IMDb-BEWERTUNG
7,4/10
1030
IHRE BEWERTUNG
"Ray", ein geheimnisvoller Mann, holt Menschen aus Schwierigkeiten heraus und bittet im Gegenzug um Gefälligkeiten."Ray", ein geheimnisvoller Mann, holt Menschen aus Schwierigkeiten heraus und bittet im Gegenzug um Gefälligkeiten."Ray", ein geheimnisvoller Mann, holt Menschen aus Schwierigkeiten heraus und bittet im Gegenzug um Gefälligkeiten.
- 1 Primetime Emmy gewonnen
- 1 Gewinn & 1 Nominierung insgesamt
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I always liked the show and it was far better than all the other hits of that decade, like Knight Rider, A-Team or ... Simon&Simon. Correct me if I`m wrong, but ... isn`t Stingray somekind of ... the original PRETENDER? Think about it.
As a previous commenter stated I'd agree with the following:
Was disappointed when it was canceled, would have like to see a few more seasons but we know how the 80's were.....shallow characters (somewhat kidding here....don't let the flame-wars begin).
Good day all.
- Better than other shows of that era: A-team, Knight Rider, etc. Deeper plots and better characters. - The original pretender. The main character, Ray, took on the 'role' of a character and would try to fix wrongs. One particular show (if memory recalls correctly) he became a surgeon...pretty good stuff.
Was disappointed when it was canceled, would have like to see a few more seasons but we know how the 80's were.....shallow characters (somewhat kidding here....don't let the flame-wars begin).
Good day all.
One of the things I admired about the show was the quality of the scripts. Not only did the plots vary considerably as to genre (mystery, science fiction, crime drama, psychological drama) but there appeared to be a concerted effort to explore different writing styles and devices.
For example: I recall one episode that was a 'Mission Impossible'-style caper with a unique twist-- the first half of the show was how the caper was SUPPOSED to come off, while the second half was how disastrously wrong it (nearly) turned out. Another show featured a mystery writer who appeared to write what was happening to Ray as it was happening-- that Ray's actions and the plot were under the writer's control, not Ray's.
For example: I recall one episode that was a 'Mission Impossible'-style caper with a unique twist-- the first half of the show was how the caper was SUPPOSED to come off, while the second half was how disastrously wrong it (nearly) turned out. Another show featured a mystery writer who appeared to write what was happening to Ray as it was happening-- that Ray's actions and the plot were under the writer's control, not Ray's.
This series illustrates the point that making a better product does not always guarantee success as the adage about the mousetrap goes. At least not in the world of 80's network TV. This show had excellent directing, acting, cinematography, writing, sets, and the coolest car on the airways. Sadly, due to fumbled advertising and a roving time slot, it just didn't make it. Or maybe audiences at the time just weren't ready for Stingray's intelligent and edgy direction and so passed it up for more down-to-Earth offerings. Whatever the reason for it's downfall, there were a lot of people hooked on the show. Many of my classmates liked it and each week's episode was the buzz of the school. Perhaps the Nielsen ratings messed up the numbers or maybe it just didn't sit well with the disposable income demographic.
I personally think this is a candidate for a DVD release and possible re-discovery. It was my favorite show when it was on the air
I personally think this is a candidate for a DVD release and possible re-discovery. It was my favorite show when it was on the air
This was one of my favorite shows. I guess I like stories in which the good guy always makes the "clever" bad guys look like idiots and still make it believable. But then, I'm very easily fooled and was more so when I was 25 and this show was new. Nick Mancuso was convincing and the co-stars were always experienced actors such as Robert Vaughn.
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- Wissenswertes"Stingray's" real name and actual occupation are never revealed in any of the installments; throughout the series, any attempt any other character makes, in any installment, to track down his identity inevitably and invariably leads in the wrong direction and/or to a dead end.
- PatzerThe Corvette used in this show is a black 1965 Corvette Sting Ray, but the script for the show title more closely resembles that for a 1968-1975 Corvette Stingray. Since there's Corvette is a 1965, there should be a space between Sting and Ray, and the R should be capitalized.
- Crazy CreditsThe end credits were played over behind-the-scenes photos of the making of that week's episode
- VerbindungenFollows Stingray - Mendosas Rache (1985)
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