Bullies
- 1986
- BPjM Restricted
- 1 Std. 36 Min.
IMDb-BEWERTUNG
5,4/10
624
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe Morris family moves from the city in an attempt to make a new life in a small resort town, only to be confronted by a sadistic rural clan, the Cullens.The Morris family moves from the city in an attempt to make a new life in a small resort town, only to be confronted by a sadistic rural clan, the Cullens.The Morris family moves from the city in an attempt to make a new life in a small resort town, only to be confronted by a sadistic rural clan, the Cullens.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Janet-Laine Green
- Jenny Morris
- (as Janet Laine Green)
Stephen Hunter
- Clay Morris
- (as Stephen B. Hunter)
Olivia d'Abo
- Becky Cullen
- (as Olivia D'Abo)
LeRoy Schulz
- Murray Sullivan
- (as Leroy Shultz)
Empfohlene Bewertungen
Criminally unsung British horror movie maverick Paul 'Prom Night' Lynch's super intense backwoods nightmare is not only blessed with another righteous Paul Zaza soundtrack and the deliciously luminous presence of Olivia D'Abo but is an usually bleak and mean-spirited redneck head-wrecker about the suburbanite Morris family moving to a rather isolated ski-resort town and instead of enjoying a little respite from the stresses of the big bad city only to discover the country can present a uniquely unpleasant threat all of its own.
Very soon all the members of the Morris family have a series of increasingly violent confrontations with wealthy, profoundly inhospitable land owners The Cullens, a despotic clan of thugs who run the town like it was their own personal fiefdom. The director does a bravura job of raising the volatility of his bellicose 'Bullies' to a feverish pitch of intensity, delivering a truly exhilarating and breathlessly satisfying, if not to mention highly combustible conclusion!
While the film is far from unpredictable there is an undeniable primal viscerality to Lynch's pulse-pounding filmmaking which maintains rigorous interest throughout, cannily replacing originality with unleavened emotional force. It must be added that youngsters Jonathan Crombie and Olivia D'Abo truly make a delightful pair of greatly embattled lovers. Great stuff! Blu-ray Please!!!!
While the film is far from unpredictable there is an undeniable primal viscerality to Lynch's pulse-pounding filmmaking which maintains rigorous interest throughout, cannily replacing originality with unleavened emotional force. It must be added that youngsters Jonathan Crombie and Olivia D'Abo truly make a delightful pair of greatly embattled lovers. Great stuff! Blu-ray Please!!!!
A family (A teenage boy, his mother and a stepdad), sick of city life, decides to move to the mountains to get away from it all and have a fresh start. However, their idyll is shattered by three brothers and their domineering father, who don't take kindly to newcomers on their patch. While having objects thrown through their window and being threatened in the street is just the start, the youth decides to make things even worse by having a relationship with the terrible trio's sister. With the law unwilling to do anything about it and the violence escalating rapidly, the lad decides to take matters into his own hands..
Veering wildly between hilarity and nastiness, this is one of the oddest exploitation movies ever made. At first, you can have a chuckle at some of the hammy acting and ludicrous dialogue given to the characters, especially the overwrought bad guys. But then, you get completely unnecessary scenes like a mother being raped while her son is forced to watch, or the thug's sister getting herself beaten up by her siblings for daring to sleep with our young hero. In fact, the whole view of women in the movie, which seems to be that they're pathetic creatures who scream a lot and can't defend themselves, is pretty despicable. But of course, there's the obligatory nude scene, which this time involves a young lady diving into a pool bra-less under a very thin T-shirt. Who cares about plot consistency when you have some willing young starlets ready to shed her togs. Right?!
The climax centres on the teenager, who up until now hasn't been able to sneeze without jumping, suddenly morphing into a Rambo clone and blowing off his assailants left, right and centre to save his stepfather who is being held hostage by the gang. It's completely implausible but hey, so is everything else in this film.. so at least you can't accuse it of not being consistent. So, rather than attempting to find logic in a place where the word doesn't exist, check out the IMDb pages for Janet Laine Green, Dehl Berti, Stephen Hunter, Jonathan Crombie.. etc. Notice a pattern emerging here? Their careers all hit dead ends. Why? Sit through this, and all will become clear. Remember kids, if you want to get ahead in this business, hire a decent agent and ALWAYS read the scripts they offer you. Please.. 3/10
Veering wildly between hilarity and nastiness, this is one of the oddest exploitation movies ever made. At first, you can have a chuckle at some of the hammy acting and ludicrous dialogue given to the characters, especially the overwrought bad guys. But then, you get completely unnecessary scenes like a mother being raped while her son is forced to watch, or the thug's sister getting herself beaten up by her siblings for daring to sleep with our young hero. In fact, the whole view of women in the movie, which seems to be that they're pathetic creatures who scream a lot and can't defend themselves, is pretty despicable. But of course, there's the obligatory nude scene, which this time involves a young lady diving into a pool bra-less under a very thin T-shirt. Who cares about plot consistency when you have some willing young starlets ready to shed her togs. Right?!
