Der singende Detektiv

Although my comments could belong under the 2003 film version, I choose rather to make the comparison here because the film, more than anything else, gives reinforcement to the view that there are reasons this original miniseries is 6 hours long.

In the original, there really isn't a wasted minute of it's 6-hour running time. The complexity of this man's situation requires that the story reveals several different conflicts in his life simultaneously, and how they relate and resolve through psychiatry, The Singing Detective writing, his relationships (past and present), and the music that had become so important in his life. For the film version, because most of this can't be explored in such a short amount of time, most of these elements aren't included. As a result, the film is light and detached... and forgettable.

Apart from that. as another reviewer here pointed out, the acting and casting is MUCH MUCH better in this original despite the lack of famous handsome Hollywood faces (the 2003 film features Mel Gibson sporting a bald head piece to look like a 'nerdy' psychiatrist!).

I'm not an easy critic, but this version is in my top five of all time (movies, not TV- it feels more like a movie that TV to me). 10 of 10

A search of the comments on "The Singing Detective" turned up only one mention of Lyndon Davies, who played Philip Marlow aged 10. His performance of this really central character was truly remarkable, and it was essential to establishing the basis for the adult Marlow's problems.

It is amazing that a 10-year-old could play the part, which required, among other things, mastering the country dialect, and showing emotional states so convincingly. Probably John Amiel's direction was an important factor in Lyndon's performance -- as well as that of the other children -- but it was really up to Lyndon's talent to bring it off.

Thanks, Lyndon Davies!

The Singing Detective is one of those great works that inspire something deep within the viewer, leaving them both shaken and elated by the spectacle they have just witnessed. Few cinematic works can inspire such a feeling, let alone a work for television; and it is this sense of genius that elevates this work above the comparatively "okay" likes of say, Cracker, Brideshead Revisited, and Prime Suspect et al. This is down to the fact that The Singing Detective is a work far greater than anything else; a microcosm of life, love, anger, defeat, consciousness and the sub-conscious. It deals with the intricate realms of fantasy and reality, the written, the understood and the real. If this sounds complicated then we're on the right track, because this is one of Dennis Potter's most detailed narrative constructs. The story chronicles a writer's decent into personal hell, as well as a decent into a book being written in his own imagination and a book written many years before; with his past, present and future all jostling for our attention throughout the epic, six-hours-plus running-time.

It is a testament to Potter's ability as a screenwriter that the whole thing zips along so quickly, with the multi-layered story never pausing for a moment; constantly being carried along at every step by the combined genius of Potter's characters, the skillful and visually rich direction of Jon Amiel and that towering central performance from the brilliant Michael Gambon. The writing is truly ecstatic, with Potter obviously relishing every chance he gets to play with both the musical and detective-movie clichés - bringing to mind both Casablanca and Potter's own-classic Pennies From Heaven - whilst the dialog of Gambon's inner-monologues have more in common with the profane poetry of 60's playwrights that anything you'd expect to hear on BBC 2. The story also has obvious political overtones, with Potter using the hospital setting of the present sequences to double as an allegory of 80's Britain under the tyrannical leadership of Margaret Thatcher (bringing to mind the Elvis Costello song Tramp the Dirt Down and those other hospital set political parables, One Flew Over the Cuckoo's Nest and Britannia Hospital).

The story is also somewhat semi-autobiographical from Potter's point of view, with the writer, at this point in time, suffering from the same psoriatic-arthritis that Gambon's character Marlow has (creating that devastating, iconic image of the paralytic Marlow languishing half-naked in bed, being greased by a young Joanne Whally). There are also the much deeper autobiographical aspects with the young Marlow's childhood in the shady and evergreen Forest of Dean, in which the pastoral setting gives way to some truly shocking moments; recalling similar childhood traumas from such diverse examples as Iain Bank's Complicity and Rob Reiner's film Stand by Me. However, within this mire of bitterness, surrealism, bouts of lip-synced cabaret and phantasmagorical shoot-outs, there is also a great deal of humour. Anyone who has seen one of Potter's early TV plays or, for that matter, later classics like Karaoke and Cold Lazarus will know of his depth and range as both a humorist and a satirist; and it is this darkly acerbic wit that underlines the central narrative strands of The Singing Detective.

Some would argue that this is the best that television has to offer, though I would politely disagree. The Singing Detective is a work of art too good to be considered simply for television. Now, thanks to the magic of DVD we have the chance to experience Potter's classic in its definitive unabridged, unedited, uninterrupted from. A truly great piece of work.

The BBC television production of "The Singing Detective" caused a huge stir when it was first broadcast back in 1986, and now it is commonly acknowledged as a classic.

Hospitalised by a severe case of psoriasis, crime novelist Philip E Marlow, escapes the grim realities of ward life into a rich inner world where he imagines himself as the "singing detective", hero of his own novels. From these fantasies he drifts to memories of his grim childhood during World War Two, and paranoid fantasies about his estranged wife.

The script, by celebrated writer Dennis Potter, is truly remarkable. The acting is good, especially from Michael Gambon (as Philip Marlow) who is perfect in a very difficult role.

The series lasts nearly seven hours and yet never fails to entertain. The series has a rich vain of dark humour and features some hilariously surreal song-and-dance sequences.

This is a true masterpiece and, very possibly, the best TV series ever made. Don't miss any opportunity to catch it.

"The Singing Detective" very well may be the best thing done on television. Gambon is outstanding as the lead role, Marlow; he takes command of the performance so that you the viewer see Gambon as Phillip. The story is so rich and detailed with psychological questions that Marlow reflects on from his hospital bed; as you see him find resolutions to his questions, his skin condition becomes better. In the flashbacks, as he has more problems, it becomes worse. This is just one of many predicaments that Marlow faces throughout his time in his life. The story asks psychological questions about childhood, humans as sexual beings, the existence of God, and the healing (and destroying) powers of the mind. "The Singing Detective" is a quite cerebral and a brilliant show. SEEK THIS SERIES OUT and treasure it!