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Bread

  • Fernsehserie
  • 1986–1991
  • 30 Min.
IMDb-BEWERTUNG
6,3/10
1625
IHRE BEWERTUNG
Jean Boht, Nick Conway, Ronald Forfar, Peter Howitt, Victor McGuire, and Jonathon Morris in Bread (1986)
SitcomKomödie

Füge eine Handlung in deiner Sprache hinzuThe series set in working-class Liverpool. Meet the Boswells: they're penniless, jobless and with little hope of things improving, but life's never stale.The series set in working-class Liverpool. Meet the Boswells: they're penniless, jobless and with little hope of things improving, but life's never stale.The series set in working-class Liverpool. Meet the Boswells: they're penniless, jobless and with little hope of things improving, but life's never stale.

  • Stoffentwicklung
    • Carla Lane
  • Hauptbesetzung
    • Jean Boht
    • Nick Conway
    • Jonathon Morris
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    1625
    IHRE BEWERTUNG
    • Stoffentwicklung
      • Carla Lane
    • Hauptbesetzung
      • Jean Boht
      • Nick Conway
      • Jonathon Morris
    • 23Benutzerrezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Nominiert für 2 BAFTA Awards
      • 1 Gewinn & 2 Nominierungen insgesamt

    Episoden74

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    Fotos30

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    Topbesetzung99+

    Ändern
    Jean Boht
    • Nellie Boswell
    • 1986–1991
    Nick Conway
    • Billy Boswell
    • 1986–1991
    Jonathon Morris
    Jonathon Morris
    • Adrian Boswell
    • 1986–1991
    Kenneth Waller
    Kenneth Waller
    • Grandad
    • 1986–1991
    Ronald Forfar
    • Freddie Boswell…
    • 1986–1990
    Victor McGuire
    Victor McGuire
    • Jack Boswell
    • 1986–1991
    Giles Watling
    • Oswald
    • 1988–1991
    Bryan Murray
    • Shifty Boswell
    • 1988–1991
    Eileen Pollock
    • Lilo Lill
    • 1987–1991
    Hilary Crowson
    • Julie
    • 1987–1989
    Peter Howitt
    Peter Howitt
    • Joey Boswell
    • 1986–1988
    Gilly Coman
    • Aveline Boswell
    • 1986–1988
    Pamela Power
    • Martina…
    • 1986–1991
    Graham Bickley
    • Joey Boswell
    • 1989–1991
    Melanie Hill
    Melanie Hill
    • Aveline Boswell
    • 1989–1991
    Peter Byrne
    • Derek
    • 1988–1991
    Deborah Grant
    Deborah Grant
    • Leonora Campbell
    • 1990–1991
    Joanna Phillips-Lane
    • Roxy
    • 1987–1991
    • Stoffentwicklung
      • Carla Lane
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen23

    6,31.6K
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    Empfohlene Bewertungen

    richiewales2001

    Learning to live the Scouse way

    Set in Liverpool in the 198o's at the time of high unemployment, Thatcherism and the miner strikes, through to the 1990's. The Boswell household was run by matriarch Nelly, a strict Roman Catholic family and Nelly always found salvation in the Church. Every mealtime she passed round a china hen in which they all put money. Sometimes we got to see Freddy, Nellie's ex-husband, who lives in a caravan with his girlfriend Lilo Lil, a big chested Irish woman with flame red hair, short skirts and a little fur jacket and high heel shoes and an equal fiery temperament to match.

    Every episode had some crisis which the whole family would resolve around the dinner table, and a prayer or two would be said.

    Money matters would be solved by going to the local DSS office, where they were met by the fiery, ice hearted DSS lady. The family claimed every single penny they were entitled and more if they could. And they worked on the side too to bring in extra cash
    7alleywayambush

    Humour of Moderate Wit, But a BRILLIANT CATCHY THEME TUNE !

    I mildly remember this as a pre-teen in the early 90's; I guess I'd sit though it habitually (as you did !) and was too young to understand the socio-cultural setting and subsequent humour to reflect Scousers in Thatcher's Britain. I bought this from CEX a couple of days ago; the 1st time I've seen it in about 30 years ! Oh the nostalgia !

    The humour is moderately funny - if a tad mediocre. Sure, the squalor and hardships of a struggling large working-class Catholic family all living in a small terraced house on a Liverpool hill street is all summarized through good old English comedy; sure, this show probably helped the '1 in 10' in Thatcher's Britain to laugh off everyday hardships and deprivation !

    The most memorable thing about this show has to be that catchy, vibrant, totally kitsch and completely classic theme tune, supposedly sung by the main cast. (it's the 1 thing I do remember of this show back in the day !)

