner, questions the meat on the turkey.
Dave, guilty about his wealth, bored with his life, and wanting to do some good, buys Jerry clothes and lets him live at the mansion. He even offers Jerry jobs, which Jerry doesn't accept.
Jerry's history is on the vague side - he speaks of doing the concert piano circuit, he is recognized in a restaurant by as a writer, maybe he did some acting...hard to know. Before long, he's taken over the entire household, becoming the only one in the house that the Whiteman's psychologically disturbed dog, Matisse, can tolerate.
Jerry becomes Barbara Whiteman's masseuse and the man who finds her G-spot, the lover of housekeeper Carmen (Pena) after Dave goes back to sleeping with Barbara, the man who gets the Whiteman's anorexic daughter (Nelson) to fall in love with him and start eating; and the man who convinces the androgynous Whiteman son to come out to his parents. Too late, Dave realizes he's Dr. Frankenstein, and Jerry is the monster.
This is an entertaining film with dark undertones and good performances, particularly from Nolte, Dreyfuss, Midler, Pena and Mike (Matisse the dog). Little Richard is a riot as a neighbor.
Nolte is in great shape here, as is Midler, who looks fantastic. The party scene toward the end of the film where Dreyfuss chases Nolte throughout the house and grounds is quite funny. The ending isn't the best, but it's a fun watch anyway.
Nolte is Jerry, a street person so low even his dog leaves him for a kind jogger. While searching for his dog, he stumbles onto the property of Dave and Barbara Whiteman - Whiteman is a clothes hanger king living the good life in Beverly Hills.
Filling his pockets with rocks, Jerry attempts suicide by diving into the Whiteman pool, but is saved and ultimately taken in by Dave. Jerry isn't particularly grateful - he wants Courvoisier instead of the alcohol offered him, and, given dinner, questions the meat on the turkey.
Dave, guilty about his wealth, bored with his life, and wanting to do some good, buys Jerry clothes and lets him live at the mansion. He even offers Jerry jobs, which Jerry doesn't accept.
Jerry's history is on the vague side - he speaks of doing the concert piano circuit, he is recognized in a restaurant by as a writer, maybe he did some acting...hard to know. Before long, he's taken over the entire household, becoming the only one in the house that the Whiteman's psychologically disturbed dog, Matisse, can tolerate.
Jerry becomes Barbara Whiteman's masseuse and the man who finds her G-spot, the lover of housekeeper Carmen (Pena) after Dave goes back to sleeping with Barbara, the man who gets the Whiteman's anorexic daughter (Nelson) to fall in love with him and start eating; and the man who convinces the androgynous Whiteman son to come out to his parents. Too late, Dave realizes he's Dr. Frankenstein, and Jerry is the monster.
This is an entertaining film with dark undertones and good performances, particularly from Nolte, Dreyfuss, Midler, Pena and Mike (Matisse the dog). Little Richard is a riot as a neighbor.
Nolte is in great shape here, as is Midler, who looks fantastic. The party scene toward the end of the film where Dreyfuss chases Nolte throughout the house and grounds is quite funny. The ending isn't the best, but it's a fun watch anyway.
To this is one of the great movies(another example would be "Ferris Buellers Day Off"), that manages to be purely entertaining from beginning to end. Not really loaded with laugh out loud gags or thought provoking drama, its just plain fun all the way through.
Wusstest du schon
- WissenswertesThe first movie from the Disney company (produced/released under their "Touchstone" company) to receive an "R" rating from the MPAA.
- PatzerWhen Dave is returning home following his auto accident, there is a scene with a gardener in the background. He moves as if he is trimming grass around a palm tree, but the trimmer line is not spinning.
- Zitate
Dave Whiteman: I ate garbage last night, Barbara... and *loved* it!
- Crazy CreditsThe credits open on scenes showing sites featured in Beverly Hills The end credits scroll on the alleyway outside the Whiteman's home, during which a bum pushing a trolley walks by, pauses to check on the Whiteman's dumpster, then continues on his way.
- SoundtracksIt's a Matter of Time
Written and Produced by Little Richard & Billy Preston
Performed by Little Richard
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Down and Out in Beverly Hills
- Drehorte
- 400 Ocean Front Walk, Venice Beach, Venice, Los Angeles, Kalifornien, USA(Jerry introduces Dave to Tom-Tom and friends in Venice.)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 14.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 62.134.225 $
- Eröffnungswochenende in den USA und in Kanada
- 5.726.495 $
- 2. Feb. 1986
- Weltweiter Bruttoertrag
- 62.134.225 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Zoff in Beverly Hills (1986) officially released in India in English?
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