Metacritic-Rezensionen

Perhaps I have made the movie sound too serious... So let me just say that Down and Out in Beverly Hills made me laugh longer and louder than any film I've seen in a long time.

What's so funny about Down and Out In Beverly Hills is not its moral imperative to appreciate life's simple, enduring pleasures. True, we get that message, and we appreciate it, but we already know that motto even if we don't live by it. No, what's funny is director Mazursky's extraordinarily fine eye and ear for capturing the way the wealthy residents of Beverly Hills walk, talk, dress and think.

As a comedy of manners it has a dependably keen aim, with its most wicked barbs leavened by Mr. Mazursky's obvious fondness for his characters.

Once you overlook the laborious contrivance of Jerry's background, Down and Out in Beverly Hills is a sharp, sweet comedy of affluent manners. [31 Jan 1986]

On the basically farcical level where it chooses to stay, it is a funny and likable movie

It’s a loving caricature of the nouveau riche (Beverly Hills variety) and although it is more of a comedy of manners than a well-developed story, there are enough yocks and bright moments to make it a thoroughly enjoyable outing.

For all its genuinely funny moments and its mix of outrageousness and insights, Down and Out remains curiously unsatisfying in the way it resolves the Nolte character.

It's too civilized by half and never quite funny enough. [31 Jan 1986, p.D1]

Paul Mazursky hasn’t only remade Jean Renoir’s sublime 1931 Boudu Saved From Drowning: he’s yuppified it, inverting virtually every meaning until the film becomes a celebration of the crassest kind of materialism.

It betokens some kind of desperation (or perhaps the fact that this was produced by Disney's adult offshoot) that the comedy rests increasingly on the cute antics of the family dog.