    All in all, I'll give it a fair 7/10 for being (moderately) funny, a good satirical send-up of the decade and of course the brilliant theme tune !
    JokerSwan

    Fond memories

    I have fond memories of this show. It ran in Finland when I was 11-12 (in 1990-1992), and I fell in love with Joey Boswell. I would never miss an episode. I thought it was so much fun, especially every time the family drove to solve some problem: first Joey's Jaguar, then Jack's van, then Adrian's motorbike and Billy's old broken Beetle...There was always one empty chair at the end of the table, and I imagined myself sitting there as the youngest daughter of the family. I remember the catchphrases - "I'm not ready for all this!", "She's a tart!" (which my grandmother disapproved of), "Greetings!"... Adrian's poem "Granny's Bucket" and another one that went something like "If you were dead, I'd go to all the places we were together and cry.. But you're alive. And I hate you." I learned many English words from this show, including "greetings", "tart", and "retaliate".

    I remember being heartbroken when Joey's actor was changed. My idol was the original Joey, Peter Howitt. I also hated the new Aveline and felt the show was never the same after the change of these actors. I don't know which season that was, but apparently I'm not the only one who thinks the show went on too long. I can't believe Carla Lane blames the fans for abandoning the show - I would assume that repetitive scripts and characters that never evolve wouldn't keep the fans' interest on for very long. I used to think the unchanging nature of the show and the stay-at-home grown up kids were safe and positive, but as a grown up viewer I might get tired of them.

    I haven't watched Bread in 14 years, and I'm not sure if I'd like to see it again and spoil the memory. For one thing, at age 11, I missed out on all the irony and subtext. A lot of the things I admired, like Joey's dedication to his family, might seem negative now. My mother, a social worker, thought the characters were offensive for their blatant abuse of the social security system. She thought that their real life counterparts would be very unhappy and pitiful, not someone to laugh at. I was mad at her at the time, but I can see her point now - the show made fun of unemployed people and presented them as lazy abusers of the system. The humor that made an 11-year-old laugh might seem tedious and repetitive to an adult. I don't think "she is a tart" would amuse me now.

    For me, this show is best left unspoiled. It was very important to me once, and I'll always have those memories. A part of me will always live on Kelsall Street.
    Big Movie Fan

    Okay But Dragged On For Too Long

    In it's heydey Bread was a decent comedy about the Boswell family-a Catholic family living in Liverpool. Nellie Boswell held the largely unemployed family together during the series as they got up to all sorts.

    Living down the road from the Boswells was Granddad who was an irascible old man who kept bothering them every five minutes. He added to the humour.

    The only problem was that Bread ran longer than it should have. A lot of comedy shows outstay their welcome and Bread was one of them. It ran until the early 1990's but by that time most people-including myself-were fed up with it. Comedy shows should only have a limited run and Bread chose to go on for longer than it should have.

    But in all fairness, the early episodes were very funny and do deserve a look.
    Virgil-14

    80's Liverpudlian comedy

    Comedy set in a Liverpool household, about a family that scrimp and scrape to earn a living. The moral of the story is they sit around the dinner table arguing. Ron Forfar who plays the Dad, Freddie Boswell is a down on his luck nagged man after his affair with 'the tart' as his wife calls her. Not a sitcom that lives long in the memory.

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    Verwandte Interessen

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    Komödie

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Peter Howitt left in the 1988 Christmas Special and was replaced by Graham Bickley and Gilly Coman also left in the 1988 Christmas Special and was replaced by Melanie Hill. Victor McGuire had taken a break from the show and it was written into Series 4 that his character Jack had gone off to visit America.
    • Patzer
      Although it is made clear that Grandad is Nellie's father, Martina from the DHSS refers to him more than once as Mr Boswell; Boswell being Nellie's married name.
    • Zitate

      Lilo Lil: Look, we're both women. We have handbags, and ovaries. We're as devious and clever as a gifted monkey, and here we are fighting over a little man with a yellow cart.

      Nellie Boswell: Is that how you see him?

      Lilo Lil: No. I thought that's how you might see him.

    • Verbindungen
      Edited into Auntie's Bloomers: More Auntie's Bloomers (1992)
    • Soundtracks
      Home
      (uncredited)

      (Title Theme)

      Written by David Mackay and Carla Lane

      Performed by The Cast

    Top-Auswahl

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    FAQ19

    • How many seasons does Bread have?Powered by Alexa
    • What is Bread about?

    Details

    Ändern
    • Erscheinungsdatum
      • 1. Mai 1986 (Vereinigtes Königreich)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Drehorte
      • Elswick Street, Dingle, Liverpool, Merseyside, England, Vereinigtes Königreich
    • Produktionsfirma
      • British Broadcasting Corporation (BBC)
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    Technische Daten

    Ändern
    • Laufzeit
      • 30 Min.
    • Farbe
      • Color
    • Sound-Mix
      • Mono

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