Im Augenblick der Angst

Before the film even begins, a message is displayed on screen warning you about the possibility of hypnosis and dizziness etc. In my opinion, that's a great way to hype someone up. And with hype, disappointment usually follows. But not with Anguish, this was a really cool little flick.

The flick actually is pretty much two movies in one. I'll only describe the first story, since if I tell you about the second, it's kinda ruining it for you. The initial story follows a son who is being hypnotized and forced into murder by his mother, played by Zelda Rubinstein, the tiny lil paranormal investigator in Poltergeist. It's a pretty simple premise at first, but once the other story kicks in, the movie's tension and entertainment value is severely upped.

The direction and atmosphere is all fantastic, the only minor problems is the acting, it's pretty amateur to a degree. But there are also strong performances as well, the son/murderer did a really good job. And it's killing me trying to recall what I remember him from! And at under 90 minutes, the movie doesn't last too long. Poifect!

It's a rare lil horror flick that should definitely have more of a following. With a cool idea leading the way Anguish is one flick any fan of horror or of our beloved lil Zelda should without a doubt check out.

This creepy motion picture ingeniously realized exploring the hypnotic effects of cinema talks about a timid eye clinic intern (Michael Lerner, Omen 4) under the sway of his psychic and authoritarian mother (Zelda Rubinstein, Poltergeister). Hypnotized by swirling spirals and screechy bursts of gleaming wails, the ominous son packs up his surgical tool set and goes out a rampage . Our hapless soon-to-be victims arrive for a view a horror flick only to watch the gore unfold in the audience as well as on screen in which are showing the silent film titled ¨The lost world¨ and ¨ The mummy¨ . As a group of viewers are killed in the form of a screening of a horror movie that brings naturalism to life. As the terror picture shown to the audience gets more and more violent. The spectators (Talia Paul, Clara Pastor) see Lerner carving eyes on screen while a psycho-killer (Angel Jove) obsessed with the movie unleashes his own criminal spree on the unsuspecting spectators and he attacks anyone who crosses her way and soon the place is filled with people killed. The survivors trapped in the theater must fend off attacks of the murderers. At the ending the remaining public start the desperate battle for their lives and eventually, the theatre turns a walled-in trap. Soon it becomes clear that the parallel arguments gather together in deadly synchronization.

The picture is full of suspense,thrills, mystery, and lots of blood and gore .This slick gore-feast is a triumph of style over movie logic. It's packed with overwhelming body count, excessive gore, grotesque killing, and rivers of red blood. This is one of the most original utilization of the movie-within-a-movie with terror argument, such as formerly made Lambert Bava in ¨Demons¨(1985). The picture is smartly designed ,stylishly photographed filming in Barcelona by Civit and with a suspenseful musical score by Pagan . Bigas Luna delivers the terror movie goods with sense of style. He's an expert on murky atmosphere such as proved in ¨Caniche¨, ¨Bilbao¨ and ¨Reborn¨. The picture will appeal to horror buffs and Bigas Luna fans.

A demented mother telepathically directs her middle-aged son on bloody missions of revenge.And when he's finished murdering his victims,he gouges their eyes out and adds them to the bizarre family collection.But that's only a movie:The real horror is in the cinema where the audience watching this terrifying vision is being murdered one by one."Angustia" is a pretty bizarre Spanish horror film.The concept is certainly interesting and the director J.J.Bigas Luna perfectly mixes the line between the reality and the fantasy world of film.The acting is first-rate and there is plenty of gore and tension to satisfy fans of slasher films.The film is relatively unknown,but if you get a chance watch it.Highly recommended.8 out of 10.

While the movie was a disappointment, I (like many viewers I'm sure) was stunned by the cameo of the young actor, John Shelly, who played Patti's father. While he was only in the film for about 15 seconds, WHAT AN AMAZING 15 SECONDS IT WAS! Mr. Shelly (no relation to me - my name has an e before the y) in his all too brief moments on the screen indeed ran the gamut of emotions, from a deep brooding, DeNiro-like pathos (though DeNiro pales in comparison) at the thought of his daughter's near brush with psychopathic mayhem, to a charming whimsicality (a devilish smile reminiscent of Gable) when he realized she was in safe hands with the doctor, lacklusterly played by a journeyman actor who beat out Mr. Shelley for the part - no doubt due to directorial malfeasance - AND ALL THIS RELAYED TO THE AUDIENCE MERELY BY HIS REPEATED BLINKING. Through research I have discovered, to my endless bewilderment, that Mr. Shelly did not pursue his acting career, this despite a clamor from Hollywood and the repeated pleas of Copolla, Scorcese, Spielburg, and an endless parade of agents and stars (Meryl Streep apparently camped outside his door for a week before he could get a restraining order). Who can fathom what personal demon made him turn his back on this God-given gift, but the movie-going public has been denied a great star, one who could have brought the peoples of the world together in a ringing affirmation of their common humanity. God Bless You, Mr. Shelley, wherever you are!

This movie reminded me of many others at some points but at the same time seemed original. It was fun to watch and even though there was a lot of gore, I could stand it since I was so puzzled by the exact plot and motives. The movie inside of a movie plot worked wonders here and the appearances of Zelda Rubinstein made me want to give this an 8, since they made the characters seem as though twirling their hair would take too much intelligence.