Sterben... und leben lassen

Total parody of "Double Indemnity", with some added twists. The awesome, hilarious team of A. Arkin and P. Falk are together again, seven years after the under-rated "In-Laws". Beverly D'Angelo is "Blanche", the Barbara Stanwyck wife, looking to knock off the husband. Arkin is "Leonard", the insurance salesman, trying to put his sons through Yale. Falk is "Steve", the husband. Robert Stack is Leonard's boss, who refuses to help with the college bills. If you're a big fan of Falk and/or Arkin, you'll LOVE this film; they spend the whole time trying to outdo each other in the over-acting department. Also keep an eye out for Richard Libertini, also from the In-Laws; others will know him as the guru in All of Me (Edwina, Back in Bowl ) and Charles Durning (Tootsie). Written (copied/parodied ?) by Andrew Bergman, who certainly knew comedy... he had written the original In-Laws, Blazing Saddles, Soapdish, and Fletch!

Directed by John Cassevetes, who had done a bunch of stuff with Peter Falk already. Seems like quite a departure for Cassevetes... he had always done serious, pretty rough dramas. Fun stuff. On DVD. Never see this one shown on TV for some reason.

Long time buddies from Actor's Studio days John Cassavetes and Peter Falk collaborate on this humorous send up of Billy Wilder's Double Indemnity. Wilder's whose humor could be grimly ironic was still around when Big Trouble came out. I wonder what Billy thought especially since Double Indemnity classic that it is has very few laughs.

It was one fateful day when Alan Arkin met up with Beverly D'Angelo who had that low cut come up and see me ambiance that got Arkin hooked. Up there for a homeowner's policy discussion, Arkin sells them a life insurance policy for husband Peter Falk with that ever fateful double indemnity clause for accidental death.

Our first meeting with Falk should tell you this won't work out quite like Double Indemnity did. Both he and D'Angelo like to live large, check out the mansion they have. And I won't say what it is that Falk does for a living to bring in the Benjamins, but trust me he's one shady character. In fact not unlike the man he played in my favorite Peter Falk movie The Brink's Job, but far more upper class or at least he's used to living like that.

Now a man used to privilege is Robert Stack, CEO of the insurance company that Arkin works for. Arkin's having trouble and who wouldn't paying tuition for his teenage triplets who MUST go to Yale to study music. Stack's a hearty and hateful privileged WASP snob who tells Arkin it's better that people make it on their own. No help from him getting into his birthright alma mater. After that Arkin is as easy prey for D'Angelo as Fred MacMurray was for Barbara Stanwyck in the original.

All I will say is that Big Trouble doesn't quite work out the way the original did. Funniest scene in the film for me is the Medical Examiner's office where the post mortem is conducted by Dr. Richard Libertini who is in on the plot and who's a character himself. The Edward G. Robinson insurance investigator role is Charles Durning. Durning is as smart as Robinson, but it wouldn't have taken a Barton Keyes like genius to blow this one up.

Big Trouble will not be a Billy Wilder like classic, but it's pretty funny and director Cassavetes and actor Falk work well together with the whole cast. Cassavetes and Falk had almost 35 years of experience together and they function like a well greased machine.

In addition to Billy Wilder both Fred MacMurray and Barbara Stanwyck were also still with us when Big Trouble hit the big screen. Wonder what they thought too?

Writer-director Andrew Bergman and stars Peter Falk and Alan Arkin re-teamed after the success of their earlier collaboration The In-Laws with this misfire crime comedy.

Arkin plays an insurance agent who has triplet sons who are about to leave for Yale. He's struggling to find the money to pay for it when along comes seductress Beverly D'Angelo, who wishes to take out a large life insurance policy on her dying husband (Peter Falk). She convinces Arkin to help push through the policy in exchange for a cut of the pay-off. Charles Durning plays a wily insurance investigator who knows something fishy is afoot.

If this plot sounds familiar, this was meant as a take-off on Double Indemnity, although the second half goes off in a completely different direction. Columbia Pictures, which released this, ran into copyright trouble with Universal over the Indemnity similarities. Nice bet that Universal wouldn't notice the similarities, since they seem clueless about most of their classic catalog, but not Indemnity - so famous that even the suits at Universal knew the plot.

This was the beginning of this film's troubles, as the title proved to be all too prophetic. Tensions on the set became unbearable, and Andrew Bergman quit the movie about halfway through filming, as well as his producing partner, resulting in this film having no credited producers. Falk contacted his old friend John Cassavetes, who reluctantly came onboard and directed the remainder of the film. In fact, this ended up being Cassavetes' final directing credit. This isn't very funny or very interesting, and the script problems are obvious fairly early on. The performers try, but they don't have much to work with. This was barely released to theaters.

And what did Universal pictures get in return for the Columbia rehash of Double Indemnity? Columbia gave Universal an unused script they found inane and unworkable - a script titled "Back To the Future".

This is a demanding comedy, because much of the humor depends on references to classic films, and will be lost to someone who is not familiar with them. It does have many incredibly funny scenes on its own right, and some great performance bits.

Plus Beverly D'Angelo is gorgeous and very funny both.

See some later reviews for relevent films, and consider seeing the referenced films first to appreciate the humor more. Without understanding the references and parodies of this film-maker's comedy though, it might be confusing.

Also consider seeing some of Cassavetes work first, to get an idea of what he is usually about. This film melds his own idosyncratic style with a more mainstream American comic style, but has the timing and structure of Godard film.

Big Trouble is a a reteaming of some of the acting same talent that made the incredibly funny The In-Laws. It is much more surrealistic and avant-garde, being directed by that greatest of American directors John Cassavetes. Like the films he himself scripted, it is more character than plot driven. Cassavetes is exploring something in this film; it is not a consistently drop-down funny flim like The In-Laws, nor is the action as suspenseful and spine-tingling, but it has some incredibly funny moments, including one of the funniest scenes ever put on film (try some sardine liquor). Not to be missed by Cassavetes fans or die-hard In-Laws fans who want more.

Someone looking for an easy to watch straight-ahead comedy or action/adventure film, however, might be disappointed.

This comedy according to Cineaste magazine was not directed by John Cassevettes but was lent his name after a young inexperienced director colleague of his fell into big...well, you know. This article went on to say that he was pretty grumpy on his deathbed knowing that this would be his last "credit". Well, that's a shame, because for a man who only made one comedy, a loopy one at that, this movie might have rounded out a legacy of angst, disillusionment and good old-fashioned middle-class American self-torture.

If that last labyrinthian sentence did nothing to sway you then consider this: the supporting actresses Beverly D'Angelo and Valerie Curtin are quite funny, too, enough to make this silly and completely unimportant take on one American's attempt to "send the boys to Yale" worth a watch. There is an unusual amount of improv in certain scenes that actually give the movie a satirical bite, hey folks,I heard on the radio yesterday that 60% of all Americans have $4500 of debt or more! Anyone who's lost sleep wondering "where will I get that kind of money?" will relate to Big Trouble.