Feivel, der Mauswanderer

I was introduced to An American Tail after perpetually reading the 'book' of the second film, Feivel Goes West. I can't say which one I enjoyed more although at the time, I think I was seven, but this one I understood a lot better.

The sweet-hearted tale of a family of Russian mouse emigrants who travel to America, the 'land of opportunity' but on their way lose their son, really manages to perk up your day. It has all the classic elements of a family flick: great characters, wonderful score and songs, and of course a happy ending (You can't say you didn't expect that).

In some ways it's meant to be almost a satire, a parallel story of many Russian immigrant families who flee to America from the Cossacks: there is actually a scene in the beginning involving the ransacking of a Russian village by Cossacks, aided of course, as most history books conveniently omit, by their vicious slavering cats who destroy the mouse population. This satire is slightly lost once they reach America, but the simple plot of the mouse boy trying to find his family again works very well. It's quite frustrating at times as we see how close they all come to running into each other; a split second here and a well-timed door slamming there, and it could have been all over in thirty minutes of screen time. But where would be the movie in that?

Lastly, the voice cast does a great job. While I personally think the sequel had a better cast, An American Tail boasts some fine names as well - Dom DeLuise and Nehemiah Persoff who also did the sequel, Christopher Plummer, and Madeline Kahn all combine for a great effect. It's not necessary to see this to also see the sequel but it definitely deserves to be watched. Touching, light-hearted and with one of the most beautiful theme songs you will ever hear, it's a winner. ***1/2 / *****

I remember seeing American Tail when I was very little, and I loved it. I always felt sad for Fievel when he was away from his parents, and at the time, I never knew that they were always very near him. I thought that they were always far away from him like he thought. Not too long ago, I bought this movie and watched it again...for the first time in years. I'm 17 and I still love the movie. It's the ultimate animated movie when it comes to being gentle, heart warming, and full of good heart. And the film is such a wonder to behold, even after all these years. Despite another sequel and one (or was that 2?) (one was made in 1999 and it's coming soon to video?) direct to video movies. Out of the three I've seen, this one is still the best, and it's among my favorite animated movies of all time

Don't take me wrong: although An American Tail is a wonderful film, the old Disney classics are not the ones I'm talking about in the summary. I'm talking about the over-commercialized crap we get these days. Don Bluth's second animated feature is again about mice, like Secret of NIMH. I think NIMH was better, though not by much. The songs are pretty good, although not like some Disney songs. The animation, however, is simply gorgeous. I can't believe people dismiss it as poorly animated just because the colors aren't bright! The colors are dark and moody, as they should be, An American Tail--nor any of Bluth's films--were ever supposed to look like Rayman. If you want to see Bluth with bright colors, glance at some cheery scenes from A Troll in Central Park. I find the way Fievel and his family miss each other by inches frustrating, though. In fact, I was surprised Fievel and Tanya couldn't hear each other as they sang "Somewhere Out There". A simply beautiful film, a must for anyone who looks for variation in the field of animation, but infuriating for anyone who thinks the scope of animation should be restricted to Disney.

"An American Tail" was Don Bluth's second animated feature since leaving Disney, and, in my opinion, it is his best. It's got the most heart out of all of his movies. It's got the Oscar-nominated song "Somewhere Out There" and the main character of Fievel. This character just warms my heart and I can easily feel for him. Don Bluth has made only three very good animated features: this movie, "The Secret of NIMH", and "The Land Before Time". But "An American Tail" tops them both. No matter how predictable or sentimental the story is, I always get caught up in it. The sequel was good, but it was more like a fast-paced western comedy with some one-liners and such sight gags. The original is the better film in my opinion. Only complaint: one too many chase scenes with Fievel and other mice running from cats.

I agree that the standards set by Walt and his animators are the only ones that matter when it comes to judging animated films, and I had trouble accepting this to, but there are OTHER ANIMATION COMPANIES!! No one would dare describe "Shrek" (which sucked) as a Disney movie, so let's leave Don Bluth alone, okay?

Having said that, this movie is absolutely wonderful. A heartwarming story, beautiful songs (including the now standard "Somewhere Out There") great performances and the animation is stellar. Much darker and grittier than any story Disney would even dream of making, it revolves around an immigrant mouse named Fievel, whose family comes to America to escape oppression ("In America," says Poppa, "There are no cats."). Fievel learns the hard way that America has its problems, too.

In my opinion, this movie is worth seeing solely for Dom DeLuise's characterization of the soft-hearted alley cat Tiger. All in all, this is probably the best Don Bluth has ever made.