Brat Farrar

Josephine Tey's "Brat Farrar" is,along Daphné Du Maurier's " the scapegoat" ,the most absorbing British detective story dealing with the impostor subject .Tey has the edge ,as far as plausibility is concerned ,for an eight-year gap changes a person, whereas a man who reluctantly replaces a real count overnight without his family noticing any changes is a little hard to swallow .

The novel has undergone some changes: the main difference is the role of Alec loding: it was fleshed out as he continues to coach his protégé as he makes his way through his new life ,and he is greedier than in the novel,asking not a small allowance but a hefty sum.The scenes given over to the "coach" make sense: many frames of mind of Brat and the suppression of the shepherd Abel character ( a good name for this kind of story) mean that the hero needs a person he can secretly talks to.

The rest is faithfull to Tey ,though her book was written in the late forties,and the action is transposed to the 80s, when the series was made. I have always thought that Uncle Charles 's providential intervention was the weakest link of the book (Du Maurier's denouement is stronger).

But ,by and large ,a good miniseries ,very absorbing ;it's too bad French TV never bothered to show it ,as they recently did for Agatha Christie's "and then there were none" .

Our family was fortunate to have taped this off the TV broadcast many years ago when A & E still aired these excellent British series. We have watched it many times and invariably find it wonderful. The cast is uniformly outstanding, the characterizations are subtle and multi-layered, and although we know the outcome by now, it is still very suspenseful.

I can't imagine why this hasn't been released in video format, and I wish PBS or A & E would air this Josephine Tey classic mystery again.

I actually saw this when it was first aired on the BBC, over the course or a few weeks I got hooked. I was actually totally distraught when I went on holiday the week of the last instalment, and forgot to set the video. I got hold of the book on holiday, but as with many TV or Film adaptation their are always differences (Althought it was as close as i've seen an adaptation), and I am still wishing almost 20 years on that I had seen that last instalment. As you can tell from that comment I thought it was a great watch at the time. Unfortunately the BBC is yet to cotton onto the fact that there are many people out there waiting for them to release the DVD. Even though after 20 years I am sure it has dated I would still be at the front of the queue, jumping up and down to get my copy! If you ever see it up for a rerun (which so far I never have) then I would definitely recommend it to be watched. I believe that sometime this year, or next, there is a remake with Ben Afflek being made. Even though I might give this a watch, I am sure Brat will suddenly sprout a Yank accent and the British estate be transplanted to the mid-west or some such "across the pond" location. Ho Hum. *Am hoping that this might poke the BBC into releasing the UK version, as interest in the story will be sparked. One can always hope! :o)

Saw this first as a small child, since my mom watched all the British mini series on Mystery! on PBS. We ended up seeing it again re-run on the Disney channel of all places. Mark Greenstreet was fantastic in this playing dual roles flawlessly. I wish so badly that he had become "James Bond" at some point, or risen to super stardom in some other way. Its a mystery to me why Mr. Greenstreet or this series are not more widely well-known. Just thinking about this series still makes me yearn to move to England and run a riding stable.

Like many fine novelists, Josephine Tey sold the rights to her novel "Brat Farrar" to Universal Pictures, who was hellbent to capitalize on the success of "Psycho" and hopefully duplicate its boxoffice grosses as well. In order to insure the film version would remain truthful to her novel, Ms. Tey was also hired as one of the screenwriters. However, when she realized her dubious feelings were right (the title was changed to the lurid "Paranoiac," and the thrust of her novel was reduced to a Grade-B horror flick.) Miss Tey left the project in vocal disgust, expecting to hear from nobody in Hollywood ever again. And she didn't until some 23 years later when the Arts & Entertainment TV channel(located in the U.S.) and the BBC-TV network approached her to do a made-for-TV mini-mini-series (Running time: 155 minutes, but divided into 5 episodes for the A&E network--plus commercials. The result is one of the finest achievements ever accomplished by movies OR television. Playing two roles, Simon, a cold-hearted (and possibly homicidal) young man, and the impoverished youth Brat Farrar, who suddenly shows up after a 15-year absence and claims he is not only Simon's older brother but the true Lord of the Manor. An absolutely riveting young actor named Mark Greenstreet should have become a major star on the basis of his two performances in "Brat Farrar." Telling anything more of the plot would deprive the viewer of a maze of romance, familial love and hate, exquisite cinematography, and murder. The ending will astound you, as it still sticks in my mind after all these years. Two-and-a-half hours of television at its most extraordinary (off-handed, I can only think of "Brideshead Revisited" achieving the same bold, ambitious and absolutely shattering quality of the criminally neglected and now virtually forgotten "Brat Farrar." It's understandable why Josephine Tey found "Paranoiac" so offensive (it's actually one of the better "Psycho" rip-offs of the early 1960s, featuring a very young Oliver Reed chewing the scenery with all the bravado he can muster up). But "Brat Farrar," although unbearably suspenseful at times, digs deeply into the souls and motives of all its principal characters, and does so with such precision and empathy that are miraculous to behold. Josephine Tey was finally vindicated with the astoundingly gripping and achingly touching treatment of her magnificent novel "Brat Farrar." Now, A&E and the BBC, it is indeed high time you vindicated your loyal audiences by putting the full-length 155-minute version of "Brat Farrar" on VHS, DVD, or simply repeating it on your cable stations so that home viewers can finally become acquainted with 2 1/2 hours of the most elegant, stylish, heartbreaking and heartfelt drama television has ever gifted us with.