IMDb-BEWERTUNG
5,1/10
503
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuHumanoid killer robots stalk a newspaperman who has knowledge of their existence. One of the robots is made to look like his girlfriend.Humanoid killer robots stalk a newspaperman who has knowledge of their existence. One of the robots is made to look like his girlfriend.Humanoid killer robots stalk a newspaperman who has knowledge of their existence. One of the robots is made to look like his girlfriend.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Primetime Emmy nominiert
- 1 Nominierung insgesamt
James R. Parkes
- Policeman
- (as James Parkes)
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I think this aired in 1986, on the old NBC Monday Night Movie, in the summer when it was usual to see lost TV pilots aired as movie-of-the-weeks. Told the tale of a newspaper reporter(Chapman) who has to miss a vacation(having won a "contest")with his girlfriend Angela, a scenario which, in the style it was filmed starts off very prosaic and normal until, as he narrates the entire film as a flashback, he finds her return plane had "gone off the radar" for 90 minutes, and returns, but delayed. He gets unnerved watching Angela speaking to a mysterious man in sunglasses,who seems to be watching the passengers leave the plane, asks who it was- and she denies having spoken to anyone. She is also unaware the plane was "delayed and missing". She begins acting strangely and having odd meetings with unknown people, and as the reporter begins to investigate things and ask more questions, she tries to kill him and he finds she's now a terminator-like robot(complete with the same kind of eye-tracking visuals from that film). Truly panicked he finds himself a wanted man, framed, and on the run with nothing more than the passenger list he got after dispatching the Angela robot. The only hint or clue we're ever given is one passenger who appears to be normal who claims "nothing went wrong on the flight, I slept, then felt a bump..and I had that awful nightmare.." . The reporter asks "What kind of nightmare?" and before she can say more, she's killed by another one of these robots. He finds out a little more, from another,older passenger who seems to be in charge of a localized group of these beings-he manages after a fight,to damage the mechanical brain and he begins talking incoherently about "Dynamitards...are the collective of Dymogeny" and how they intend to fully take over. We learn nothing else, other than he sets off,alone, in Fugtive-like fashion to find other normal passengers from the list-who were apparently checked off for termination-before the robots do. Obviously it was intended to be a series along the lines of Nowhere Man or The Fugitive, finding more clues along the way.
The film had some interesting "rock video" sequences,very much of the time-dissolves and used a perpetual "Los Angeles Sunset/Sunrise" for lighting. The use of Bowie's Ashes to Ashes and visual references to religious buildings and at one point, the hero seems to be standing in front of painted angel's wings, lead one to think these were possibly not aliens but something darker or even homegrown on earth.
The film had some interesting "rock video" sequences,very much of the time-dissolves and used a perpetual "Los Angeles Sunset/Sunrise" for lighting. The use of Bowie's Ashes to Ashes and visual references to religious buildings and at one point, the hero seems to be standing in front of painted angel's wings, lead one to think these were possibly not aliens but something darker or even homegrown on earth.
This movie was a series pilot that was not picked up by the network.
It was not bad, but parts of it were a bit corny as some have pointed out.
As for the Ashes to Ashes segment with the music, this was in the era of MTV back in the days when they actually aired music videos 24/7. This scene was sort of a music video within a movie. Since I liked the song, I didn't mind it.
The basic concept had and still has alot of potential. Considering most sci-fi today is largely rip offs of Star Trek, something like this would be a nice change of pace. There was a kind of creepiness to it that the androids were so lifelike that most people would never know who was real along with the mystery of who or what was really behind the replacement of humans.
I would have to rate it an 9/10 for concept, but 7/10 for execution. This might be an idea for the Sci-Fi channel to pick up now since they did not exist 15 years ago.
It was not bad, but parts of it were a bit corny as some have pointed out.
As for the Ashes to Ashes segment with the music, this was in the era of MTV back in the days when they actually aired music videos 24/7. This scene was sort of a music video within a movie. Since I liked the song, I didn't mind it.
The basic concept had and still has alot of potential. Considering most sci-fi today is largely rip offs of Star Trek, something like this would be a nice change of pace. There was a kind of creepiness to it that the androids were so lifelike that most people would never know who was real along with the mystery of who or what was really behind the replacement of humans.
I would have to rate it an 9/10 for concept, but 7/10 for execution. This might be an idea for the Sci-Fi channel to pick up now since they did not exist 15 years ago.
10duran007
I caught this on HBO back in 1989, and this was definitely meant to launch a television series. Mark Lindsay Chapman plays a reporter who discovers a plot by aliens/androids to begin a conquest of Earth. Unfortunately, he's branded a fugitive when he is caught killing one of the cyborgs who replaced his girlfriend. His trip takes him through California and Oregon, where he learned that while his girlfriend was replaced by an android, others that vanished with her on an airplane flight she was on are still human. The end had him on the run with a list containing the names of all people that were on the flight that his girlfriend was on in an effort to see just who from the flight could remember just what happened. Great premise, though a bit underbudgeted (what could one expect when it came to sci-fi on network tv back in 1986?), and there were many questions that were never resolved. Definitely should have been followed up, since we never learned if Chapman's girlfriend was alive (played by Catharine Mary Stuart) or how he would manage to convince the human race of the threats posed by the aliens. With today's budget, it'd be great to see 'Annihilator' retried. Nice mix of 'The Fugitive' and 'War Of The Worlds'.
Dated 1980's shlock, except for one brilliant throwaway scene near the end.
I wouldn't recommend buying the VHS, and pretty sure this never made it to DVD or Blu Ray, but with a little digging you can probably find it on YouTube. Be ready to skip forward to this scene (a little less than an hour and a half into the movie) if you don't find the movie watchable.
A momentary nice touch, completely unnecessary to the story or plot.
A malfunctioning android. The WAY it malfunctions is nothing short of genius!
It's only a couple of minutes, midway into the climax. I don't want to spoil with any more detail. All I can say is that 30-odd years later, it's every bit as good as I remember.
I wouldn't recommend buying the VHS, and pretty sure this never made it to DVD or Blu Ray, but with a little digging you can probably find it on YouTube. Be ready to skip forward to this scene (a little less than an hour and a half into the movie) if you don't find the movie watchable.
A momentary nice touch, completely unnecessary to the story or plot.
A malfunctioning android. The WAY it malfunctions is nothing short of genius!
It's only a couple of minutes, midway into the climax. I don't want to spoil with any more detail. All I can say is that 30-odd years later, it's every bit as good as I remember.
Wusstest du schon
- WissenswertesA TV series pilot that was not picked up by the network.
- VerbindungenFeatured in Svengoolie: Annihilator (1999)
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