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Sean Penn plays Brad Jr., an aimless young man in late-1970s rural Pennsylvania who gets into it with his mom's latest boyfriend, so he decides to move in with Dad (Christopher Walken) for awhile. Dad turns out to be the head of a gang of thieves, and will stop at nothing to keep from winding up back in jail, including having potential witnesses murdered.

Brad Jr. Doesn't like seeing people murdered, but doesn't figure out that not engaging in crime might be the solution, so when he and his friends try to carry off a heist and get caught, the prosecutor puts the pressure on him and his friends.

Based on a true story, this one is incredibly brutal, reminding me at times of Animal Kingdom (2010) and Badlands, the latter because Brad Jr. Falls in love with a 16-year-old girl (a young Mary Stuart Masterson) and tries to run away with her at one point. The movie also has small roles from a young Crispin Glover and Kiefer Sutherland among others, and introduced the Madonna (remember, Sean Penn was married to Madonna at the time) song "Live to Tell".

This movie is about criminals, but it is a more realistic portrayal than many of the more famous movies in which the action and characters are comically drawn (such as spaghetti crime movies), and the events, although never fully explained, have a ring of logic about them, and don't lose the viewer (such as the Godfather movies do). Walken portrays a very vicious criminal with a true criminal mind. Penn plays his son, who tries crime out for a living, and brings some of his friends into the business with him. Like all modern gangster movies, what they actually do is never explained, but the explanation of each person's part is better understood by the viewer than most movies of this genre. Walken is much like the criminal who really exists in our country. He can come across as fairly glib, but never hesitates to commit senseless acts of horror. He gives the excuse early on that he has some reason. The first real horrible act is murdering a man he claims is a snitch. But after a while, it is evident he just concocts these reasons to perform murders. As in real life, the criminals always find easy prey and then call such prey "snitches", in order to rationalize their actions. In real life, the real snitches are left alone and are feared by criminals, because a snitch is just someone who refuses to knuckle under. Meanwhile, the Walken character wipes out those most faithful to him. The most realistic movie of this genre in the last thirty years.

This raw look at small town hoods brutally exposes us to a portion of society rarely depicted in movies. Souped-up cars and small time heists are nothing new, but `At Close Range' is really more ‘The Godfather' than `Bonnie and Clyde'.

Disobedient kids, worthless mom, ineffective stepfather. Every day we hear tell of it on Montel, Jerry Springer, and Sally. Here, we see it, here we live it.

James Foley does his best work here, you might think it funny to call a film with a lot of 4x8 paneling and muscle shirts ‘stylish' but this film has its own distinctive style, in many ways reminding me of Michael Mann's very stylish `Thief'

Christopher Walken is nothing short of spectacular. Both the Penn brothers (Sean and Chris) do very strong turns as sons of this verrry badddd man.

Great story, powerful performances. All too real. Even a bit of a storybook ending doesn't tarnish this one.

A very good film that I recommend highly if you are in the right frame of mind to view truly evil subject matter. The acting by Walken, Penn, Penn and Masterson is brilliant. Espescially the last few minutes. Sean Penn's performance is my favourite acting moment of all time. Even writing this makes me take a deep exhale.

AT CLOSE RANGE (1986) *** Sean Penn, Christopher Walken, Mary Stuart Masterson, Chris Penn, Millie Perkins, Eileen Ryan, Tracey Walter, Crispin Glover, R.D. Call, J.C. Quinn, Candy Clark, David Strathairn, Jake Denzel, Stephen Geoffreys, Kiefer Sutherland. Excellent casting of Penn and Walken as son and father sharing two generations of crime with some modulated tense moments and violence perfectly calculated with a fine ensemble character actor cast. Walken is indelibly chilling. Excellent use of light and shadows in cinematographer Juan Ruiz Anchia's choices and excellently directed by James Foley.