Die Wiederkehr von Sherlock Holmes

The Return of Sherlock Holmes is an absolutely superb series; I would say flawless. Everything is so good, I really can't bring myself to criticise it in any way. As for the episodes, they are all superbly adapted, and all of them are of exceptional quality. Can't really decide on a firm favourite, but a definitive standout is The Devil's Foot.

The production values in this series are wonderful. The remarkably fine camera work, perfectly captures the always splendid scenery and lovingly designed(if not too fancy) costumes. The music is brilliant, the theme tune is both beautiful and haunting, and the accompanying incidental music never fails to be richly scored. The scripts never fail to bring sophistication and class to the series.

What is really worth of note is the quality of the acting. Jeremy Brett, no matter how good Basil Rathbone, Peter Cushing and Ian Richardson were, is by far the definitive interpretation of Sherlock Holmes, whom along with Morse and Poirot is one of the greatest fictional detectives ever, and it is all to Arthur Conan Doyle's credit. Brett had a gritty baritone to his voice, towering presence in front of the camera work and a certain generosity about him, that made him unsurpassed as the best Holmes. Edward Hardwicke gives an intelligent performance as Dr Watson, and there are memorable supporting turns by other great actors.

The Return of Sherlock Holmes does benefit in general by the faithfulness to the source materials. Yes, I know they toned down Holmes's cocaine addiction, but with everything else as good as they are, I am always obliged to overlook. A truly superb series, with one of the easiest 10/10s I have made recently. Bethany Cox

This is a must see for Sherlockians and uninitiated alike. 'The Return of Sherlock Holmes', (as with the 'Adventures'), contain some of the best episodes of the Granada TV series. The writers stick closely to the stories of Arthur Conan Doyle and when they do depart there is good dramatic reason. Jeremy Brett continues to dazzle as Sherlock Holmes despite difficulties in his private life at this time, and Edward Hardwicke's Watson (incidentally, whose father Sir Cedric Hardwicke played Holmes once upon a time) is just as intelligent and warm as his predecessor David Burke in the 'Adventures'. Yes, Watson IS intelligent, contrary to very unfair previous portrayals. Hardwicke's style is more naturalistic and perfectly complements Brett's expansive theatrics.

The lively 221b Baker Street set is a delight, and the music must be given special mention, as it is excellent. Patrick Gowers takes the Baker Street theme and embellishes and embroiders it to suit the mood and tone of each episode. He is able to vary it from choral to Renaissance to concerto style effortlessly. The supporting cast is usually strong, though sometimes there will be the odd one who overdoes it a bit. But you cannot accuse anyone involved in these productions with half-heartiness.

Cracks only begin to show in the last few episodes of the series from 'The Devil's Foot' onwards, filmed after Brett experienced a mental breakdown. He seems to lose some of his energy and lustre, but the effect is that of an older, wiser and more compassionate version of the Great Detective, who is so often described as being cold.

All in all, I highly recommend this series; you will never see such a happy combination of good screenplay, music, costumes, set design and of course excellent actors in the same production of the adventures of the elusive Sherlock Holmes.

The Return of Sherlock Holmes continues the excellence of the original series. Jeremy Brett (Jeremy Huggins) is quite clearly the best Sherlock ever. These films are superbly done, the acting is uniformly excellent, and what I enjoy most of all is the meticulous attention to detail in all of these productions. They all have the feeling of the 1890's, I feel like I am transported back in time. I have purchased or recorded all of these videos, and and have viewed them regularly over the past 15 years. They are so well done, one never gets tired of seeing them. If you are a fan of Conan Doyle or if you are just looking for fine entertainment, you can't miss with these films.

In this Granada TV Series, Jeremy Brett presented us with, in my view, the definitive portrayal of Sherlock Holmes. The attention to detail was superb with an interpretation far closer to Sir Arthur Conan Doyle's creation than previously shown on film by the deerstalkered Basil Rathbone et al. Jeremy Brett's wild, haunted and melancholy performance of the second series in 1985 was, by his own admission, heavily influenced through the personal tragedy of the loss of his wife to cancer. He adapted the role somewhat for the return series and managed to introduce some levity, even though he found it difficult to play a character who was all mind and no heart.

David Burke and his successor Edward Hardwicke (who took on the role in the third series: `The Return of Sherlock Holmes') both gave intelligent performances as Dr John Watson. Jeremy Brett and Edward Hardwicke made an exceptionally good team and brought the relationship alive with a believable friendship more than any previous characterisations had done.

The series combined fine period detail and atmosphere to create a very credible late 19th century London, and the dialogue replicated the novels fairly closely although production necessities altered some aspects of the stories.

However, the Granada TV series' storyline adaptations and format may have removed some of the exploration into the incisive detective skills of Conan Doyle's Sherlock Holmes, and the series became sanitised with the playing down of both of Holmes' addictions to cocaine and atrocious violin scratching.

The problem may lie in actually dramatising the novels, as Jeremy Brett observed, they are better read, and he described performing the action of crawling through the bracken like a golden retriever as `hysterically funny'. The concept of the images being better seen in the mind's eye would explain why the excellent BBC radio productions of the 1990's with Clive Merrison and Michael Williams worked so well.

The choice of guest actors was consistently of a high standard and I remember ‘The Abbey Grange' in particular as it provided a personal treat to see Anne Louise Lambert (Picnic at Hanging Rock) display her unique talents in a sadly all too rare role for her. Congratulations are due to the director (Peter Hammond) on an inspired piece of casting.

The exclusive video rights in the UK for the Granada TV series have passed from VCI to Britannia Music so that membership is necessary to obtain copies of the videos in PAL format.

Jeremy Brett was my generation's Sherlock Holmes, the way Michael Praed is my generation's Robin Hood.

Both series have been done before (and since), but never better. The only series that comes close is the pre-Holmes/true life version of Arthur Conan Doyle's apprenticeship at the feet of the brilliant dr. Bell, called "Murder Rooms".

Jeremy Brett is excellent as the cultured, sensitive (gay?) king of detectives. Australian actors David Burke, and later on Edward Hardwicke (in the follow-up to this series "The Return Of Sherlock Holmes", also with Jeremy Brett) hold their own as the experienced everyman versions that are really Arthur Conan Doyle himself.

Highly recommended.