The climax centres on the teenager, who up until now hasn't been able to sneeze without jumping, suddenly morphing into a Rambo clone and blowing off his assailants left, right and centre to save his stepfather who is being held hostage by the gang. It's completely implausible but hey, so is everything else in this film.. so at least you can't accuse it of not being consistent. So, rather than attempting to find logic in a place where the word doesn't exist, check out the IMDb pages for Janet Laine Green, Dehl Berti, Stephen Hunter, Jonathan Crombie.. etc. Notice a pattern emerging here? Their careers all hit dead ends. Why? Sit through this, and all will become clear. Remember kids, if you want to get ahead in this business, hire a decent agent and ALWAYS read the scripts they offer you. Please.. 3/10
The Cullen boys are a nasty bunch. They take whatever they want from the local shops, dance with whoever they like at the local bar, beat their sister and blame it on one of the local boys. If anyone stands up to them, they know they're in for a taste of Cullen family attention, which is particularly brutal.
There are a few good scenes of intimidation, especially the treatment of Vern the mechanic, but somehow, they're just not made out to be as scary as they should be. Pity, because the actors were good at being bad when they were allowed to be.
There are a few good scenes of intimidation, especially the treatment of Vern the mechanic, but somehow, they're just not made out to be as scary as they should be. Pity, because the actors were good at being bad when they were allowed to be.
A mother, son and new stepdad move from the big city to a rural area in the shadow of the Rockies in the Great Northwest (Janet-Laine Green, Jonathan Crombie and Stephen Hunter). The teen meets an intriguing lass (Olivia d'Abo), but she's a member of a hostile moonshining family that grossly bullies the citizenry of the area. Dehl Berti is on hand as an American Indian who befriends the kid.
"Bullies" (1986) is curiously listed as a horror flick in some sources, but it's not; it's a hillbilly romance mixed with crime drama/thriller. The confusion is likely due to it being directed by Paul Lynch, known for "Prom Night" (1980) and "Humongous" (1982), plus the fact that there is some shocking gore for back then in the last half-hour. The movie is actually a meshing of the basic plot of "The Karate Kid" (1984) with the setting of "I Walk the Line" (1970) and "First Blood" (1982), along with the one-man-army element of the latter.
The first two acts are a really good set-up despite the overdone villainy of the antagonists (I mean these guys are just frothing at the mouth with ee-vil). It smacks of a real-life situation and you care about the protagonists while loathing the arrogant intimidators. At around the hour-mark, however, there's some awkward editing and the story switches to an over-the-top action flick while inexplicably forsaking a key character. It's as if the writers never heard the proverb "Less is more."
Still, if you can roll with these issues there's enough good here to make "Bullies" worthwhile for those interested. For instance, the relationship of the boy and Will Crow, some quality life-lessons, the teen romance and Olivia d'Abo's fun swimming scene.
The film runs about 1 hour, 30 minutes, and was shot in Marysville & Kimberly, British Columbia, which are located an eight-hour drive east of Vancouver in the Canadian Rockies of southeast BC, as well as Thunder Hill Provincial Park 40 miles north of there.
GRADE: B-
"Bullies" (1986) is curiously listed as a horror flick in some sources, but it's not; it's a hillbilly romance mixed with crime drama/thriller. The confusion is likely due to it being directed by Paul Lynch, known for "Prom Night" (1980) and "Humongous" (1982), plus the fact that there is some shocking gore for back then in the last half-hour. The movie is actually a meshing of the basic plot of "The Karate Kid" (1984) with the setting of "I Walk the Line" (1970) and "First Blood" (1982), along with the one-man-army element of the latter.
The first two acts are a really good set-up despite the overdone villainy of the antagonists (I mean these guys are just frothing at the mouth with ee-vil). It smacks of a real-life situation and you care about the protagonists while loathing the arrogant intimidators. At around the hour-mark, however, there's some awkward editing and the story switches to an over-the-top action flick while inexplicably forsaking a key character. It's as if the writers never heard the proverb "Less is more."
Still, if you can roll with these issues there's enough good here to make "Bullies" worthwhile for those interested. For instance, the relationship of the boy and Will Crow, some quality life-lessons, the teen romance and Olivia d'Abo's fun swimming scene.
The film runs about 1 hour, 30 minutes, and was shot in Marysville & Kimberly, British Columbia, which are located an eight-hour drive east of Vancouver in the Canadian Rockies of southeast BC, as well as Thunder Hill Provincial Park 40 miles north of there.
GRADE: B-
Olivia D'Abo in a wet T-shirt is the only thing this movie has going for it. Other than that, this Canadian production about a man taking out a vicious band of hillbillies is not worth anybody's time. The writing is bad, the acting is poor and the direction is sub-standard.
Wusstest du schon
- WissenswertesDehl Berti's last film.
- PatzerAfter Becky is horribly beat up by her family, she shows up at Matt's on horseback with no injuries at all.
- Zitate
Will Crow: [Upon meeting Matt] You must be the Morris kid... Name's Will Crow. You can call me Mr. Crow.
Matt Morris: I'm Matt... You can call me Mr. Morris.
Will Crow: We're gonna get along just fine, Mr. Morris... Just don't be a smartass.
- Alternative VersionenThe original Ontario theatrical and video releases were cut by the OFRB (Ontario Film Review Board) to shorten a shot of a man being impaled by antlers and cutting out a shot of a metal rod in a man's chest.
- VerbindungenFeatures Take Me Up to the Ball Game (1980)
Top-Auswahl
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Details
Box Office
- Budget
- 1.800.000 CA$ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.995.527 $
- Eröffnungswochenende in den USA und in Kanada
- 1.532.605 $
- 1. Sept. 1986
- Weltweiter Bruttoertrag
- 2.995.527 $
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