4 Abenteuer von Reinette und Mirabelle

The more Rohmer I see, the greater my appreciation and love grows for him. Four Adventures of Reinette and Mirabelle is a wonderful film about a Parisian girl and a girl from the country who meet, become friends, and then move in together in an apartment in Paris. The film consists of little more than the two girls living their lives, sharing their philosophies, and acting on those philosophies. The two lead performances, by Joelle Miquel (Reinette) and Jessica Forde (Mirabelle) are outstanding. And then there are a lot of colorful - but not too colorful - side characters in the four tales, like the extraordinarily rude waiter (Philippe Laudenbach) and the art dealer (Fabrice Luchini, the star of my favorite Rohmer film, the incomparably unique Perceval le gallois). This is a film for people who love people, their thoughts, and their talk. 10/10.

Reinette and Mirabelle are two young women. Reinette lives in the countryside, Mirabelle in Paris. They meet during a holiday of Mirabelle in the country, when Reinette helps her to repair the tube of her bicycle and shows her the beauties of nature and in particular the 'blue hour'.

This is the classic meeting of the "city mouse" and the "country mouse". While the country mouse knows such things as how to cook and fix bicycles, she does not concern herself with such high-minded concepts as "ethnology". In her domain, she is the queen.

But we also see stories here where it pays to be a smart city mouse... through deception and cunning, you can get what you want in ways the innocent, sincere person never can. The interactions with both the waiter and the art dealer are just so good and really make this film a treasure.

4 aventures de Reinette et Mirabelle (1987) was written and directed by Éric Rohmer. Rohmer had some down time while directing the film Le Rayon vert, and used that time to make this interesting movie.

Joëlle Miquel plays Reinette, who is spending the summer in an isolated cottage near her rural home . Jessica Forde portrays Mirabelle, a Parisian who is vacationing in the area for the summer. The two women become friends. In the Fall, they share an apartment in Paris, where Reinette attends art school, and Mirabelle attends the Sorbonne.

Rohmer has divided the movie into four parts. The first part is when the two women meet. The other three parts are incidents that occur to one or both of them.

As in all of Rohmer's films, dialog is the very important. The women talk and argue throughout the film. Unlike many of Rohmer's films, things happen to them and those things are the basis of their discussions. (Usually, his characters just talk about relationships.)

The events include encounters with a shoplifter, a rude waiter, homeless people, and the owner of an art gallery.

The film is colorful, interesting, and easy to watch. It's not a masterpiece, but it's worth finding and watching. 4 aventures has a solid IMDb rating of 7.5. I thought it was even better then that, and rated it 9.

Do you like experimental films? Do you like films that are amusing and curious to watch, but, not very particular to have a well made star to end story? Then, this film is for you. It's a story about two girls in 4 sections. Interesting movie, and I liked it.

Adventure one sees townie Mirabelle, who has never really had cause to take time to observe nature, experience a series of minor revelations about country life. Experiences that, curiously, she doesn't seem to carry back home into the Parisian episodes. Indeed the first episode feels like a film-apart, largely because it's not referred back to. The remaining adventures concern how Reinette's fixed ideas cause her headaches in the city. While it's easy to have a set of unwaivering morals and manners living a more solitary life in the country, it's not as easy in 'the big smoke'. Discovering Parisians have a much more fluid moral compass causes Reinette horror and the viewer a degree of amusement. Indeed Episode Two is Rohmer doing, of all things, broad comedy - complete with a Fawlty-esque waiter. The director also diverts from his well-trodden path with the absence of romance from this movie (accordingly the film storms through the Bechdel test). I also loved the fact there also isn't the shadow of parental influence, the church or a peer group which sometimes operate, with varying degrees of success, in Rohmer's work. The girls really only have each other as a soundboard and that makes the new friendship between these unlikely flatmates all the more engaging.