IMDb-BEWERTUNG
4,0/10
1314
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhen high class hooker Nicole is kidnapped from her brothel, Rich businessman Hugo Motherskille hires her ex love Roy Bain to find her.When high class hooker Nicole is kidnapped from her brothel, Rich businessman Hugo Motherskille hires her ex love Roy Bain to find her.When high class hooker Nicole is kidnapped from her brothel, Rich businessman Hugo Motherskille hires her ex love Roy Bain to find her.
Phil Davis
- Lazarus
- (as Philip Davis)
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I stumbled across this as Clive Barker's Underworld on Prime, and intrigued I checked it out. Ultimately while interesting enough, it was ultimately a forgettable watch, which given that this was based off of the work I expected it to at least be interesting.
The story centers around an adventurer who is hired by a crime boss to find a prostitute that he once loved. In his search he stumbles across a sinister drug that has unforseen side effects on those who take it.
This movie started off strong enough, campy, but strong but quickly got boring fast. The characters are dull, and the effects on the creatures of the underworld was quite bland. In fact if anything it just looked like they had some skin sores and nothing more. The villains we're one dimensional and even the main character was no one you really cared of for. Overall this is a middle of the road flick, not bad but not good either. Just, meh.
The story centers around an adventurer who is hired by a crime boss to find a prostitute that he once loved. In his search he stumbles across a sinister drug that has unforseen side effects on those who take it.
This movie started off strong enough, campy, but strong but quickly got boring fast. The characters are dull, and the effects on the creatures of the underworld was quite bland. In fact if anything it just looked like they had some skin sores and nothing more. The villains we're one dimensional and even the main character was no one you really cared of for. Overall this is a middle of the road flick, not bad but not good either. Just, meh.
A mixed bag.
On the positive side, it was written by Clive Barker and has a number of his recurring themes and ideas. The central concept of a drug that externalizes the ugliness of addiction is quite compelling and had a lot of potential.
The colors, costumes, and atmosphere are otherworldly and impressive when you consider the low budget.
Denholm Elliott (from Indiana freaking Jones) is one of the villains and really helps elevate the film.
Also, the soundtrack is better than it has any right to be. It was done by a synth-pop-rock band called Freur. Interestingly, Freur later changed their name to Underworld.
On the negative side, many of the actors seem to be sleepwalking their way through the film. It's no wonder because the script does not include character development. There's a handful of clever lines but nothing to make you connect with any of these zombies. Many characters make impossibly dumb decisions in service of the plot.
At the end of the day, it's both underrated, and you can skip it.
On the positive side, it was written by Clive Barker and has a number of his recurring themes and ideas. The central concept of a drug that externalizes the ugliness of addiction is quite compelling and had a lot of potential.
The colors, costumes, and atmosphere are otherworldly and impressive when you consider the low budget.
Denholm Elliott (from Indiana freaking Jones) is one of the villains and really helps elevate the film.
Also, the soundtrack is better than it has any right to be. It was done by a synth-pop-rock band called Freur. Interestingly, Freur later changed their name to Underworld.
On the negative side, many of the actors seem to be sleepwalking their way through the film. It's no wonder because the script does not include character development. There's a handful of clever lines but nothing to make you connect with any of these zombies. Many characters make impossibly dumb decisions in service of the plot.
At the end of the day, it's both underrated, and you can skip it.
Clive Barker has stated this film was one of the reasons he directed Hellraiser himself, so I first watched this movie knowing that it was going to be terrible. I also hoped it would be the watchable kind of bad, no luck there. First off, this isn't even really a horror movie. The possibility is there but mostly it's mutants in bad make-up, so it's more sci-fi. The costuming and direction looks like a bad new wave music video with less budget than a three minute video would have. The use of red and blue lighting puts me in mind of Dario Argento, and as such blasphemes his name. The acting and script were also terrible, causing the movie to drag on until it feels like you've been sentenced to hell for renting/buying this film. The only reason I kept watching is because I'm a Barker fan through thick and thin. The only mildly redeeming quality I a brief bit at the end, which seemed tacked on anyway. It was hardly connected to the story and focused on a subplot of sorts that had no development. I would guess it was only mentioned to permit a horrific ending, but it ended up the wrong kind of horrific.
Most Clive Barker fans will never be satisfied with filmed adaptations of his work. Even the strongest movies based on his work, (the best still being those directed by Clive himself), will leave his readers wanting more.
Transmutations (aka Underworld) is a fun, charming 80s precursor to Barker's better film adaptations. Is Transmutations as bad everyone says? No. Is it good? Well, no. But it definitely has Clive's stamp on it (there's a heavy Nightbreed theme throughout).
Don't watch it expecting Hellraiser and enjoy it as an 80s oddity. Or, watch it as an early introduction to Barker. The film, condemned by Barker himself, is not the complete failure most reviewers make it out to be.
Transmutations (aka Underworld) is a fun, charming 80s precursor to Barker's better film adaptations. Is Transmutations as bad everyone says? No. Is it good? Well, no. But it definitely has Clive's stamp on it (there's a heavy Nightbreed theme throughout).
Don't watch it expecting Hellraiser and enjoy it as an 80s oddity. Or, watch it as an early introduction to Barker. The film, condemned by Barker himself, is not the complete failure most reviewers make it out to be.
Mostly boring, distant and very weird
That's the painful conclusion I have to make after watching "Transmutations". This sure isn't Clive Barker like we know him from "Hellraiser" and even "Rawhead Rex" (the other lousy collaboration between Barker and director Pavlou) was ten times better than this. The story isn't very original and more importantly it never seems to properly take off. Pivot element seems to be a very addictive new drug, developed by Dr. Savary, but the side effects cause people to mutate so that they're forced to live in a secret underground community. The mutants kidnap the fancy prostitute Nicole because she appears to be immune for the horrible side effects. Amateur hero Roy Bain attempts to rescue her
yawn! The acting of the entire is truly miserable and the Pavlou's directing is really, really weak. Luckily his repertoire only exists out of two films! There's no tension at all and the few action sequences are tame and unexciting. You wouldn't know if it was a Clive Barker script if it wasn't for the use of kinky outfits and bizarre sexual undertones. Really, what is the deal with Barker and his obsession for black leather? The overuse of bad music is really annoying and don't set your hopes on seeing gross-out gore, neither. The only slightly imaginative aspect is the make-up on some of the mutants and even then you get the feeling that they easily could have done more with it. I surely expected a lot more from this film (especially considering the fact it was so hard to track down) but I hope to convince people not to watch it! Transmutations (a.k.a Underworld) definitely is one of the worst 80's horror movies
and that says a lot!
Wusstest du schon
- WissenswertesClive Barker hated the film.
- VerbindungenFeatured in Svengoolie: Transmutations (2001)
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