Im Jahr des Drachen

Michael Cimino's Year Of The Dragon is a visceral blast of pure Americana as only the man could bring us. It kills me that he suffered through that whole Heaven's Gate fiasco (which is actually a really good movie, but that's another story and argument entirely) because it extinguished any hopes of him making future films, and in doing so the studios effectively committed genocide against their own. Sure the guy was crazy as hell, but damn could he ever make a great film. This one is one of the most criminally overlooked cop flicks of all time, partly due to Cimino's scorching direction and partly due to a a performance of monolithic grittiness from Mickey Rourke as Captain Stanley White, the cop who won't stop. White is fresh out of Nam and mad as hell, launching a unilateral crusade of racist violence and self righteous fury against the Chinese crime syndicate in New York City, particularly a young upstart in their organization named Joey Thai (John Lone). Thai is as ruthless as White is determined, and the two clash in ugly spectacle, causing leagues of collateral damage on either side and inciting them both to roar towards an inevitable, bloody conclusion. Thai's elderly superiors warn him of men like White, men who are fuelled purely by anger, bitterness and nothing else, smelling the fire and brimstone in the air and wisely stepping out of the way. Thai is of a younger, more petulant generation and foolishly decides to meet the beast head on by essentially kicking the hornet's nest. White is warned by his caring wife (Caroline Kava) and fellow cop and friend Lou (Raymond J. Barry is excellent, firing Rourke up further with his work) not to mess with such a dangerous crowd. He has a volatile relationship with a beautiful Chinese American reporter (Arianne is the only weak link in the acting chain) who puts herself on the line for him by digging around in dangerous corners. The intensity level of this film is something straight from the adrenal gland; even in episodic scenes of introspect we feel the hum of the character's emotions, and when the conflict starts again, which it does in fast and furious amounts, the actors are simply in overdrive. Rourke has never been better than he was in the 80's, it was just his zenith of power. This isn't a role that gets a lot of recognition, but along with Angel Heart, Rumble Fish and Pope Of Greenwich Village, I think it's his best. He puts so much of himself into Stanley White that the edges which separate performer from performance begin to blur and waver, until we are locked into his work on a level that goes beyond passive consumption of art and elicits something reflective in us. Not to sound too hippie dippy about it, but the guy is just that good. On the calmer side of the coin, John Lone brings both evil and elegance to Joey, a slick surface charm that's constantly disturbed by Rourke's hostility, leading to an eventual meltdown that's very cool to see in Lone's expert hands. This is one for the ages and should be in the same pantheon with all timers like Heat, Serpico, The French Connection and others. Rourke fires on all cylinders, as do his colleagues of the craft, and Cimino sits cackling at the switchboard with a mad calm, yanking all the right levers in a frenzy of unhinged genius. Not to be missed.

When "Year of the Dragon" was released in 1985, it was ripped to pieces by Chinese anti-defamation organizations as being a very racist film. The film was likewise given lot of bad reviews by critics, who probably wanted to be politically correct.

Being a Chinese American who was raised in Boston's Chinatown, I had expected bad things about this film. Even though "The Deer Hunter" is a great film, the depictions of Vietnamese and Chinese in that film are truly horrendous (no, Chinese DID NOT engage in Russian Roulette!!) I expected the same with "Year of the Dragon." I was totally shocked after I saw the film at how realistic the film was about Chinatown. I do understand many Chinese Americans do not want themselves portrayed as drug dealers, gang members, etc. However, I don't think there has been any film in Hollywood history who portrayed the dark side of Chinatown as accurately as this film. I know because I grew up in the area when there lot of Chinese street gangs and mafia activity.

The sad thing is after this film was released, depictions of Chinese Americans has gotten a LOT worse; they are depicted as chopsocky kung fu gangsters (now isn't that ironic!!) in Jet Li and Jackie Chan movies, or as baby killers, rapists, or domineering bigots in "The Joy Luck Club" (by the way, this film is truly truly AWFUL in it's portrayals of Chinese; the ignorant critics however gave this movie great reviews.) Strangely, Chinese anti-defamation leagues has been very silent during these years.

"Year of the Dragon" is Cimino's unappreciated gem. According to my view, it's his second best film. I understand this film has flaws but Cimino was brilliant in showing the side of Chinese Americans that few Americans know. Not all of us Chinese went to CalTech or MIT and became successful software engineers or research scientists.

This is the first movie in Rourke's golden years: Year of the dragon (1985), 9 1/2 weeks (1986), Angel Heart (1987), Barfly (1987): every single one underrated IMO. His glory started to erode heavily with Johnny Handsome (1989), really hit an all-time low with Wild Orchid (1990) and confirms that as the Marlboro Man's sidekick Harley Davidson (1991). Nevertheless I'm sorry that his footage was cut out of the Thin Red Line (1998), because I like his style. Michael Cimino (Thunderbolt&Lightfoot, Deerhunter) and cinematographer Alex Thomson (Excalibur, the Keep, Legend) apparently know their way in the eighties as well, although the story plays just before.

Is the recent wave of violence in Chinatown caused by Stanley White, the new (Polish originate) gung-ho sheriff in N.Y. Chinatown, or by the hunger for power by the young chinese gangsters? White, ironically, makes his own job harder because he has serious trouble respecting the Chinese in any way. Stanley hits the crime in chinatown like Popeye Doyle in the tradition of the French Connection, instead of a sheriff with brains. He will have to pay for his callousness and hypocrisy.

'Year of the dragon' depicts some of the the money and gambling problems of the Chinese in an early but profound eighties' style. The score sounds cheap, but fortunately is scarce too. I particularly like the noirish feel of this way-above-average cop-flick. Michael Mann could only wish he made this: it's one of my favourite tv-movies. The few negative points are probably due to interference of producer Dino de Laurentiis. 8/10

A group of young Chinese thugs in NYC murders triad leader Jackie Wong. They also murder a store owner protected by the Italians. Police Captain Stanley White (Mickey Rourke) is one Polock unwilling to uphold the established understanding between the cops and the Chinese leaders. His marriage to Connie is on the rocks when TV reporter Tracy Tzu (Ariane Koizumi) comes into his life. Joey Tai (John Lone) is the ambitious leader who pushes his way to the top as he advocates a risky strategy to ramp up the drug trade from Thailand. Stanley recruits rookie cop Herbert Kwong to infiltrate Chinatown.

First of all, this is not reality. This is a hard-boiled crime drama and it's not going to put Chinatown in a good light. Certainly, Michael Cimino and Oliver Stone are willing to write in some Chinese stereotypes such as bad driving. There are some fun surprising bits like the Chinese speaking nuns translating the wiretaps. Despite the hard-boiled unreality, I find the semi-claustrophobic feel of Chinatown very compelling. That's why John Lone going to Thailand takes away some of the tension. Otherwise, John Lone is great and Mickey Rourke is pretty good at this role. Ariane is basically a model-turned-actress. It would have been better to sacrifice a little on the looks for better acting. Part of it is the jarring dialogue like when she injects her rape into an argument out of nowhere. I watched this again after these many years and I'm surprised at so many of these memorable scenes. Cimino is capable of great visual mastery but once in awhile, he loses his way through his excesses.

Cimino has crafted a tough, gritty policier. I went into this film thinking that it would be mediocre at best. Boy, was I surprised. An intelligent script and passionate performances keep this film moving along. The movie kept me enthralled throughout it's length.