Im Jahr des Drachen

Here's a nice recreation of the Chinese underworld and the Chinese mafia in New York. A great detective movie that combines drama and violence with a touch of film-noir. Nevertheless there's something in the script fails: it looks like Cimino and Stone had written a longer story and the had to cut it or something. The main plot is so solid but there some parallel stories that are not clear enough (Stanley White and Joey Lang's characters are rather confusing).

Mickey Rourke makes a good job, as usual... Tood bad he decided to become a boxer and destroy his own career.

Although Cimino's masterpiece is still "The deer hunter", "Manhtattan Sur" is worth seeing too.

*My rate: 7/10

A group of young Chinese thugs in NYC murders triad leader Jackie Wong. They also murder a store owner protected by the Italians. Police Captain Stanley White (Mickey Rourke) is one Polock unwilling to uphold the established understanding between the cops and the Chinese leaders. His marriage to Connie is on the rocks when TV reporter Tracy Tzu (Ariane Koizumi) comes into his life. Joey Tai (John Lone) is the ambitious leader who pushes his way to the top as he advocates a risky strategy to ramp up the drug trade from Thailand. Stanley recruits rookie cop Herbert Kwong to infiltrate Chinatown.

First of all, this is not reality. This is a hard-boiled crime drama and it's not going to put Chinatown in a good light. Certainly, Michael Cimino and Oliver Stone are willing to write in some Chinese stereotypes such as bad driving. There are some fun surprising bits like the Chinese speaking nuns translating the wiretaps. Despite the hard-boiled unreality, I find the semi-claustrophobic feel of Chinatown very compelling. That's why John Lone going to Thailand takes away some of the tension. Otherwise, John Lone is great and Mickey Rourke is pretty good at this role. Ariane is basically a model-turned-actress. It would have been better to sacrifice a little on the looks for better acting. Part of it is the jarring dialogue like when she injects her rape into an argument out of nowhere. I watched this again after these many years and I'm surprised at so many of these memorable scenes. Cimino is capable of great visual mastery but once in awhile, he loses his way through his excesses.

Cimino shows that he is a crass and hysteric filmmaker here. His sensibilities place him somewhere between Cecil B. DeMille and Francis Coppola. He's got to film big, so even a cop flick about violence in Chinatown has to be a saga. There's no weight to it, it just has to be a sprawling story that's only vaguely about social issues of importance. He's got to have both the scope and relevance, preferably something to brood over. He's got to have lots of people and lots of scenery in the frame. There's a pretty ludicrous scene set in backwoods Thailand that only seems to exist so that a Triad boss can majestically gallop in view of a swarm of soldiers (and later brandish a severed head).

There's nothing worse than a filmmaker who can only leverage ambition and control in his art (Coppola once in a while had good intuitions). So at its most profound, cinematic beauty is at perfume ad level here, say a woman in silhouette sliding into a majestic night-view of New York. What's the term, 'elephant art'? I say it doesn't breathe.

Worst of all, since he is very much a storyteller, these days a novelist living in Paris, his dramatic sense is a lot of puff and noise on a typewriter. It has no life. It's screen writing 101 like in one of those books that tell you about the 'hero's journey' and where to put the 'inciting incident': the couple is growing bitter and distant, and it's right on the first scene that they have to curse, yell, and throw things as they explain all that's wrong between them: he's never at home, he doesn't care, she wants a baby.

And he's got the ideal writing partner for this. Oliver Stone: so angry barbs at the media, school-lessons in American and Chinese history, and Vietnam is behind all of it. It's all abrasive on this end, as is Stone.

Mickey Roorke, usually game for roles that call for lots of smirking and boyish thrashing-about, is the violent, crazy, anguished new sheriff in 'Town. He browbeats and ridicules the Chinese journalist girl and of course she goes to bed with him the moment he has finished doing so, because what's more charming than a 'flawed protagonist'.

The film is bookended by public funeral processions and that could have been something, connoting obsession, artificial images, false narratives. Watch John Lone in M. Butterfly for that. Watch Fukasaku for chaotic action.

When "Year of the Dragon" was released in 1985, it was ripped to pieces by Chinese anti-defamation organizations as being a very racist film. The film was likewise given lot of bad reviews by critics, who probably wanted to be politically correct.

Being a Chinese American who was raised in Boston's Chinatown, I had expected bad things about this film. Even though "The Deer Hunter" is a great film, the depictions of Vietnamese and Chinese in that film are truly horrendous (no, Chinese DID NOT engage in Russian Roulette!!) I expected the same with "Year of the Dragon." I was totally shocked after I saw the film at how realistic the film was about Chinatown. I do understand many Chinese Americans do not want themselves portrayed as drug dealers, gang members, etc. However, I don't think there has been any film in Hollywood history who portrayed the dark side of Chinatown as accurately as this film. I know because I grew up in the area when there lot of Chinese street gangs and mafia activity.

The sad thing is after this film was released, depictions of Chinese Americans has gotten a LOT worse; they are depicted as chopsocky kung fu gangsters (now isn't that ironic!!) in Jet Li and Jackie Chan movies, or as baby killers, rapists, or domineering bigots in "The Joy Luck Club" (by the way, this film is truly truly AWFUL in it's portrayals of Chinese; the ignorant critics however gave this movie great reviews.) Strangely, Chinese anti-defamation leagues has been very silent during these years.

"Year of the Dragon" is Cimino's unappreciated gem. According to my view, it's his second best film. I understand this film has flaws but Cimino was brilliant in showing the side of Chinese Americans that few Americans know. Not all of us Chinese went to CalTech or MIT and became successful software engineers or research scientists.

Year of the Dragon is something of a little known masterpiece. It is well written by oliver stone, and directed by cimino at a turning point in his career. The centre piece, however, is Rourkes performance, which was caught while he most likely was at the peak of his acting ability's. You will be totally blown away by the realism of his acting, and it's even more noteworthy that the film was made while Rourke was youthful while making this and was made to look more senior (that grey hair is dye). A heartfelt performance from an actor playing a cop with "scar tissue on his soul", will never be forgotten once seen. While the main character is far from perfect, it is just that which makes him believable as well. Stanley White is on a crusade and would die for his principles, which effects all those involved with him. It is a complex film, often talky, which is punctuated throughout with explosive violence, well shot with use of excellent set pieces. Bloody in places and above all gritty and realistic, in parts it is even beautiful. The film works on many levels from it's slow burn beginnings with emphasis on conspiracy to the final pay off on the dock yards. Well drawn characters are everywhere in this film, and it never losses its hard edge. Rourke has seen a much needed and deserved return in recent years. He may have lost his handsome good looks due to boxing and due to too many face lifts, but the guy will never lose his acting ability. We, the true fans, never gave up on this chance. And now he's finally gaining popularity with a new generation, who need to see and experience The Year Of The Dragon, To believe the hype. Also check out his other classics Angel Heart and Barfly.